Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 216 teost Philip de László meie kataloogis
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Andrew W. Mellon (1932) on Philip de László kõige tuntum teos. Lady Rachel Cavendish, later Viscountess Stuart of Findhorn on teisel kohal, Professor Johann Nepomuk Oser (1904) kolmandal. Meie kataloogis on 216 teost kunstnikult Philip de László; siin on 100 kõige kuulsamat teost järjestatud aasta ja muuseumi järjekorras, et aidata teil valida soovitud teos.
In this 1932 bust-length depiction, Philip de László captures the presence of Andrew W. Mellon. The subject is presented in profile, his gaze directed slightly off to the right. A quiet dignity settles over the figure, suggesting a man of significant status and intellect. The composition focuses on the head and shoulders, isolating the sitter against a muted, tan background that offers no distraction from the man himself.
Philip de László rendered this portrait of Lady Rachel Cavendish, later Viscountess Stuart of Findhorn. The sitter, who would eventually become the Viscountess, is presented here in a likeness captured by the Hungarian-born artist during a significant period of transition in her life. The work was executed just before her marriage to James Gray Stuart on 4th August 1923.
In this portrait, Philip de László presents us with Professor Johann Nepomuk Oser, an intellectual figure captured with a quiet, commanding presence. Created about 1904, the work offers a glimpse into the dignified character of a man defined by his scholarly pursuits. The subject is dressed in formal attire, a choice that reflects his status and the professional gravity of his position. There is a certain stillness in his posture…
A heavy silence settles over the canvas. The Archbishop sits in a three-quarter pose, his body angled slightly away while his gaze drifts toward the left of the frame. He is a man of shadows and stark light. The darkness of the background presses inward, forcing the viewer to focus on the pale, steady presence of his face and the pale grip of his hands. It is a study in…
The oil on board painting titled Lt-Col. Risaldar Jagat Singh and Risaidar Man Singh was executed by the artist Philip de László in 1916. This work depicts two Sikh cavalry officers serving within the British Indian Army. The subjects are identified as Jagat Singh of the 12th Cavalry and Man Singh of the 21st Cavalry. The portrait captures the two men in a single sitting that lasted approximately two to…
Three men sit anchored around a wooden table, their silhouettes etched against the dim light of a tavern. The air in the room feels heavy, thick with the scent of spilled spirits and unspoken words. Bottles rest on the scarred surface, catching the pale light like glass eyes watching the quiet drama unfold. A single chair sits empty nearby, a silent witness to a presence that has already departed. The…
In this 1911 oil on canvas, the artist Philip de László turns the gaze inward. Titled Self-Portrait, the work presents a direct encounter with the painter himself, Philip Alexius de László. It is a quiet moment of introspection captured during a period of established professional standing. The subject and the creator are one and the same, offering a rare glimpse into the man behind the formal portraits of the European…
Philip de László captured the likeness of Count Albert Mensdorff-Pouilly-Dietrichstein in this oil on cardboard portrait. The sitter, an Austro-Hungarian diplomat who lived from 1861 to 1945, is presented with the quiet dignity characteristic of the era's high society. Created before 1907, the work reflects the artist's early period of establishing his reputation among the European elite.
