Paberikuju

Õpilaste kunstiteoste juhend

One Second, Whose Legs?

Nimi Klass Kuupäev

Olaf Breuning, One Second, Whose Legs? (2018), THAT'S CONTEMPORARY. Reprodukteeritud allujoonaseks; õigused on kaitstud õiguste valdaja poolt.

Faktid

Kunstnik
Olaf Breuning allpaintingsstore.com/et/artists/olaf-breuning/
Kunstniku eluaastad
1970 – ?
Maalatud
2018
Originaalmõõtud
100 x 140 cm
Peetud koht:
THAT'S CONTEMPORARY allpaintingsstore.com/et/museums/that-s-contemporary-milan/

Kontekstis

One Second, Whose Legs? — Olaf Breuning

Mis on selle suurus?

Originaalmeasured on 100 × 140 cm (kõrgus × laius), joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga.

Millal see maalis on tehtud?

  1. 1970
  2. 1980
  3. 1990
  4. 2000
  5. 2010

Varjatud: Olaf Breuning eluajal (1970–?) ▲ see teos, 2018

Sarnased teosed

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: allpaintingsstore.com/et/art/similar/olaf-breuning-one-second-whose-legs-D73UYF-en/

Värvigamma

Pildist mõõdetud palett

    Peavärv

    White #fefefe

    Salvestatud palett

    • #FEFEFE
    • #C4C4C4
    • #D9D9D9
    • #EDEDED
    Palett
    Monochrome Pildis domineeriv värvigrupp.
    Peavärvi nimi
    White
    Intensiivsus
    Monochromatic Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Serene Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Unified Palette Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Ereus
    Brilliant Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Muted Värvide puudus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kunstnik ja muuseum

    Kunstnik

    Olaf Breuning

    Sündinud Schaffhausen, Switzerland

    The Satirical Lens of Olaf Breuning

    Born in the quiet Swiss town of Schaffhausen in 1970, Olaf Breuning has emerged as a captivating enfant terrible within the contemporary art landscape. His artistic journey is defined by a profound, often disillusioned, gaze upon the world—a perspective that does not merely observe but actively deconstructs the absurdities of modern existence. Now residing in Upstate New York, Breuning carries with him a distinctly Swiss sensibility: a meticulous, thoughtful approach to observation paired with an irrepressible urge for experimental play. His work serves as a personal diary, fueled by the rhythms of everyday life and rendered through a lens of biting satire and deceptive simplicity.

    Breuning’s practice is remarkably multifaceted, refusing to be tethered to a single medium. He moves fluidly between photography, film, ceramics, engraving, and drawing, creating a body of work that feels both direct and deliberately regressive. In recent years, he has expanded his repertoire to include painting, utilizing naïve, almost childlike forms and colors applied via woodcut stamps made from solid wooden blocks. This tactile, rhythmic method of creation adds a layer of raw, physical presence to his explorations of contemporary reality. Whether through the stillness of a photograph or the three-dimensionality of a sculpture, Breunding’s art seeks to undermine simple readings of our surroundings, forcing the viewer to confront the complexities hidden beneath the surface of the mundane.

    Conceptual Roots and Artistic Evolution

    The intellectual architecture of Breuning’s work is deeply rooted in the traditions of conceptualism. Drawing inspiration from pioneers such as Marcel Duchamp and Joseph Kosuth, he operates within a lineage that prioritizes the potency of the idea over traditional aesthetic perfection. This influence is evident in his use of found objects and unconventional materials to create pieces that are as conceptually dense as they are visually arresting. By juxtaposing disparate elements, Breuning mirrors the fragmented and often contradictory nature of navigating modern life, using irony and humor to interrogate societal norms rather than simply depicting them.

    As his career has progressed, a recurring concern for the relationship between humanity and the natural world has become increasingly prominent. His recent series of paintings, for instance, playfully yet poignantly address pressing global issues such as climate change. This evolution demonstrates an artist who is not content to remain static; instead, he adapts his techniques—from the satirical caricatures of his early years to more profound environmental commentaries—to reflect the shifting anxieties of the global community. His work remains a constant dialogue between the whimsical and the weighty, using wit to navigate the heavy themes of identity, vulnerability, and ecological impact.

    Global Recognition and Legacy

    Breuning’s ascent within the international art scene has been marked by prestigious solo exhibitions and participation in some of the world's most significant contemporary art forums. His work has been showcased in renowned institutions such as:

    Palais de Tokyo in Paris, a testament to his influence in the European avant-garde.

    The Whitney Biennial in New York, marking his arrival on the pinnacle of the American art stage.

    The Museum of Modern Art (MoMA), New York, placing his satirical visions within the canon of modern greatness.

    The Pompidou Center in Paris and the Chisenhale Gallery in London, highlighting his widespread critical acclaim.

    The Paul Klee Museum in Bern, connecting his contemporary practice back to his Swiss origins.

    Through these milestones, Breuning has secured a position as a vital voice in postmodern art. His ability to blend high-concept intellectualism with a sense of play and accessibility ensures that his work resonates far beyond the gallery walls. By utilizing humor as a tool for critique, he invites the audience into a shared space of reflection, making the profound accessible through the absurd. His ongoing commitment to creation—a manifesto to continue until his final breath—promises a legacy of art that will continue to challenge, provoke, and delight for generations to come.

