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Top 2 kulubasemat Jos Postmes maali, järjestatud kubususe järgi
Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 2 teost Jos Postmes meie kataloogis
Kiire vastus
Exhumation (1917) on Jos Postmes kõige tuntum teos; originaal kuulub museumi Bonnefanten Museum, Maastricht. Meie kataloogis on 2 teost kunstnikult Jos Postmes; siin on 2 kõige kuulsamat teost järjestatud aasta ja muuseumi järjekorras, et aidata teil valida soovitud teos.
1896 – 1934, Maastricht
Enamama teoseid: Bonnefanten Museum
Jos Postmes: 10 tippjärvel olevat teost
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Muuseumid, kus on Jos Postmes originaalteosed
Muuseum, milles on kõige rohkem sellel lehel esitatud teoseid.
| Muuseum | Linn | Jos Postmes teosed | Selle nimekirja maalid |
|---|---|---|---|
 Bonnefanten Museum |
Maastricht | 2 | Exhumation, Boy's Head |
Aasta põhjal Jos Postmes populaarseimad maalid
Siin loeteldud kõik kuupidega Jos Postmes maalid on aastatest 1917, järjestatud rangis järjekorras.
Teosed aasta kaupa
Valige aasta, et näha selle aasta teoseid.
Mida teada Jos Postmes maalidest
Milline kuulus Jos Postmes maal leitakse reitingu tipist?Näita vastust
Exhumation (1917) on esikkohal.
Kui vana Jos Postmes oli aastal Exhumation?Näita vastust
Jos Postmes oli 21 aastat vanus: teos Exhumation on pärinev aastast 1917 ning Jos Postmes sündis aastal 1896.
Kui palju Jos Postmes teoseid teie kataloog sisaldab?Näita vastust
Kataloogist leiate 2 teost kunstnikult Jos Postmes.
Where can the originals of Jos Postmes's famous paintings be seen?Näita vastust
Peamiselt Bonnefanten Museum (Maastricht). Täielik nimekiri on esitatud ülalpool olevas muuseumide tabelis.
Millah years loomis Jos Postmes oma tippteoseid?Näita vastust
Ajast 1917: 2 siin reastatudest 2 maalist pärineb sellest ajast, sealhulgas Exhumation.
Millised Jos Postmes teosed on Bonnefanten Museum kogumuses?Näita vastust
Bonnefanten Museum, Maastricht säilitab 2 siin loetletud maalistest, sealhul ka Exhumation ja Boy's Head.
Kas müüte Jos Postmes maalaride reproduktsioone?Näita vastust
Jah. Kõik sellel lehel olevad maalid on tellitavad nii käsitööna valminud õlimaalide reproduktsioonina kui ka trükkina. Avage maali, valige suurus ja esitage tellimus.
Jos Postmes: elu ja karjäär
The Quiet Pulse of Maastricht
Jos Postmes lived a life closely tied to the streets and classrooms of Maastricht. Born in 1896, his hands were rarely still, moving between the precision of a draftsperson and the fluid touch of a painter. He spent his early years learning under Rob Graafland at the Stadsteekeninstituut, a time when the weight of a pencil and the texture of paper were becoming his primary language. His path led him from the local Sunday School for Decorative Arts to the Rijksacademie voor Beeldende Kunsten in Amsterdam, where he studied alongside Han Jelinger, Henri Jonas, and Jos Narinx. Under the guidance of Antoon Derkinderen, his technical foundations were laid, shaping a way of seeing that would define his later years.
His work was not confined to a single medium. He moved through the world as a painter, textile artist, draftsperson, graphic artist, lithographer, and etcher. This versatility allowed him to touch many different parts of the visual landscape in the Netherlands.
A Life of Instruction and Form
By 1925, Postmes had earned his qualification for industrial education, a step that allowed him to teach drawing to students in both lower and middle-level vocational schools. He was not merely a creator of images but a builder of skills. In 1927, he took on the role of director at the Middelbare Kunstnijverheidsschool in Maastricht. His presence in the city was felt through his commitment to making Maastricht a center for art and science, a goal that drove his professional life until his death in 1934.
His output left behind specific traces in the local landscape and collections:
- The stained glass window of Johannes & Lucas in the Sint-Walburgakerk, Maastricht-Amby.
- The painting Exhumation, held in the Bonnefanten Museum.
- The work Boy's Head, also found in the Bonnefanten Museum.
The Final Years
The years between 1911 and 1934 saw a steady accumulation of technical mastery and institutional influence. He worked in Maastricht and spent time in Amsterdam between 1916 and 1918, always maintaining a connection to the Dutch landscape. His life was cut short in Maastricht, leaving behind a legacy that was documented in later years by researchers looking into his role as a promoter of art education. He remains a figure of the Maastricht art scene, a man who saw the importance of both the finished work and the hands that learn to make it.