Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 69 teost Carl Rottmann meie kataloogis
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Kulubumatu Carl Rottmann teos on Marathon (1848); originaal paikneb Neue Pinakothek muuseumis, München. Cefalu (1830) ja River Landscape with Castle Ruins (1820) on numbrid kaks ja kolm. Sellest Carl Rottmann kataloogis olevatest 69 teosest on need kuze 69 kõige kuulsamat, järjestatud aasta ja muuseumi järjekorras, et saaksite valida soovitud maali tellimiseks.
To stand before Carl Anton Joseph Rottmann’s Marathon is to be enveloped by the raw, untamed breath of nature itself. This monumental oil on canvas, painted in 1848, transcends mere landscape depiction; it is a profound meditation on power, transition, and the sublime indifference of the natural world. The scene unfolds with an almost overwhelming sense of depth, drawing the viewer's eye across rugged terrain where massive boulders litter the…
A Sicilian Vista: Rottmann’s Cefalu The painting “Cefalu” by Carl Anton Joseph Rottmann stands as a testament to Romanticism's fascination with the sublime—the awe-inspiring grandeur of nature combined with an acute awareness of human emotion. Completed in 1830, this oil on canvas captures not merely the physical landscape of Sicily but also the spirit of its time, reflecting a burgeoning interest in geological formations and dramatic vistas that challenged prevailing…
In this 1820s oil work, we find ourselves standing before a scene of profound stillness. The composition draws the eye toward the left, where the weathered stone of castle ruins anchors the foreground. These architectural fragments, once perhaps a seat of power, now sit in quiet repose against the organic curves of the landscape. A winding river flows from the right, its surface catching the soft, diffused light of an…
Nähtus Eibsee – Ühispargi Ülima Looming Carl Anton Joseph Rottmann oli Saksamaa romantismaga seotud suur kunstniku nimi, kes jäi hiliskümnendkümbestele aastateleks staatusele üks maailma suurimatest maastikupainajatest. Tema töö pakkus ainulaadset vaadet selle transformaatorse perioodi kohta – industriaalse revolutsiooni algusele ning oli täielikult mõjutatud looduse ja inimese suhtelase kirjeldusega. Rottmann ei olnud mitte ainult tehniliselt oskuslik, vaid ka oma eelnevate kunstnike vastu eraldunud suur inimlik talent. Tema töö on täis sügavalt…
Carl Anton Joseph Rottmann’s “The Cemetery at Pronoia near Nauplia” isn't merely a landscape painting; it’s a carefully constructed meditation on mortality, memory, and the weight of history. Completed around 1846-47 as part of a larger series commissioned by King Ludwig I of Bavaria, this evocative work transports us to a windswept hillside overlooking the ancient burial ground at Pronoia, nestled near the historic fortress town of Nauplia in Greece.…
“The Battlefield at Marathon,” painted in 1849 by Carl Anton Joseph Rottmann, stands as a monumental testament to the Romantic movement’s fascination with dramatic landscapes and emotive storytelling. More than just a depiction of an historical event—the decisive Battle of Marathon against invading Persian forces—it embodies a profound meditation on human vulnerability confronted by the overwhelming power of nature.
In the delicate, translucent layers of View of Monte Serone from Civitella, we are invited to step into a world where the earth meets the heavens in a quiet, dramatic dialogue. Created in 1829 by the German Romantic master Carl Anton Joseph Rottmann, this watercolor landscape transcends mere topographical recording to capture the very soul of the rugged terrain. The composition draws the eye along a winding, meandering road that…
Carl Anton Joseph Rottmann ja Corinth koos Akrokorinthiga Carl Anton Joseph Rottmann oli Saksamaa romantikumiestel maailma tuntud kunstnik, kes jäi kõige kuulsamaks Rottmann perekonna liikmena. Ta oli üks suurimatest kunstnike meistriteoste valmistajatest Saksa romantismis perioodis ning tema töö pakkus ainulaadset vaadet sellele kiiresti muutuva ühiskondlikule maailmale – Inglismaa töösturuumiajale. Rottmann ei seisnud oma kaaslaste kõrval mitte ainult tehnilises oskuses, vaid ka revolutsiooniöö õhtust dramatiseerides ja innovatsiooniliselt valguse kasutamisel, et saada…
