Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 328 teost Gerrit Dou meie kataloogis
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Gerrit Dou teosena on number üks A Fisherman's Wife (1653), mille originaal asub Rijksmuseum muuseumis, Amsterdam. Teises ja kolmandes kohas: Self-Portrait (1640) ja An Evening School (1655). Meie kataloogist löytyb 328 teost kunstnikult Gerrit Dou. Siin loeteldud 100 teost on kõige kuulsamad, järjestatud tähtsuse järgi, koos iga originaali aasta ja muuseumiga.
In the quiet, intimate corners of the seventeenth-century Netherlands, Gerrit Dou captured moments that felt both profoundly ordinary and eternally significant. His masterpiece, "A Fisherman's Wife," painted in 1653, serves as a breathtakingly detailed window into the domestic soul of the Dutch Golden Age. This is not merely a portrait of a woman; it is an evocative study of patience, longing, and the quiet dignity found within the home. As…
In the quiet, amber-hued corridors of the Dutch Golden Age, few artists commanded the viewer's gaze with as much intimacy and precision as Gerrit Dou. His Self-Portrait is not merely a likeness of the man, but a profound meditation on the act of seeing itself. As a leading figure of the Leiden fijnschilders—the "fine painters"—Dou dedicated his life to an almost superhuman pursuit of detail, and this work serves as…
Gerrit Dou's "An Evening School," painted around 1655-57, isn’t merely a depiction of a classroom; it’s a carefully constructed tableau of learning, contemplation, and the quiet dignity of shared knowledge. Emerging from the Dutch Golden Age, this small masterpiece exemplifies the ‘fijnschilder’ style – a hallmark of Dou's oeuvre characterized by meticulous detail, subtle gradations of tone, and an almost photographic realism achieved through painstaking layering of paint. The painting…
In the quiet corners of the Dutch Golden Age, where the light of a single candle could illuminate an entire universe of emotion, Gerrit Dou captured a scene of profound stillness. His masterpiece, Portrait of an Old Woman Reading, invites us into a private sanctuary of contemplation. The painting presents an elderly woman deeply immersed in her text, her focus so absolute that the world around her seems to dissolve…
“Heraklith,” painted in 1632 by Gerrit Dou, stands as a testament to the Dutch Golden Age’s fascination with realism and psychological depth. More than just a depiction of an elderly man—likely a scholar or astronomer—it's a carefully constructed tableau designed to convey wisdom, contemplation, and the profound influence of knowledge.
In the quiet corners of the seventeenth-century Netherlands, there existed a profound appreciation for the beauty found within the mundane. Gerrit Dou’s 1650 masterpiece, The Dutch Housewife or, The Woman Hanging a Cockerel in the Window, serves as an exquisite portal into this era of domestic serenity. As a leading figure of the Leiden fijnschilders—the "fine painters"—Dou invites us to witness a meticulously crafted tableau of everyday life. The scene…
In this 1640 composition, we find ourselves drawn into a vaulted, intimate interior that feels as though we have just stepped into a private pantry or kitchen. The scene is structured by the heavy, rhythmic arches of the ceiling, which guide the eye toward a woman engaged in her daily labors. She works near a large wooden barrel, her presence defined by the crisp white of her collar and the…
Gerrit Dou's "The Night School," completed in 1660, isn’t merely a painting; it’s a meticulously crafted window into the heart of 17th-century Leiden. Housed within the esteemed Rijksmuseum, this oil on panel work transcends its modest size – just over 74 centimeters by 64 – to deliver an intensely personal and profoundly symbolic scene. Dou, a master of the “fijnschilders” (fine painters) movement, possessed a singular ability to capture fleeting…
The Weight of Devotion An elderly hermit, clad in a Franciscan habit, kneels in a moment of intense spiritual focus. His hands rest upon the open pages of a well-thumbed Bible, seeking solace before a crucifix. The composition is anchored by a gnarled, leafless tree on the left, which balances the dark, cavernous archway on the right. Light falls with dramatic precision, illuminating the textures of the weathered stone, the…
The painting captures the rhythm of a private life, far from the grand narratives of history. It is a study of light hitting a surface and the dignity found in repetitive, manual tasks. The monochromatic palette of greys, blacks, and bright highlights keeps the focus on the immediate, physical reality of the subjects. Every shadow feels heavy, every highlight feels earned. The scene remains suspended in a silent, focused labor.
