Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 437 teost Thomas Sully meie kataloogis
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Queen Victoria (1838) on Thomas Sully kõige tuntum teos; originaal kuulub museumi Wallace Collection, London. Thomas Jefferson (1743-1826), LL.D. 1786 (1823) on teisel kohal, George Washington (1840) kolmandal. Meie kataloogis on 437 teost kunstnikult Thomas Sully; siin on 100 kõige kuulsamat teost järjestatud aasta ja muuseumi järjekorras, et aidata teil valida soovitud teos.
Thomas Jefferson steps from the shadows of a doorway into a soft, overcast light. He is captured in a moment of transition, moving toward an outdoor setting that remains indistinct and atmospheric. His gaze is directed slightly upward and away, suggesting a mind preoccupied with matters beyond the immediate frame. He wears a long, dark purple or plum-colored coat with wide cuffs, a garment that holds its form through heavy,…
Thomas Sully rendered this portrait of George Washington in 1840. Executed in oil on canvas, the work captures the likeness of the American leader with a focus on formal dignity. The portrait belongs to the tradition of nineteenth-century American portraiture, reflecting the era's emphasis on character and status.
Thomas Sully’s “Mrs. Edward Hudson,” completed in 1814, stands as an emblem of the Victorian era's fascination with portraiture and its celebration of aristocratic status. More than just a likeness of Dr. Edward Hudson—a prominent physician and influential figure within London society—the painting embodies the ideals of refinement, intellect, and moral virtue that defined the period’s artistic sensibilities.
In the quietude of Thomas Sully’s 1841 masterpiece, Child Asleep (The Rosebud), we find more than a mere depiction of infancy; we encounter a profound meditation on innocence and the ephemeral nature of beauty. This exquisite oil on canvas serves as a cornerstone of American Romanticism, capturing a moment of absolute tranquility that seems to suspend time itself. The painting presents a serene tableau where a sleeping infant rests upon…
Thomas Sully’s “The Coleman Sisters,” painted in 1844, is more than just a portrait; it's a carefully constructed tableau of Victorian elegance imbued with an undercurrent of melancholic beauty. The painting depicts three young women – likely sisters – posed before a simple wall backdrop, their postures and expressions hinting at both composure and a quiet introspection that speaks volumes about the era’s societal expectations for women.
In this oil painting from 1810, we find ourselves drawn into a dramatic landscape at the edge of day. The composition centers on a reclining figure, William B. Wood, portrayed here through the persona of "Charles de Moor." He rests within a rugged terrain, his arm outstretched toward the left, guiding our gaze across the scene. There is a certain tension in his pose, an energy that suggests a narrative…
The Painter in the Shadows A young man gazes out from the canvas, his eyes meeting the viewer with a calm, contemplative stillness. He sits amidst the tools of his trade, the blurred shapes of a palette and paintbrushes resting in the foreground, hinting at a life lived through the application of pigment. The light falls heavily upon one side of his face, a technique of deep shadows and bright…
Colonel Samuel Boyer Davis is rendered in a full-length, vertical composition that emphasizes his military authority. He stands with a slight, dynamic tilt, positioned off-center against an atmospheric backdrop of swirling grey and beige clouds. This setting suggests the smoke and dust of a battlefield, providing a somber environment for the subject. The lighting, originating from the upper left, casts subtle shadows across his face and body, creating a sense…
The air in the room feels still, held in a quiet suspension as Eliza Melville Young McAllister meets the viewer's gaze. She sits with a poise that suggests a life of quiet refinement, her expression composed and steady. The light, soft and directional, spills from the upper left, brushing against the pale curve of her cheek and the delicate, translucent lace of her headpiece. This illumination creates a gentle depth,…
Portia, Merchant of Venice (Recto) / Sketch of a Woman's Head (Verso)1836 · Cincinnati Art Museum
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Isabella Tod Stewart1837 · Isabella Stewart Gardneri muuseum
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Mary Harvey, Mrs. Paul Beck, Jr.1813 · Dallas Museum of Art
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Sketch after David's Napoleon Crossing the Alps; a Recumbent Nude Male; a Standing Female