Deer Hunt at Hintersee near Berchtesgaden1823 · Lenbachhaus
12
Mountain Landscape with Fleeing Stag1823 · Bavaria riiklikud maalidema kogumikud
13
Taormina mit dem Ätna1829 · Bavaria riiklikud maalidema kogumikud
14
landscape with horse frightened by lightening1823
15
landscape river-valley in the mountains1823
16
Italian landscape with ruins and travellers1831
17
Sicyon with Parnass1839 · Bavaria riiklikud maalidema kogumikud
18
Sicyon with Corinth1838 · Bavaria riiklikud maalidema kogumikud
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Sicyon with Corinth1836 · Bavaria riiklikud maalidema kogumikud
20
Corfu1835 · Bavaria riiklikud maalidema kogumikud
21
Kopaissee1839 · Bavaria riiklikud maalidema kogumikud
22
The Lion Gate of Mykene1839 · Bavaria riiklikud maalidema kogumikud
23
Olympia1837
24
Landscape1835
25
Poros1845 · Bavaria riiklikud maalidema kogumikud
26
Sparta - Plain1841 · Bavaria riiklikud maalidema kogumikud
27
The Hohe Göll with the Hintersee1846 · Bavaria riiklikud maalidema kogumikud
28
Delos1840 · Bavaria riiklikud maalidema kogumikud
29
Eleusis1843 · Bavaria riiklikud maalidema kogumikud
30
The Spring Kallirrhoe near Athens1848 · Bavaria riiklikud maalidema kogumikud
31
Tiryns1843 · Bavaria riiklikud maalidema kogumikud
32
Salamis1840 · Bavaria riiklikud maalidema kogumikud
33
Epidauros1843 · Bavaria riiklikud maalidema kogumikud
34
The Hohe Göll with the Hintersee1846 · Bavaria riiklikud maalidema kogumikud
35
Marathon (Oil Sketch)1848 · Bavaria riiklikud maalidema kogumikud
36
Epidaurus1843 · Bavaria riiklikud maalidema kogumikud
37
The High Göll in Alpenglühen1845 · Bavaria riiklikud maalidema kogumikud
38
Thebes1842 · Bavaria riiklikud maalidema kogumikud
39
Naxos1845 · Bavaria riiklikud maalidema kogumikud
40
Sparta with the Taygetos1841 · Bavaria riiklikud maalidema kogumikud
41
Athens1844 · Bavaria riiklikud maalidema kogumikud
42
Cliff in the Aegean Sea1847 · Bavaria riiklikud maalidema kogumikud
43
Pronia1847 · Bavaria riiklikud maalidema kogumikud
44
Chalkis1840 · Bavaria riiklikud maalidema kogumikud
45
Dachstein Landscape1840 · Bavaria riiklikud maalidema kogumikud
46
Aigina with the Temple of Aphaiia1841 · Bavaria riiklikud maalidema kogumikud
47
The Island of Delos1847 · Staatliche Kunsthalle Karlsruhe
48
The Kopaisee1847 · Staatliche Kunsthalle Karlsruhe
49
Aulis1847 · Bavaria riiklikud maalidema kogumikud
50
Hoher Goll in the Alpine Glow1846 · Germanisches Nationalmuseum
51
The Hofe Göll at sunset1848
52
Epidaurus1849 · Lenbachhaus
53
Delos1849 · Lenbachhaus
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Nemea1850 · Bavaria riiklikud maalidema kogumikud
55
Greek Coast in a Storm1849 · Bavaria riiklikud maalidema kogumikud
56
Olympia1839 · Neue Pinakothek
57
Foothill Landscape near MurnauLenbachhaus
58
Foothill Landscape near MurnauLenbachhaus
59
Palermo with Monte PellegrinoBavaria riiklikud maalidema kogumikud
60
View of Monte Pellegrino with PalermoBavaria riiklikud maalidema kogumikud
61
Evening Landscape with Castle RuinBavaria riiklikud maalidema kogumikud
62
Landscape of BavariaMusée des Beaux-Arts de Strasbourg
63
Vorgebirgs - Landschaft
64
Vorgebirgslandschaft
65
Südl. Landschaft
66
Epidaurus
67
Creek landscape
68
landscape bei Brannenburg
69
The Kochel Lake1825 · Bavaria riiklikud maalidema kogumikud
Neli kõige sagedamat teemat selles reitingus koos iga teema parima maali
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Carl Rottmann teosid | Selle nimekirja maalid |
|---|---|---|---|
 Bavaria riiklikud maalidema kogumikud |
München | 37 | Mountain Landscape with Fleeing Stag, Taormina mit dem Ätna, Sicyon with Parnass |
 Lenbachhaus |
München | 6 | River Landscape with Church Ruin, Deer Hunt at Hintersee near Berchtesgaden, Epidaurus |
 Neue Pinakothek |
München | 4 | Marathon, Eibsee vaatepilt, Korinth Akrokorinhi vastu |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 3 | View of Monte Serone from Civitella, The Island of Delos, The Kopaisee |
 Wallraf-Richartz-Museum |
Köln | 1 | Cefalu |
 Metropolitan Museum of Art |
New York | 1 | The Cemetery at Pronoia near Nauplia |
 Nationalgalerie |
Berliin | 1 | The Battlefield at Marathon |
 Germanisches Nationalmuseum |
Nürnberg | 1 | Hoher Goll in the Alpine Glow |
Vali vuosinde, et näha selle top-maalide listi.