Woman Pouring Water into a Jar1640 · Louvre'i muuseum
12
Officer of the Marksman Society in Leiden1630 · Szépművészeti Múzeum
13
Painter in his Studio1647 · Gemäldegalerie
14
Portrait of an Old Painter at Work1649 · Alte Pinakothek
15
Sick Woman at the Doctor's1665 · Hermitage muuseum
16
Portrait of a girl1639 · Manchesteri Kunstigalerii
17
Young woman making lace1663 · Staatliche Kunsthalle Karlsruhe
18
Astronomer1628 · Hermitage muuseum
19
Girl with a Candle1657 · Statens Museum For Kunst
20
English The Moneylender Français Le peseur d'or1664 · Louvre'i muuseum
21
Market Woman with a Boy and Herring in a Window1665 · Hermitage muuseum
22
Triptych with allegory in art education1770 · Rijksmuseum
23
Portrait of Rembrandt's Mother1650 · Gemäldegalerie Alte Meister
24
Young Woman with a Lantern in a Window1660 · Kunsthistorisches Museum
25
A Woman combing a Boy's Hair1646 · Alte Pinakothek
26
A Hermit1664 · Rijksmuseum
27
Old Woman Reading a Bible (detail)1630 · Rijksmuseum
28
Old Woman Reading a Book1665 · Hermitage muuseum
29
Dentist by Candlelight1660 · Kimbell Art Museum
30
Portrait of a Man, possibly a Self-portrait1640 · Nationalmuseum
31
Self-Portrait in a Window1657 · Residenzgalerie
32
A Girl in a Window with a Bunch of Grapes1662 · Galleria Sabauda
33
The Violin Player1665 · Staatliche Kunstsammlungen Dresden
34
The Silver Ewer1663 · Louvre'i muuseum
35
Portrait of a Young Man1632 · USC Fisher Museum of Art
36
The Night School1660
37
The Astronomer by CandlelightJ. Paul Getty muuseum
38
The Gardener1658 · Staatliche Kunstsammlungen Dresden
39
Portrait of the Artist's Mother1651 · Statens Museum For Kunst
40
Woman Bather1665 · Hermitage muuseum
41
The Old Schoolmaster1671 · Staatliche Kunstsammlungen Dresden
42
Portrait of an Old Man1644 · Bavaria riiklikud maalidema kogumikud
43
Girl in a Window1652 · Staatliche Kunsthalle Karlsruhe
44
Kitchen Scene1645 · Statens Museum For Kunst
45
A Maidservant Scouring a Brass Pan at a Window1663 · Buckinghami palee
46
A Girl Watering Plants1655 · Wallace Collection
47
Young Woman with a lighted Candle at a Window1660 · Thyssen-Bornemisza Museum
48
Artist drawing a sculpture of a putto by candlelight1660 · Belgia Kuninglikud Fine Artsi muuseumid
49
A Young Woman engaged at the Supper-table1657 · Städel Museum
50
Young Woman with a Candle1658 · Alte Pinakothek
51
Kuhikellukats1657 · The Leiden Collection
52
The Lost Thread1662 · Staatliche Kunstsammlungen Dresden
53
Cardplayers at Candlelight1660 · Residenzgalerie
54
Portrait of the Painter holding a Group Portrait of his Family1655 · Herzog Anton Ulrich Museum
55
Old Man with a Globe1650 · Staatliches Museum Schwerin
56
An Old Woman1651 · Statens Museum For Kunst
57
An Astronomer with a Globe1657 · Herzog Anton Ulrich Museum
58
Still life with candle and watch1660 · Staatliche Kunstsammlungen Dresden
59
Soldier Bather1665 · Hermitage muuseum
60
Self-Portrait with a Palette, in a Niche1660 · Louvre'i muuseum
61
The Penitent Magdalene1640 · Staatliche Kunsthalle Karlsruhe
62
Head of a Negro1651 · Statens Museum For Kunst
63
Old Woman Reading a Lectionary
64
Portrait of a Man with a Hat1635
65
Scholar smoking a Pipe in his Study (Rembrandt's father)1635 · Rahvuslik Galerii Praha
66
An old Woman peeling Apples1630 · Gemäldegalerie
67
Rembrandt's mother1630
68
Rembrandt's father1630
69
Bust of Rembrandt's father1630 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe
70
Bust of Rembrandt's Mother1630 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe
71
Old Woman with Fur Cap1630 · Gemäldegalerie
72
Penitent Magdalene1640 · Hamburger Kunsthalle
73
The Hermit Praying1630 · Staatliche Kunstsammlungen Dresden
74
Tronie of a Young Black Man1632 · Niedersächsisches Landesmuseum
75
Der betende Einsiedler1635
76
Old Woman Reading a Bible1630
77
Astronomer1650 · Stedelijk Museum De Lakenhal
78
Old woman in prayer (Rembrandt's mother)1635 · Rahvusmuuseum Varssavis
79
Reading the Bible1645 · Louvre'i muuseum
80
Trumpet-Player in front of a Banquet1660 · Louvre'i muuseum
81
Old Woman1644 · Bavaria riiklikud maalidema kogumikud
82
A Woman combing a Boy's Hair1646
83
Portrait of a Man1645
84
Portrait of a Woman1645 · Norton Simoni muuseum
85