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Portrait of Colonel Jonathan Williams (1750-1815)1815 · Philadelphia Museum of Art
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The Reverend George Houstoun Woodruff1819 · High Museum of Art
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Prison Scene from J. Fenimore Cooper’s “The Pilot”: “Cecelia Howard and Katherine Plowden arousing the prisoner Edward Griffith from his slumber.”1841 · Birmingham Museum of Art
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Portrait of Mary Sicard David1813 · Cleveland Museum of Art
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George Frederick Cooke as Richard III1811 · Pennsylvania Academy of Fine Arts
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William Francis Taliaferro, Class of 1811 (1790-1836)1811
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Mrs. William Wortley Worsley (Rebecca Smith)1805 · Metropolitan Museum of Art
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Portrait of John W. Sandford1830 · El Paso Museum of Art
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Portrait of Margaret H. Sandford1830 · El Paso Museum of Art
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Mrs. James Gore King (Sarah Rogers Gracie King), Wife of "The Gold Beater"1831 · The Nelson-Atkins Museum of Art
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Portrait of Willliam Henry Fitzhugh1824 · Rhode Island School of Design Museum of Art
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John McAllister, Jr. (1786-1877)1831 · Harvard Art Museums
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Elizabeth Cook (Mrs. Benjamin Franklin Bache) as The Country Girl1839 · Yale University Art Gallery
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Self-Portrait of the Artist Painting His Wife (Sarah Annis Sully)1810 · Yale University Art Gallery
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Frances Anne Kemble as Beatrice1833 · Pennsylvania Academy of Fine Arts
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Mrs. Burnett of Philadelphia1844 · Toledo Museum of Art
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Portrait of James Cornell Biddle (1795–1838)1841 · Museum of Fine Arts
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Samuel Sartain1852 · Pennsylvania Academy of Fine Arts
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Portrait of Mrs. George H. Crossman1861 · Dallas Museum of Art
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Sarah Annis Sully (Mrs. Thomas Sully)1832 · Metropolitan Museum of Art
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Equestrian Portrait of George Washington1842 · The Abraham Lincoln Foundation of The Union League of Philadelphia
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Mrs. Samuel Neave Lewis and Her Daughter Martha1811 · Pennsylvania Academy of Fine Arts
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Portrait of Esther Fortune Warren and Her Daughter Hester1811 · Museum of Art
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Neli kõige sagedamat teemat selles reitingus koos iga teema parima maali
#17 Mary Anne Heide Norris
#19 Mary Harvey, Mrs. Paul Beck, Jr.
#21 Sketch after David's Napoleon Crossing the Alps; a Recumbent Nude Male; a Standing Female
#29 Prison Scene from J. Fenimore Cooper’s “The Pilot”: “Cecelia Howard and Katherine Plowden arousing the prisoner Edward Griffith from his slumber.”
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Thomas Sully teosid | Selle nimekirja maalid |
|---|---|---|---|
 Metropolitan Museum of Art |
New York | 22 | George Washington, Child Asleep (The Rosebud), John Finley |
 National Gallery of Art |
Washington | 22 | The Coleman Sisters, William B. Wood as "Charles de Moor", John Quincy Adams |
 Pennsylvania Academy of Fine Arts |
Philadelphia | 8 | George Frederick Cooke as Richard III, Elizabeth Willing Jackson, Frances Anne Kemble as Beatrice |
 National Portrait Gallery |
Washington, D.C. | 6 | Thomas Sully, John Sergeant, Thomas Ash II |
 Museum of Fine Arts |
Boston | 7 | John Myers, Mrs. Joseph Rotch (Anne Smith), Victor René Value and His Daughter Charlotte |
 Yale University Art Gallery |
New Haven | 4 | Thomas Jefferson (1743-1826), LL.D. 1786, Lester Wallach (1820-1888), Elizabeth Cook (Mrs. Benjamin Franklin Bache) as The Country Girl |
 Cincinnati Art Museum |
Cincinnati | 4 | Portia, Merchant of Venice (Recto) / Sketch of a Woman's Head (Verso), William Alston |
 Dallas Museum of Art |
Dallas | 3 | Mary Harvey, Mrs. Paul Beck, Jr., Portrait of Mrs. George H. Crossman |
Vali vuosinde, et näha selle top-maalide listi.