Philip de László’s Portrait of Fürstin Dietrichstein zu Nikolsburg, née Princess Olga Dolgouruky presents an oval-shaped bust-length study of the subject. The composition centers on the face and upper shoulders of Princess Olga Dolgouruky, establishing an intimate connection through a direct, eye-level view. She is rendered in regal attire, distinguished by a delicate jeweled tiara that catches the light. The arrangement focuses the viewer's attention on her calm expression and…
The portrait presents an elderly gentleman, captured in a bust-length composition that emphasizes psychological depth. Positioned slightly off-center, the subject gazes toward the viewer's left, creating an intimate, quiet connection. The lighting is dramatic, utilizing a chiaroscuro effect where a strong light source from the upper left defines the facial structure, the texture of the white beard, and the deep wrinkles of age. This illumination contrasts sharply against the dark,…
Frank Billings Kellogg1925 · National Portrait Gallery
12
Portrait of Madame Vanier1929 · Kanada Rahvusgalerii
13
Julian Byng, 1st Viscount Byng of Vimy1933 · National Portrait Gallery
14
Marguerite Alexandrine, duchesse du Gramont, née de Rothschild1902
15
H.S.H. Prince Louis of Battenberg1910
16
Arthur James Balfour, 1st Earl of Balfour1908 · National Portrait Gallery
17
'Top o' the Morning: Stephen, the Artist's Second Son1912
18
Portrait of Pope Pius XI (1857–1939)1924 · Bodleian Libraries
19
John Loader Maffey, 1st Baron Rugby1923 · National Portrait Gallery
20
William Richard Morris, Viscount Nuffield1937 · Ashmolean Museum
21
Sir Thomas Gardner Horridge1914 · Manchesteri Kunstigalerii
22
Victoria Eugenie of Battenberg with mantilla1927 · Museo del Prado
23
Alfonso XIII in Hussar Uniform1927 · Museo del Prado
24
Edward Drummond Libbey1922 · Toledo kunstimuuseum
25
Edwin Charles Clark, Professor of Civil Law1913 · St John's College
26
A Young Girl1899
27
Portrait of John H. McFadden1916 · Philadelphia Museum of Art
28
Alfonso XIII1927 · Museo del Prado
29
Clara Cook Kellogg1929 · National Portrait Gallery
30
Richard Burdon Haldane, Viscount Haldane1928 · National Portrait Gallery
31
Henry Charles Keith Petty-Fitzmaurice, 5th Marquess of Lansdowne1920 · National Portrait Gallery
32
Mrs. Archie Graham, née Dorothy Shuttleworth1917
33
Lucy de László, the Artist's Wife1918
34
Luke Fildes1914 · National Portrait Gallery
35
Sir William Pulteney Pulteney1917 · National Portrait Gallery
36
Portrait of a Lady and her Daughter (Portrait of Anya and Lanya)1911 · Hermitage muuseum
37
Iphigenia Wise Ochs1930 · National Portrait Gallery
38
Viscount Lee of Fareham1921 · Courtauld Gallery
39
Portrait of Marshal Lyautey1929 · Musée d'Orsay
40
Adolph Ochs1926 · National Portrait Gallery
41
The Storyteller1891 · Ungari Riiklik Galeria
42
At Vesper Bell1895 · Ungari Riiklik Galeria
43
Lady with a pearl earring1898 · Rahvusmuuseum Varssavis
44
Portrait of Ignaz Wechselmann1894 · Hungarian National Museum
45
After Work1896
46
Felicián Zách1896
47
H.R.H. Prince Ferdinand of Bulgaria1894
48
The Little Girl and the Gardener (also known as Taking a Rest)1893
49
A Lady in Black1897
50
Sir (William Matthew) Flinders Petrie1934 · National Portrait Gallery
51
Field-Marshal Sir George White, V.C. (1835-1912)1900 · Royal Collection
52
Portrait of a Lady and her Daughter1902 · Hermitage muuseum
53
Portrait of Leo XIII1900 · Vatikaanimuuseumid
54
Portrait of my wife1905
55
Portrait of Catherine, Baroness Emile Beaumont d'Erlanger1899
56
Portrait of János Fadrusz1901 · Ungari Riiklik Galeria
57
Portrait of Artúr Görgey1901 · Ungari Riiklik Galeria
58
Mrs. Henry Guiness, neé Emelina Brown1901
59
Vita Sackville-West1910 · Sissinghurst Castle
60
Portrait of Lajos Ernst1907 · Ungari Riiklik Galeria
61
Lady Wantage1911
62
Portrait of Theodorus Helenus Franciscus van Riemsdijk (1848-1923)1909
63
Mrs. Adriana Jacqueline Marie Loudon (1856-1919), second wife of Mr. T.H.F. van Riemsdijk1908