In this 1820s oil work, we find ourselves standing before a scene of profound stillness. The composition draws the eye toward the left, where the weathered stone of castle ruins anchors the foreground. These architectural fragments, once perhaps a seat of power, now sit in quiet repose against the organic curves of the landscape. A winding river flows from the right, its surface catching the soft, diffused light of an…
A Sicilian Vista: Rottmann’s Cefalu The painting “Cefalu” by Carl Anton Joseph Rottmann stands as a testament to Romanticism's fascination with the sublime—the awe-inspiring grandeur of nature combined with an acute awareness of human emotion. Completed in 1830, this oil on canvas captures not merely the physical landscape of Sicily but also the spirit of its time, reflecting a burgeoning interest in geological formations and dramatic vistas that challenged prevailing…
To stand before Carl Anton Joseph Rottmann’s Marathon is to be enveloped by the raw, untamed breath of nature itself. This monumental oil on canvas, painted in 1848, transcends mere landscape depiction; it is a profound meditation on power, transition, and the sublime indifference of the natural world. The scene unfolds with an almost overwhelming sense of depth, drawing the viewer's eye across rugged terrain where massive boulders litter the…
Marathon (1848), Neue Pinakothek, München, on esikkohal, järglennud on Cefalu (1830) ja River Landscape with Castle Ruins (1820).
Carl Rottmann oli 51 aastat vanus: teos Marathon on pärinev aastast 1848 ning Carl Rottmann sündis aastal 1797.
Marathon, Cefalu, River Landscape with Castle Ruins, Eibsee vaatepilt, The Cemetery at Pronoia near Nauplia, The Battlefield at Marathon, View of Monte Serone from Civitella, Korinth Akrokorinhi vastu, Ruin of a Chapel near a River with Rising Moon ja River Landscape with Church Ruin. Iga teose puhul on reitingis toodud aasta ja muuseum.
Kataloogis on 69 teost kunstnikult Carl Rottmann, kuupäevadelt 1820 kuni 1850.
Peamiselt Bavaria riiklikud maalidema kogumikud (München), Lenbachhaus (München) ja Neue Pinakothek (München). Täielik nimekiri on esitatud ülalpool olevas muuseumide tabelis.
Ajast 1840s: 34 siin reastatudest 69 maalist pärineb sellest ajast, sealhulgas Marathon.
Sellel lehel kõige vanem: River Landscape with Castle Ruins (1820). Uusim: Nemea (1850).
Siin reastatud 69 maali seas: Landscape (5), Stormy sky (2) ja Dramatic scene (2).
Oil On Canvas, 69 maali seas, millest 4 on siin reastatud.
Romanticism, tuginedes sellel lehel olevate maalidiste järjekorras olevaid teoseid.
Bavaria riiklikud maalidema kogumikud, München säilitab 37 siin loetletud maalistest, sealhul ka Mountain Landscape with Fleeing Stag, Taormina mit dem Ätna ja Sicyon with Parnass.
Jah. Kõik sellel lehel olevad maalid on tellitavad nii käsitööna valminud õlimaalide reproduktsioonina kui ka trükkina. Avage maali, valige suurus ja esitage tellimus.
Born in the tranquil setting of Handschuhsheim, Germany, in 1797, Carl Anton Joseph Rottmann emerged as a profound voice within the movement of German Romanticism. His life and artistry were deeply intertwined with the shifting landscapes of 19th-century Europe, reflecting a period where the sublime beauty of nature met the burgeoning spirit of national identity. Unlike many of his contemporaries who focused on the intimate or the domestic, Rottmann possessed an expansive vision, seeking to capture the monumental scale of the world through sweeping vistas and mythic atmospheres. His journey was one of constant movement, traveling through the rugged terrains of Greece, Italy, and the Bavarian Alps, each location leaving an indelible mark on his palette and his perception of the divine within the natural world.
The development of Rottmann’s style was a masterful evolution from classical precision to a more emotive, atmospheric approach. Influenced by the grand traditions of landscape painting, he moved beyond mere topographical accuracy to embrace the sublime—that specific Romantic quality of awe and terror inspired by the vastness of nature. His technique involved a sophisticated understanding of light and shadow, using them not just to define form, and shape, but to evoke a sense of historical weight and mythic presence. In his hands, a mountain range was never just stone and ice; it was a silent witness to antiquity, a stage for the legends of old. This ability to infuse physical geography with spiritual and historical narrative became the hallmark of his mature period.
Rottmann’s achievements are most notably seen in his ability to bridge the gap between the tangible world and the realm of imagination. His works often serve as windows into a lost era, where the ruins of ancient civilizations seem to breathe under the soft glow of a Mediterranean sun or the misty shroud of a northern forest. Through his meticulous attention to the interplay of light upon textures—the roughness of weathered stone, the translucency of water, and the softness of clouds—he achieved a level of luminosity that captivated the art world of his time.
The historical significance of his oeuvre lies in its role as a cornerstone of Romantic landscape art. His contributions can be summarized through several key artistic pillars:
Ultimately, the work of Carl Rottmann remains a testament to the power of the gaze to transform the ordinary into the extraordinary. He did not merely paint what he saw; he painted what he felt in the presence of greatness. His legacy continues to resonate with those who find beauty in the monumental and meaning in the silent, enduring features of our earth, ensuring his place as a vital figure in the tapestry of 19th-century European art.