This oil portrait, executed in 1807, presents a bust-length view of Thomas Ash II. The subject is positioned slightly off-center, facing toward the left while his gaze is directed toward the viewer. He is depicted with a white cravat that provides a sharp tonal contrast against the darker elements of his attire and the background. The lighting originates from the upper left, casting shadows along the right side of his…
Thomas Sully’s “Mrs. Edward Hudson,” completed in 1814, stands as an emblem of the Victorian era's fascination with portraiture and its celebration of aristocratic status. More than just a likeness of Dr. Edward Hudson—a prominent physician and influential figure within London society—the painting embodies the ideals of refinement, intellect, and moral virtue that defined the period’s artistic sensibilities.
Thomas Jefferson steps from the shadows of a doorway into a soft, overcast light. He is captured in a moment of transition, moving toward an outdoor setting that remains indistinct and atmospheric. His gaze is directed slightly upward and away, suggesting a mind preoccupied with matters beyond the immediate frame. He wears a long, dark purple or plum-colored coat with wide cuffs, a garment that holds its form through heavy,…
Thomas Sully rendered this portrait of George Washington in 1840. Executed in oil on canvas, the work captures the likeness of the American leader with a focus on formal dignity. The portrait belongs to the tradition of nineteenth-century American portraiture, reflecting the era's emphasis on character and status.
Thomas Sully presents a portrait of Thomas Heyward, Jr., executed about 1854. The work features a single male figure, rendered with the technical precision characteristic of the American portrait painter. Sully, who was born in Great Britain and spent much of his career in Philadelphia, Pennsylvania, was a prominent figure in nineteenth-century American art.
Thomas Sully executed Mischief (Girl's Head) in 1866. This oil on canvas painting belongs to the artist's later period, capturing a specific moment of youthful curiosity through a focused, intimate lens.
Queen Victoria (1838), Wallace Collection, London, on esikkohal, järglennud on Thomas Jefferson (1743-1826), LL.D. 1786 (1823) ja George Washington (1840).
Thomas Sully oli 55 aastat vanus: teos Queen Victoria on pärinev aastast 1838 ning Thomas Sully sündis aastal 1783.
Queen Victoria, Thomas Jefferson (1743-1826), LL.D. 1786, George Washington, Dr. Edward Hudson, Child Asleep (The Rosebud), The Coleman Sisters, William B. Wood as "Charles de Moor", Thomas Sully, Colonel Samuel Boyer Davis ja Eliza Melville Young McAllister (Mrs. John McAllister, Jr.) (1790-1853). Iga teose puhul on reitingis toodud aasta ja muuseum.
Kataloogis on 437 teost kunstnikult Thomas Sully, kuupäevadelt 1802 kuni 1866.
Peamiselt Metropolitan Museum of Art (New York), National Gallery of Art (Washington) ja Pennsylvania Academy of Fine Arts (Philadelphia). Täielik nimekiri on esitatud ülalpool olevas muuseumide tabelis.
Ajast 1830s: 26 siin reastatudest 100 maalist pärineb sellest ajast, sealhulgas Queen Victoria.
Sellel lehel kõige vanem: Mrs. Thomas Sully (Sarah Annis) (1802). Uusim: Mischief (Girl's Head) (1866).
Siin reastatud 100 maali seas: Man (19), Portrait (18) ja Woman (11).
Oil On Canvas, 100 maali seas, millest 32 on siin reastatud.
Romanticism ja Neoclassicism, tuginedes sellel lehel olevate maalidiste järjekorras olevaid teoseid.
Metropolitan Museum of Art, New York säilitab 10 siin loetletud maalistest, sealhul ka George Washington, Child Asleep (The Rosebud) ja John Finley.
Jah. Kõik sellel lehel olevad maalid on tellitavad nii käsitööna valminud õlimaalide reproduktsioonina kui ka trükkina. Avage maali, valige suurus ja esitage tellimus.