64
Princess Victoria of Wales1907 · National Portrait Gallery
65
Francis Wemyss-Charteris-Douglas, 10th Earl of Wemyss, 1818 - 1914. Politician1908
66
Madame Max Jaunez1911 · Kelvingrove Art Gallery and Museum
67
Arthur Hamilton Lee1907
68
Sir Walter Townley, Diplomat1911 · Government Art Collection
69
Portrait of Maria Christina of Austria, Queen of Spain1910 · Madridi kuninglik palats
70
Lord Lee of Fareham1908
71
James William Lowther, MP, Speaker of the House of Commons1908
72
Portrait of Mrs. Herbert Asquith1909 · Westminsteri palee
73
Self-portrait of Philip Alexius László de Lombos1911 · Vasari Corridor
74
Portrait of Louis Antoine van Loon (1862-1953)1910 · Museum van Loon
75
Sketch for Dame Emily Penrose (1858–1942)1907
76
Dame Emily Penrose (1858–1942)1907
77
Portrait of a lady in a large hat1907 · Rahvusmuuseum Varssavis
78
Robin Vane-Tempest-Stewart, Lord Stewart, later 8th Marquess of Londonderry1911
79
Miss Elizabeth Guiness1910
80
President Theodore Roosevelt1908
81
The Fourth Earl of Minto (1845-1914)1912 · Victoria Memorial Hall
82
Elinor Glyn1914 · Museo del Prado
83
The Right Hon. Sir Arthur Nicolson, 11th Bt of Nova Scotia,1st Baron Carnock (1849–1928)1915 · Sissinghurst Castle
84
Violet Rawson, Lady Leconfield (1892-1956)1915 · Petworth House
85
Sir Charles Stewart Henry Vane-Tempest-Stewart, Viscount Castlereagh and 7th Marquess of Londonderry (1878-1949)1914 · Mount Stewart
86
Sir Charles Walston1913 · Fitzwilliam Museum
87
Portrait of Grace Elvina Hinds, Marchioness Curzon of Kedleston (1877-1958)1916 · Kedleston Hall
88
Countess Anna de Noailles1913 · Musée d'Orsay
89
Sketch for Portrait of the Viscountess Lee of Fareham1912 · Courtauld Gallery
90
Oliver Vickers1917
91
Auguste Victoria, Queen of Portugal, in exile, study1915
92
The Honourable Cecil Richard Molyneux1915 · Walker Art Gallery
93
Mr Oswald Sanderson1917
94
Mrs Beatrice Sanderson1917 · Ferens Art Gallery
95
Sir Donald Francis Tovey1913
96
Arthur James Balfour, 1st Earl of Balfour, KG, OM, PC, Prime Minister and Philosopher1914
97
Richard Crewe-Milnes, Earl of Madeley1914
98
General Sir Robert Whigham, KCB, DSO, Deputy Chief of the Imperial General Staff1916
99
Lady Marie Louise Hamilton, Daughter of William, 10th Duke of Hamilton1912
100
Portrait of Lady Byng, née Marie Evelyn Moreton1917
#2 Lady Rachel Cavendish, later Viscountess Stuart of Findhorn
#4 Cosmo Gordon Lang (1864–1945), Baron Lang of Lambeth, Scholar (1882), Honorary Fellow (1928), Archbishop of York (1908–1928), Archbishop of Canterbury (1928–1942)
#5 Lt-Col. Risaldar Jagat Singh and Risaidar Man Singh
#7 Self-Portrait
#9 Portrait of Fürstin Dietrichstein zu Nikolsburg, née Princess Olga Dolgouruky
Neli kõige sagedamat teemat selles reitingus koos iga teema parima maali
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Philip de László teosid | Selle nimekirja maalid |
|---|---|---|---|
 National Portrait Gallery |
London | 11 | Count Albert Mensdorff-Pouilly-Dietrichstein, Sir George Henschel (Isidor Georg Henschel), Julian Byng, 1st Viscount Byng of Vimy |
 Ungari Riiklik Galeria |
Budapest | 9 | Self-Portrait, The Storyteller, At Vesper Bell |
 National Portrait Gallery |
Washington, D.C. | 7 | Frank Billings Kellogg, Clara Cook Kellogg, Iphigenia Wise Ochs |
 Museo del Prado |
Madrid | 4 | Victoria Eugenie of Battenberg with mantilla, Alfonso XIII in Hussar Uniform, Alfonso XIII |
 Courtauld Gallery |
London | 4 | Viscount Lee of Fareham, Sketch for Portrait of the Viscountess Lee of Fareham |
 Hermitage muuseum |
Stiiitlinburg | 2 | Portrait of a Lady and her Daughter (Portrait of Anya and Lanya), Portrait of a Lady and her Daughter |
 Musée d'Orsay |
Pariis | 2 | Portrait of Marshal Lyautey, Countess Anna de Noailles |
 Rahvusmuuseum Varssavis |
Varssavi | 2 | Lady with a pearl earring, Portrait of a lady in a large hat |
Vali vuosinde, et näha selle top-maalide listi.
