Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 1 teost Peter Copmann meie kataloogis
Kiire vastus
Kulubumatu Peter Copmann teos on Portræt af en ung pige (1824); originaal paikneb Statens Museum For Kunst muuseumis, Kooberemaa. Sellest Peter Copmann kataloogis olevatest 1 teosest on need kuze 1 kõige kuulsamat, järjestatud aasta ja muuseumi järjekorras, et saaksite valida soovitud maali tellimiseks.
Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.
| Muuseumid | Linn | Peter Copmann teosid | Selle nimekirja maalid |
|---|---|---|---|
 Statens Museum For Kunst |
Kooberemaa | 1 | Portræt af en ung pige |
Kõik sellel lehel olevad Peter Copmann dateeritud teosed on aastast 1824 ja on esitatud siin reitingu järgi.
Valige aasta, et näha selle aasta teoseid.
Portræt af en ung pige (1824) on esikkohal.
Peter Copmann oli 30 aastat vanus: teos Portræt af en ung pige on pärinev aastast 1824 ning Peter Copmann sündis aastal 1794.
Kataloogist leiate 1 teost kunstnikult Peter Copmann.
Peamiselt Statens Museum For Kunst (Kooberemaa). Täielik nimekiri on esitatud ülalpool olevas muuseumide tabelis.
Jah. Kõik sellel lehel olevad maalid on tellitavad nii käsitööna valminud õlimaalide reproduktsioonina kui ka trükkina. Avage maali, valige suurus ja esitage tellimus.
Born in 1794, Peter Copmann lived through a period of significant artistic transition. His life, which concluded in 1850, was defined by a commitment to capturing the likeness of individuals and the quiet details of the natural world. Working primarily in Denmark, he developed a skill for both the delicate touch of pastel and the precise lines of lithography. His hands were as comfortable with the soft, powdery texture of a portrait as they were with the technical demands of printmaking.
His work often focused on the human face, seeking to find the character within a sitter's gaze. In his 1832 pastel portrait of the composer Friedrich Kuhlau, Copmann demonstrated his ability to interpret existing works, creating a new version of a portrait originally painted by Christian Horneman. This ability to translate one medium into another shows a deep understanding of light and form. He did not merely copy; he reinterpreted the essence of his subjects through his own lens.
Copmann’s repertoire was diverse, spanning from the intimate scale of a portrait to the expansive views of a rural scene. He moved between different artistic subjects with ease, often finding beauty in the simplest elements of nature. His technical range allowed him to explore various ways of seeing the world:
In his lithograph of Johan Christian Ryge, there is a specific focus on the subject's unwavering gaze. This directness creates a sense of psychological depth, making the viewer feel the weight of the sitter's presence. It is a quiet, steady way of engaging with the world, avoiding the dramatic in favor of the sincere.