An Old Woman in a White Cap1645 · Royal Łazienki Museum
86
Portrait of a Man1645 · Royal Łazienki Museum
87
The Fruit and Vegetable Seller1644 · Bavaria riiklikud maalidema kogumikud
88
Man with a Pipe1880 · Amsterdam Museum
89
Bust of an Old Man1642
90
(draughtsman) young artist1638
91
woman with candle at a window1638
92
portrait of a young man with a scarf1638
93
Portrait of Rembrandt' s father1638
94
A Flute Player1645
95
Young Man playing a Flute1636
96
Der Maler in seiner Werkstatt1647
97
Portrait of a Young Woman1640
98
The Teacher1645
99
Portrait of a Woman1640
100
Violin Player at the Window1650
Neli kõige sagedamat teemat selles reitingus koos iga teema parima maali
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Gerrit Dou teosid | Selle nimekirja maalid |
|---|---|---|---|
 Louvre'i muuseum |
Pariis | 13 | The Dutch Housewife or, The Woman Hanging a Cockerel in the Window, Woman Pouring Water into a Jar, English The Moneylender Français Le peseur d'or |
 Hermitage muuseum |
Stiiitlinburg | 11 | Heraklith, Sick Woman at the Doctor's, Astronomer |
 Rijksmuseum |
Amsterdam | 16 | A Fisherman's Wife, Self-Portrait, The Night School (detail) |
 Staatliche Kunstsammlungen Dresden |
Dresden | 9 | The Violin Player, The Gardener, The Old Schoolmaster |
 Statens Museum For Kunst |
Kooberemaa | 10 | Girl with a Candle, Portrait of the Artist's Mother, Kitchen Scene |
 Bavaria riiklikud maalidema kogumikud |
München | 9 | The Pancake Maker, Portrait of an Old Man, Old Woman |
 Alte Pinakothek |
München | 6 | Portrait of an Old Painter at Work, A Woman combing a Boy's Hair, Young Woman with a Candle |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 3 | Young woman making lace, Girl in a Window, The Penitent Magdalene |
Vali vuosinde, et näha selle top-maalide listi.
An elderly man sits within a heavy shadow, his face caught in the amber glow of a solitary candle. He leans toward a celestial globe, his weathered skin mapped with fine lines that mirror the intricate markings on the sphere. The light catches the edge of a book and the rim of a glass beaker, pulling these small objects from the deep, dark void of the background. Everything is quiet.…
In the quiet corners of the Dutch Golden Age, where the light of a single candle could illuminate an entire universe of emotion, Gerrit Dou captured a scene of profound stillness. His masterpiece, Portrait of an Old Woman Reading, invites us into a private sanctuary of contemplation. The painting presents an elderly woman deeply immersed in her text, her focus so absolute that the world around her seems to dissolve…
In the quiet, amber-hued corridors of the Dutch Golden Age, few artists commanded the viewer's gaze with as much intimacy and precision as Gerrit Dou. His Self-Portrait is not merely a likeness of the man, but a profound meditation on the act of seeing itself. As a leading figure of the Leiden fijnschilders—the "fine painters"—Dou dedicated his life to an almost superhuman pursuit of detail, and this work serves as…
In the quiet, intimate corners of the seventeenth-century Netherlands, Gerrit Dou captured moments that felt both profoundly ordinary and eternally significant. His masterpiece, "A Fisherman's Wife," painted in 1653, serves as a breathtakingly detailed window into the domestic soul of the Dutch Golden Age. This is not merely a portrait of a woman; it is an evocative study of patience, longing, and the quiet dignity found within the home. As…
Gerrit Dou's "The Night School," completed in 1660, isn’t merely a painting; it’s a meticulously crafted window into the heart of 17th-century Leiden. Housed within the esteemed Rijksmuseum, this oil on panel work transcends its modest size – just over 74 centimeters by 64 – to deliver an intensely personal and profoundly symbolic scene. Dou, a master of the “fijnschilders” (fine painters) movement, possessed a singular ability to capture fleeting…
The Old Schoolmaster is a painting by Gerrit Dou. This intimate work, also known by the titles An Old Schoolmaster Cutting his Pen and The School Master, captures a singular moment of quietude. It was created in 1671. The scale of the work is small, measuring 32.2 x 24.9 cm.