Three men sit anchored around a wooden table, their silhouettes etched against the dim light of a tavern. The air in the room feels heavy, thick with the scent of spilled spirits and unspoken words. Bottles rest on the scarred surface, catching the pale light like glass eyes watching the quiet drama unfold. A single chair sits empty nearby, a silent witness to a presence that has already departed. The…
In this portrait, Philip de László presents us with Professor Johann Nepomuk Oser, an intellectual figure captured with a quiet, commanding presence. Created about 1904, the work offers a glimpse into the dignified character of a man defined by his scholarly pursuits. The subject is dressed in formal attire, a choice that reflects his status and the professional gravity of his position. There is a certain stillness in his posture…
The oil on board painting titled Lt-Col. Risaldar Jagat Singh and Risaidar Man Singh was executed by the artist Philip de László in 1916. This work depicts two Sikh cavalry officers serving within the British Indian Army. The subjects are identified as Jagat Singh of the 12th Cavalry and Man Singh of the 21st Cavalry. The portrait captures the two men in a single sitting that lasted approximately two to…
Philip de László painted this portrait of Frank Billings Kellogg in 1925. The subject was a prominent American politician and statesman. His career reached a significant milestone in 1929 when he was awarded the Nobel Peace Prize.
In this 1932 bust-length depiction, Philip de László captures the presence of Andrew W. Mellon. The subject is presented in profile, his gaze directed slightly off to the right. A quiet dignity settles over the figure, suggesting a man of significant status and intellect. The composition focuses on the head and shoulders, isolating the sitter against a muted, tan background that offers no distraction from the man himself.
Andrew W. Mellon (1932) on esikkohal, järglennud on Lady Rachel Cavendish, later Viscountess Stuart of Findhorn ja Professor Johann Nepomuk Oser (1904).
Philip de László oli 63 aastat vanus: teos Andrew W. Mellon on pärinev aastast 1932 ning Philip de László sündis aastal 1869.
Andrew W. Mellon, Lady Rachel Cavendish, later Viscountess Stuart of Findhorn, Professor Johann Nepomuk Oser, Cosmo Gordon Lang (1864–1945), Baron Lang of Lambeth, Scholar (1882), Honorary Fellow (1928), Archbishop of York (1908–1928), Archbishop of Canterbury (1928–1942), Lt-Col. Risaldar Jagat Singh and Risaidar Man Singh, Regret (also known as Love Spurned), Self-Portrait, Count Albert Mensdorff-Pouilly-Dietrichstein, Portrait of Fürstin Dietrichstein zu Nikolsburg, née Princess Olga Dolgouruky ja Sir George Henschel (Isidor Georg Henschel). Iga teose puhul on reitingis toodud aasta ja muuseum.
Kataloogis on 216 teost kunstnikult Philip de László, kuupäevadelt 1891 kuni 1937.
Peamiselt National Portrait Gallery (London), Ungari Riiklik Galeria (Budapest) ja National Portrait Gallery (Washington, D.C.). Täielik nimekiri on esitatud ülalpool olevas muuseumide tabelis.
Ajast 1910s: 42 siin reastatudest 100 maalist pärineb sellest ajast, sealhulgas Lt-Col. Risaldar Jagat Singh and Risaidar Man Singh.
Sellel lehel kõige vanem: The Storyteller (1891). Uusim: William Richard Morris, Viscount Nuffield (1937).
Siin reastatud 100 maali seas: Man (25), Portrait (15) ja Woman (9).
Oil On Canvas, 100 maali seas, millest 25 on siin reastatud.
Academic realism ja Realism, tuginedes sellel lehel olevate maalidiste järjekorras olevaid teoseid.