    Muuseum

    THAT'S CONTEMPORARY

    Näitustel asub Milan, Italy

    THAT'S CONTEMPORARY: A Milanese Hub for Contemporary Art

    Milan, Italy – THAT’S CONTEMPORARY stands as a singular testament to the evolving landscape of Italian art. Founded in 2011, this innovative cultural platform isn’t merely documenting contemporary artistic endeavors; it actively cultivates an independent network connecting artists, galleries, and audiences—a deliberate departure from traditional museum models. Its mission is simple yet profound: to illuminate Milan's dynamic creative spirit and foster a deeper appreciation for modern art forms.

    Mapping the Scene:

    Launched as a response to the need for centralized artistic mapping, THAT’S CONTEMPORARY swiftly established itself as the go-to resource for discovering exhibitions and emerging talent within Milan.

    Bridging Connections:

    Unlike conventional institutions focused on preservation, THIS platform prioritizes engagement—facilitating dialogues between artists and collectors alike.

    Collection Highlights & Artistic Explorations

    While lacking a permanent collection in the traditional sense, THAT’S CONTEMPORARY offers visitors an immersive journey into Milanese contemporary art. The platform champions exhibitions showcasing diverse mediums—photography, sculpture, installation art—often featuring groundbreaking perspectives on societal issues and artistic experimentation. Notably, explorations of architectural spaces like Viafarini contribute to this experience, highlighting innovative approaches to gallery design and fostering stimulating conversations about artistic presentation.

    Featured Works:

    Among the showcased pieces are captivating artworks such as Gerhard Richter’s ‘Domplatz, Mailand,’ a masterful black & white photograph capturing Milanese grandeur—a testament to realism infused with aged aesthetic qualities.

    Fashion Forward Inspiration:

    Águeda Isabel Ruiz de la Prada’s ‘Dress with Synthetic-Suede Squares,’ presented during Milan Fashion Week, exemplifies the platform's commitment to showcasing artistic collaborations and pushing creative boundaries.

    Notable Artists & Creative Voices

    THAT’S CONTEMPORARY spotlights Italian artists who are shaping the future of art. Massimo Kaufmann, renowned for his expansive paintings, embodies the spirit of Milanese artistic tradition while simultaneously embracing innovation. Similarly, elisabetta gut's sculptures and installations delve into themes of confinement and fragility—reflecting a thoughtful engagement with contemporary concerns. Daniele Innamorato’s collaborative work as founder of Kings Collective underscores the platform’s dedication to fostering collective creativity and pushing artistic boundaries.

    Viafarini: An Architectural Canvas

    The Viafarini gallery complex serves as an integral part of THAT’S CONTEMPORARY's narrative. Designed by architect Marco Zanuso Jr., this building embodies Milanese architectural modernity—a space deliberately conceived to stimulate artistic dialogue and showcase experimental exhibitions. Its expansive layout encourages exploration and contemplation, mirroring the platform’s ethos of fostering engagement with cutting-edge art.

    A Unique Perspective on Contemporary Art

    THAT'S CONTEMPORARY distinguishes itself from conventional museums by prioritizing active participation and disseminating knowledge beyond physical walls. It operates as a dynamic online resource—a vibrant hub for artistic discovery—solidifying its position as an indispensable guide for anyone wishing to experience Milan’s flourishing contemporary art scene.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib One Second, Whose Legs? allalaadimislehele

    allpaintingsstore.com/et/art/download/olaf-breuning-one-second-whose-legs-D73UYF-en/

    Viige seda teost allintena

    MLA
    Breuning, Olaf. One Second, Whose Legs?. 2018, THAT'S CONTEMPORARY. https://allpaintingsstore.com/et/art/olaf-breuning-one-second-whose-legs-D73UYF-en/
    APA
    Breuning, Olaf (2018). One Second, Whose Legs? [Painting]. THAT'S CONTEMPORARY. https://allpaintingsstore.com/et/art/olaf-breuning-one-second-whose-legs-D73UYF-en/
    Chicago
    Olaf Breuning. One Second, Whose Legs?. 2018. THAT'S CONTEMPORARY. https://allpaintingsstore.com/et/art/olaf-breuning-one-second-whose-legs-D73UYF-en/
    Harvard
    Breuning, Olaf (2018) One Second, Whose Legs?. THAT'S CONTEMPORARY. Available at: https://allpaintingsstore.com/et/art/olaf-breuning-one-second-whose-legs-D73UYF-en/

    Vaata lähedalt

    One Second, Whose Legs? — Olaf Breuning

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Vaadake tagasi juhendi alguses esitatud teosele Happy Painters (2018). Tooge kaks asja, mis sellel teosel koos sellega ühendavad, ning üks erinevus.
    5. Olaf Breuning oli selle teose valmimisel umbes 48 aastane. Mis selles teoses viitab kunstniku sellel kujumisel etapel olnud tööle?

    Teie vastus

    Kirjutage sellest teosest lühike lõik. Kasutage selle juhendi varasemate osade faktisid ja oma eelmitud vastuseid.