Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 5 teost László Pataky meie kataloogis
Kiire vastus
Roosters on Horses (1880) on László Pataky kõige tuntum teos; originaal kuulub museumi Slovak National Gallery, Bratislava. Cavalry Battle (1890) on teisel kohal, Kuruci (1903) kolmandal. Meie kataloogis on 5 teost kunstnikult László Pataky; siin on 3 kõige kuulsamat teost järjestatud aasta ja muuseumi järjekorras, et aidata teil valida soovitud teos.
Kümne 2 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | László Pataky teosid | Selle nimekirja maalid |
|---|---|---|---|
 Slovak National Gallery |
Bratislava | 2 | Roosters on Horses, Cavalry Battle |
| Ernest Zmeták Art Gallery | Nové Zámky | 1 | Kuruci |
Vali vuosinde, et näha selle top-maalide listi.
Roosters on Horses (1880), Slovak National Gallery, Bratislava, on esikkohal, järglennud on Cavalry Battle (1890) ja Kuruci (1903).
László Pataky oli 23 aastat vanus: teos Roosters on Horses on pärinev aastast 1880 ning László Pataky sündis aastal 1857.
Kataloogis on 5 teost kunstnikult László Pataky, kuupäevadelt 1880 kuni 1903.
Peamiselt Slovak National Gallery (Bratislava) ja Ernest Zmeták Art Gallery (Nové Zámky). Täielik nimekiri on esitatud ülalpool olevas muuseumide tabelis.
Sellel lehel kõige vanem: Roosters on Horses (1880). Uusim: Kuruci (1903).
Slovak National Gallery, Bratislava säilitab 2 siin loetletud maalistest, sealhul ka Roosters on Horses ja Cavalry Battle.
Jah. Kõik sellel lehel olevad maalid on tellitavad nii käsitööna valminud õlimaalide reproduktsioonina kui ka trükkina. Avage maali, valige suurus ja esitage tellimus.
László Pataky began his training within the walls of the arts and crafts school in Budapest. His hands learned the fundamentals before he moved toward the Academy of Fine Arts in Munich after 1880, working under Karl von Piloty. This period of study was followed by years spent moving between Paris, Budapest, and Munich from 1883 to 1889. These travels brought different light and different ways of seeing into his practice.
In 1888, a scholarship for his painting The Messenger opened a door to the studio of Mihály Munkácsy. He worked alongside Munkácsy on the large-scale Hungarian Conquest intended for the Hungarian Parliament Building. After this heavy task was finished, he settled in Alvinc, returning to the landscapes of his home province.
His brush often rested on the quiet rhythms of country life. He focused on rural genre scenes, capturing the movement of horses and the weight of a harvest. Some of his canvases hold specific moments of labor or rest:
Beyond the canvas, he spent much of his time translating words into images. He provided illustrations for several novels, including works by Carmen Sylva, Gabriele D'Annunzio, and Géza Gárdonyi. His gouache drawings appeared regularly in magazines such as Vasárnapi Ujság, Új Idők, and Magyar Salon.
The work of Pataky remains held in places like the Hungarian National Gallery. His career was marked by retrospective exhibitions, such as those organized by the Guild of St. George in 1913 and the Hall of Art in 1918. These gatherings allowed for a final look at his contributions to the depiction of Hungarian life before he passed away in Alvinc in 1912.