A Fisherman's Wife (1653), Rijksmuseum, Amsterdam, on esikkohal, järglennud on Self-Portrait (1640) ja An Evening School (1655).
Gerrit Dou oli 40 aastat vanus: teos A Fisherman's Wife on pärinev aastast 1653 ning Gerrit Dou sündis aastal 1613.
A Fisherman's Wife, Self-Portrait, An Evening School, Portrait of an old woman reading, Heraklith, The Dutch Housewife or, The Woman Hanging a Cockerel in the Window, Kitchen scene with a woman and a boy with a mousetrap, The Night School (detail), A Hermit at Prayer ja The Pancake Maker. Iga teose puhul on reitingis toodud aasta ja muuseum.
Kataloogis on 328 teost kunstnikult Gerrit Dou, kuupäevadelt 1628 kuni 1671.
Peamiselt Louvre'i muuseum (Pariis), Hermitage muuseum (Stiiitlinburg) ja Rijksmuseum (Amsterdam). Täielik nimekiri on esitatud ülalpool olevas muuseumide tabelis.
Ajast 1640s: 25 siin reastatudest 100 maalist pärineb sellest ajast, sealhulgas Self-Portrait.
Sellel lehel kõige vanem: Astronomer (1628). Uusim: The Old Schoolmaster (1671).
Siin reastatud 100 maali seas: Woman (23), Book (15) ja Man (14).
Oil On Panel, 100 maali seas, millest 36 on siin reastatud.
Baroque realism ja Dutch golden age, tuginedes sellel lehel olevate maalidiste järjekorras olevaid teoseid.
Louvre'i muuseum, Pariis säilitab 7 siin loetletud maalistest, sealhul ka The Dutch Housewife or, The Woman Hanging a Cockerel in the Window, Woman Pouring Water into a Jar ja English The Moneylender Français Le peseur d'or.
Jah. Kõik sellel lehel olevad maalid on tellitavad nii käsitööna valminud õlimaalide reproduktsioonina kui ka trükkina. Avage maali, valige suurus ja esitage tellimus.
Gerrit Dou sündis 7. aprillil 1613 Leidensis, Hollandis. Ta kasvas kodus, kus valgus ja klaas olid igapäevase elu keskpunktis, kuna tema isa töötas klaasimeistri ja klaasigraafirina. See varane kokkupuutumine valgusel läbi klaasi peenelt manipuleerimisega on tõenäoliselt kujustanud tema aretusev selgasmist. Tema isa andis talle esimesed õppetunnid, instillades täpsusest hoolimise tunnet, mis määrkas tema hilisema elu. 1622. aastal, 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=====================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================================horn, aastal. Need vormingasaastad pöödiid materjali ja värvi tehniliste nüansside meistlemisele, enne kui ta suunas oma talendi laiemale maalistavale pindele. 1628. ja 1631. aasta vahel pöördis tema tee olulist suunda, kui ta sisus Rembrandt'i õpistööle. See õppimisaastad võimaldas tal imetleda suure meistri meetodeid, eriti seda, kuidas valgus ja varjund interaktsioon toob kaasa sügavuse ja meeleolu loomise. Kuigi ta arendas hiljem välja oma eripärase stiili, pakkusid selles õpistöös veeditud aastad vajalik alustala tema tehniliseks kasvuks.
Gerrit Dou's lähenemine maali kunstile oli määratav vaikustava, peaaegu obsesiivse pühendumusega detailidele. Ta oli Leideni peenmaalijate (*fijnschilders*) juhtiv tegelane – grupi, mis eelistas rafineeritud ja hoolikas tehnikat. Selle asemel, et töötada suuril ja laialisel pinda, eelistas ta väikese mõõduga teoseid, mis kutsus vaatajat lähedasse ja põhjalikku uurinemisse. Et saavutada sellist täpsust, kasutas ta reportedly konkaavsete ja konvekssete linsside kombinatsiooni, kasutades suurendust, et pildistada maailma hämmastava täpsusega. See meetod võimaldas tal tabada kõige väikemaid tekstureid, alates peetri läikest kuni lina peenete musteritest, pakkudes selgust, mis tundus peaaegu fotomailne.