National Portrait Gallery, London säilitab 11 siin loetletud maalistest, sealhul ka Count Albert Mensdorff-Pouilly-Dietrichstein, Sir George Henschel (Isidor Georg Henschel) ja Julian Byng, 1st Viscount Byng of Vimy.
Jah. Kõik sellel lehel olevad maalid on tellitavad nii käsitööna valminud õlimaalide reproduktsioonina kui ka trükkina. Avage maali, valige suurus ja esitage tellimus.
Philip Alexius de László, kes sündis 30. aprillil 1869 Budapesti, Ungari, algselt nimega Fülöp Laub, tõusis lihtsest taustast Euroopa kuningalikkuse ja aristokraatia kuulsaks portretemaalijaks. Tema vanemad, Adolf ja Johanna Laub, olid juutide päritolu rätiku ja tihkaja, kes töötasid vahendikutena. Enne oma kunstiliste õpingute süvenemist õppis de László esialgselt fotograafiks. Ta võitis koha Budapesti Riiklikus Kunstiakadeemias, õppides Bertalan Székely ja Károly Lotz juures. Hiljem Münchenis ja Pariisis tehtud õpingud laiendasid oluliselt tema kunstilisi horisonte.
De Lászlo varajased tööd näitasid teravat silma detailidele ja arenevat realismi meisterlikkust. Tema stiili mõjutasid nii akadeemilised traditsioonid, mida ta akadeemias õppis, kui ka 19. sajandi lõpu ja 20. sajandi alguse portreetroonide valitsev suund. Ta eristus kiiresti võimest, et tabada mitte ainult füüsilist sarnasu, vaid ka oma mudid isikupära ja sotsiaalset staatusi. Murdiliseks hetkeks muutui aasta 1900, mil tema portret paavst Leo XIII vistutas talle Suure kuldmedali Pariisi maailmaekspozytsiol, kinnistades nii tema rahvusvahelist mainet.
Pärast Pariisis saavutatud edukust liikus de László 1903. aastal Weini ning asustas hiljem 1907. aastal Londoni, kus ta jäi elama kuni oma elu lõpuni. Ta sai Euroopa eliidi seas väga nõutud portretist. Tema klientide hulka kuulusid monarhid, mõrad, töösturajad, teadlased ja mitmed teistest valdkondadest pärit silmapaistvad isikud.
Aastal 1900 abi Armas de László Lucy Madeleine Guinnessi, kes kuulus silmapaistvale pangemağı, kättemini. Neile sündis kuus last ja seitseteist lapselapsi. Pärast varasemat huvi katolikule usule konversitud ta abielu sõnul anglikanikusse. Vaatamata Briti kodulehele ja Inglismaal asunud stabiilsele elule, koges ta maailmasõja ajal (1917–191ЕНИЕ) interneerimist Austriaga seotud kahtlustuste tõttu, mis oli tema jaoks väga raske periood.
De Lászlo stiili iseloomustavad realism, hoolikas detailid ja elav värvipalett. Ta oli suurepärane kangaste, ehtede ja nahatoonide tekstuuride tabamisest. Tema portreedit edastavad sageli elegantsi, sofistikatsiooni ja sotsiaalset staatust. Kuigi ta on peamiselt tuntud just portreetroonide poolest, lõi ta ka maalid ja žanriteened.
Philip de Lászlo töö pakub väärtuslikku vaadet 19. sajandi lõpu ja 20. sajandi alguse Euroopa kõrgetest ringidest inimeste elule ja välimusele. Tema portreedit toimivad ajalooliste dokumentidena, jäädes alles kui konkreetse ajastu ja selle sotsiaalsete dünaamika peegeldus. Kuigi teda on mõnikord kritiseeritud peamiselt ühiskondliku portretistina, on tema tehniline oskus ja isikupära tabamise võime vaieldamatud. Tema loomingut kuulub ligi 4000 teost, sealhulgas joonistused, ning praegu on käimas täieliku kataloogi koostamine. Ta surmas 22. novembril 1937 Londonis, jättes järele püsiva pärandi kui üks oma aja silmapaistvama portretistidest.
