Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 5 teost Carl Ebert meie kataloogis
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Kulubumatu Carl Ebert teos on Forest Landscape with Bathing Children (1867); originaal paikneb Bavaria riiklikud maalidema kogumikud muuseumis, München. Evening Landscape (1875) ja Landscape society in a park on numbrid kaks ja kolm. Sellest Carl Ebert kataloogis olevatest 5 teosest on need kuze 5 kõige kuulsamat, järjestatud aasta ja muuseumi järjekorras, et saaksite valida soovitud maali tellimiseks.
Kümne 2 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Carl Ebert teosid | Selle nimekirja maalid |
|---|---|---|---|
 Bavaria riiklikud maalidema kogumikud |
München | 2 | Forest Landscape with Bathing Children, Evening Landscape |
 Lenbachhaus |
München | 1 | Isar Landscape |
Siin olevad kunstniku Carl Ebert maalid on pärinevad 9 aastast, aastast 1867 kuni 1875. Sirgis neid aastaaeglaadiga, et leida oma lemmik.
Valige aasta, et näha selle aasta teoseid.
Forest Landscape with Bathing Children (1867), Bavaria riiklikud maalidema kogumikud, München, on esikkohal, järglennud on Evening Landscape (1875) ja Landscape society in a park.
Carl Ebert oli 46 aastat vanus: teos Forest Landscape with Bathing Children on pärinev aastast 1867 ning Carl Ebert sündis aastal 1821.
Kataloogis on 5 teost kunstnikult Carl Ebert, kuupäevadelt 1867 kuni 1875.
Peamiselt Bavaria riiklikud maalidema kogumikud (München) ja Lenbachhaus (München). Täielik nimekiri on esitatud ülalpool olevas muuseumide tabelis.
Sellel lehel kõige vanem: Forest Landscape with Bathing Children (1867). Uusim: Evening Landscape (1875).
Bavaria riiklikud maalidema kogumikud, München säilitab 2 siin loetletud maalistest, sealhul ka Forest Landscape with Bathing Children ja Evening Landscape.
Jah. Kõik sellel lehel olevad maalid on tellitavad nii käsitööna valminud õlimaalide reproduktsioonina kui ka trükkina. Avage maali, valige suurus ja esitage tellimus.
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.