Tema meetodit, mida sageli kutsutakse nimega verliefde schildering või "armastatud maali", iseloomustas paljude õhineste värvikihtide rakendamine, et luua pintaal, millel on emaililaadne säragus. See vaevast ja pidevat täpsust nõudv protsess andis tema teostele läbipaistva ja sametise kvaliteedi. Doul oli eriline talent trompe l'oeil "nišimaalide" loomimisel, kus ta kasutas kumerdatud kiviseid avangeid, et luua petlik sügavustunne, muudades väikesed stseenid sarnaseks reaalsete, elavate tubadega. Tema meistriklass chiaroscuro's – valguse ja varju mängus – oli kõige selgemalt nähtav tema küünlavalgusega ööseltsingutes, kus ta kasutas valguse ja varju vahelist interaktsiooni, et tõsta vaataja intiimsetesse, kodasesse hetkesse.
Tema fookus püüs peaaegu täielikult žanrisseenide juures, püüdes tabada igapäevaelu vaikseid rütme. Mõned tema märkimisväärsed teemad on:
Gerrit Dou varajad tööd peegeldavad kunstniku kiiret arengut ja oma unikaalse kunstilaadiga tutvumist. Aastal 1628 valmistas ta teose The Night School, mis on esimene märt tema elukaasja kütkest vaikete, sisekujuliste vaatlemiste vastu. Juurde jõudnud 1630. aastaks oli tema võime portreteerida konkreetseid ja sageli karmisid inimlikke kogemusi juba selgelt nähtav teoses The Extraction of Tooth. Need algusaed pannes aluse tema oskusele muuta väiksed, kodased hetked sügavalt jälgitud ja füüsiliselt kohalol olevaks kunstiliseks kogemuseks.
Tema karjääri edenedes muutis Dou valguse ja varju imago-spetsialistiks. Ta leidis eristatava rütmi küünlavalgusega kohtumistele, nagu näiteks The Astronomer by Candlelight. Tema 1650. aasta teos The Dutch Housewife, mis kuulub praegu Pariisis Louvre'i kogumisse, demonstreerib peenelt viimistletud, emaljast sarnast pindast, mis sai tema kunstiliseks vastuvõetavaks sünteesiks. Ta jättis seda lähenemist täiendavalt ka keskvõõras aastates, luues aastal 1663 teose The Silver Ewer ja aastal 1664 teose The Moneylender$, kus mõlemad rõhutavad tema pühendumust tekstuuride detailidele ja sellele, kuidas valgus peegeldub pindadel.
Paljud tema kõige olulisematest saavutustest peituvad måõduvad viisil inimlikus haavatavuses ja vaikuses. Amsterdamis asuvas Rijksmuseumis paiknev The Evening School on säilitanud oma staatuse valguskasutuse suurepärasena näitedena. Il lẽ tema kõige kuulsam saavutus on 1663. aastal maalditud The Dropsical Woman, mida paljud peavad tema suuremaks meistriteoseks täpsete detailide ja psühholoogilise sügavuse tõttu.
Gerrit Dou’s võime tabada koduliku elu kõige väikemaid detaile tõi talle märkimisväärset finantsedu ja pideva prestiižsete klientide voo. Tema tööd olid väga otsitud Hollandi Vabariigi kaupmeesklassi seas, kes väärtustasid vaikseid ja peeneid igapäevase eksistentsi kujutavaid stseene. Üks tema kõige silmapaistvamaid kokkulekkeid oli suhe Pieter Spieringiga, kes maksis aastas 500 guldenit lihtsalt selle õiguse eest, et saada esimesena pakkuda eest uudiseid Dou maaleid. See tagas Spieringile võimaluse hankida kunstniku värskeimad teosed veel enne, kui kellegi teisel oli nende eest pakkuda.
Pärast kohalikke kaupmeeste ringkondas jõudis Dou maine ka Euroopa ning kõrgeima ning tippklassi ningest. Rootsi kuninganna Christina oli tema loomingute oluline kollektsionist, omades lõpuks üheksameeleks tema maaleid. Tema ateljee pälvas ka rahvusvahelist huvi; näiteks külastas tema kodu Cosimo III de' Medici ning uskeldakse, et ta võib oma külastuse ajal vähemalt ühe teose eest maksta. Kuigi tema suuremavad žanristseenid tõid talle suuri summasid, püsis ta samasalt ka portreidamaise tööga. Isiklikud tellimused portreerimiseks maksid talle tunde eest kuus guldenit.
Gerrit Dou kunstiline teekond sai sügavalt vormitud tema ajast Rembrandt õpilasena. Ta veetis ligikaudu kolm aastat suure meistri juures, õpides omaks valguse ja varju sügava mõistmise, mis suutasid defineerida kogu stsseenid. Kuigi ta pärandas Rembrandtilt chiaroscuro kasutamist, liikus Dou eventually eemale oma õpetaja laiemast ja tekstuursemast stiilist. Ta otsis täpsuse uut dimensiooni, keskendudes väikese mõõduguse teostele, mis nõudsid erakordset stabiilsust ja peaaegu obsesiivset tähelepanu igale detailile. See stiililine pöörre aitkas tal saada hollandi fijnschilderij-koolkonna asutajaks – kunstnike rühmaks, kes oli pühendunud sellel äärmiselt peenel ja läbipõjalise lihvimisega täidetud stiilile.
Tema mõju levis läbi paljude kunstnike, kes soovisid õppida tema täpsust ja hoolikatud meetodeid. Ta oli õpetajaks mitmele märkimisväärsele figuurile, kes jäid oma loomangu abil hollandi kunstil püsivalt ligule. Tema kõige silmapaistvamad õpilased olid Frans van Mieris vanem ja Gabriël Metsu. Tema ateljee teenis samuti harjutuspaigana Godfried Schalckenile, Carel de Moorile ja Matthijs Naiveule. Need õpilased viisid edasi peenmaali kunstnikulise traditsiooni, tagades, et tehniline täpsus, mida Dou nii kõvasti puolustas, jääks oluliseks osaks kunstilist maastikku.
Gerrit Dou jättis Hollandi Kuldajastu ajastikku jälje, mis ulatus kaugele tema oma Leideni ateljee piiridest. Olles hollandi peenmaalimise (*Fijnschilderij*) koolkonna asjakohane algataja, kehtistas ta peenmalimise standardid, mis määrkasid terve ühe ajastu. Tema mõju voogis otse läbi tema õpilaste loominguliste teosed, eriti aga Frans van Mieris vanema ja Gabriël Metsu tööd. Need kunstnikud viisid edasi tema pühendumust äärmast täpsusest detailides ja koduliku elu vaiksel observatsioonist, tagades, et tema tehniline lähenemissõna jääks osaks kunstilineks vestluseks veel aastakümnetele.
Tema loomingulise jõu kaja on tunda ka tänapäeval suuremate institutsioonide hallides. Tema maalid kuuluvad erinevates kollektsioonides, sealhulgas Haagis asuvas Huis ten Bosch muuseumis, kus tema oskus valgust ja tekstuuride edastamisel on endiselt nähtav. Dou maalid püüavad pidevalt kunstihuviliste ja kunstikate tähelepanu, kes leiavad inspiratsiooni viisist, kuidas ta tabasid stseenide kõige väikemaid nüansse. Olgu selleks küünlavalgusega sisekujutus või hoolikalt kompositoritud niš, tema käekäsutus on jäänu püsivalt hollandi kunsti ajalooni.
Gerrit Dou käe jälgi ajanud on kui rännak läbi Euroopa kõige tähtsamate kunstihallide. Tema kunstiline presence on kõige tugevamalt aistvel Parisis, kus Louvre'i muuseum säilitab kolmetNA XK tema maalid. Need vaikusest täis ruumid võimaldavad jälgida, kuidas ta manipuleeris valgust nii peenelt käsitletud stseenides nagu The Dropsical Woman (1663). Amsterdam pakub samuti sügavama pilgu tema elule läbi Rijksmuseumi kollektsioonide, mis säilitab kolmetNA XK tema teoseid, sealhulgas detailide rikkas The Evening School.
Hollandi piireid laiendades jõudis tema mõju kaugele. New Yorki linna The Leiden Collection säilitab kuut tema maali, võimaldades vaatajatel näha tema minutioosset tehnikat üle Atlanti mere. Euroopas majutab Salzburgi Residenzgalerie neli teost, samas kui Munichis asuv Alte Pinakothek hoiab kolme maali. Need kollektsioonid lubavad meil jälgida tema stiili evolutsiooni — algupärasest õpetaja mõjust kuni lõputult peenelt viimistletud pindade magistraalsele kasutamisele.
