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Otto van Veen Suosituimmat maalaukset

The 25 artworks by Otto van Veen our visitors ask for most, ranked by popularity and presented one by one, with the specification and the price of each hand-painted reproduction.

Edition 2026 · 25 artworks Each artwork painted to order
Pellavakangas · Alkuperäistodistus · Toimitus maailmanlaajuisesti Otto van Veen · 1556 – 1629

Distribution of Herring and White Bread during the Siege of Leiden

1574 · Rijksmuseum, Amsterdam · original 40 x 60 cm

Experience 'Distribution of Herring & White Bread,' a captivating 1574 painting by Otto van Veen depicting the Leiden siege. A historical masterpiece showcasing community resilience during wartime.

Tekniikka: Käsinmaalattu öljyväri pellavakankaalle
Valmistaja: Tilaustyönä ammattitaitoisen taiteilijan maalaamana
Popularity: No. 1 of 74 artworks by Otto van Veen
Toimitus: Maailmanlaajuisesti noin 5 viikkoa

from$17039 × 26 cm Commission this artwork

Same size as the original$21260 × 40 cm Commission at original size

The Artist Painting, Surrounded by his Family

1584 · Louvren museo, Paris · original 176 x 250 cm

Witness a vibrant 16th-century scene of an artist surrounded by family life in Otto van Veen's masterpiece; discover this Renaissance moment for your collection.

Tekniikka: Käsinmaalattu öljyväri pellavakankaalle
Valmistaja: Tilaustyönä ammattitaitoisen taiteilijan maalaamana
Popularity: No. 2 of 74 artworks by Otto van Veen
Toimitus: Maailmanlaajuisesti noin 5 viikkoa

from$17038 × 26 cm Commission this artwork

Same size as the original$1415250 × 176 cm Commission at original size

The Last Supper

1592 · Onze-Lieve Vrouwekathedraal, Antwerpen · original 350 x 2247 cm

Experience Otto van Veen's dramatic 'Last Supper' (1592), a masterpiece of Mannerism depicting Jesus’ final meal with his apostles. Explore its rich details and historical significance.

Tekniikka: Käsinmaalattu öljyväri pellavakankaalle
Valmistaja: Tilaustyönä ammattitaitoisen taiteilijan maalaamana
Popularity: No. 3 of 74 artworks by Otto van Veen
Toimitus: Maailmanlaajuisesti noin 5 viikkoa

from$17027 × 38 cm Commission this artwork

Portrait of Nicolaas Rockox

Rubens House, Antwerp · original 26 x 35 cm

Tekniikka: Käsinmaalattu öljyväri pellavakankaalle
Valmistaja: Tilaustyönä ammattitaitoisen taiteilijan maalaamana
Popularity: No. 4 of 74 artworks by Otto van Veen
Toimitus: Maailmanlaajuisesti noin 5 viikkoa

from$17028 × 36 cm Commission this artwork

Emblem

1607 · Koninklijke Bibliotheek, Hague

Explore Otto van Veen’s "Emblem" (1607) – a dramatic Baroque engraving showcasing grief & mortality. Detailed linework, rich symbolism, and masterful technique await!

Tekniikka: Käsinmaalattu öljyväri pellavakankaalle
Valmistaja: Tilaustyönä ammattitaitoisen taiteilijan maalaamana
Popularity: No. 5 of 74 artworks by Otto van Veen
Toimitus: Maailmanlaajuisesti noin 5 viikkoa

from$19528 × 35 cm Commission this artwork

An unknown Flemish Family

1625

Tekniikka: Käsinmaalattu öljyväri pellavakankaalle
Valmistaja: Tilaustyönä ammattitaitoisen taiteilijan maalaamana
Popularity: No. 6 of 74 artworks by Otto van Veen
Toimitus: Maailmanlaajuisesti noin 5 viikkoa

from$17036 × 28 cm Commission this artwork

Brinno Raised upon the Shield, Otto van Veen, 1600 - 1613

1613 · original 38 x 52 cm

Witness Otto van Veen’s ‘Brinno Raised upon the Shield,’ a dynamic Baroque painting from 1613! Explore this historical scene of rebellion & heroic struggle, rich in color & detail.

Tekniikka: Käsinmaalattu öljyväri pellavakankaalle
Valmistaja: Tilaustyönä ammattitaitoisen taiteilijan maalaamana
Popularity: No. 7 of 74 artworks by Otto van Veen
Toimitus: Maailmanlaajuisesti noin 5 viikkoa

from$37037 × 27 cm Commission this artwork

Same size as the original$39952 × 38 cm Commission at original size

The Batavians Defeating the Romans on the Rhine, Otto van Veen, 1600 - 1613

1613 · original 38 x 52 cm

Witness the dramatic Battle of the Batavians! Otto van Veen’s 1613 Baroque masterpiece depicts a pivotal Roman clash. Explore this stunning oil painting & its historical significance.

Tekniikka: Käsinmaalattu öljyväri pellavakankaalle
Valmistaja: Tilaustyönä ammattitaitoisen taiteilijan maalaamana
Popularity: No. 8 of 74 artworks by Otto van Veen
Toimitus: Maailmanlaajuisesti noin 5 viikkoa

from$22037 × 27 cm Commission this artwork

Same size as the original$24952 × 38 cm Commission at original size

The Peace Negotiations between Julius Civilis and the Roman General Cerialis, Otto van Veen, 1600 - 1613

View the most popular artwork of Otto van Veen ranked #9: The Peace Negotiations between Julius Civilis and the Roman General Cerialis, Otto van Veen, 1600 - 1613

1613 · original 38 x 52 cm

Explore 'Peace Negotiations' by Otto van Veen (1613). A Baroque masterpiece depicting Roman diplomacy. Discover this historical painting’s drama, symbolism & rich color palette.

Tekniikka: Käsinmaalattu öljyväri pellavakankaalle
Valmistaja: Tilaustyönä ammattitaitoisen taiteilijan maalaamana
Popularity: No. 9 of 74 artworks by Otto van Veen
Toimitus: Maailmanlaajuisesti noin 5 viikkoa

from$27037 × 27 cm Commission this artwork

Same size as the original$29952 × 38 cm Commission at original size

The Beheading of Claudius Paulus and the Capture of Julius Civilis, Otto van Veen, 1600 - 1613

View the most popular artwork of Otto van Veen ranked #10: The Beheading of Claudius Paulus and the Capture of Julius Civilis, Otto van Veen, 1600 - 1613

1613 · original 38 x 52 cm

Witness Otto van Veen’s dramatic ‘The Beheading of Claudius Paulus.’ A pivotal 1613 painting from the Batavier rebellion, showcasing historical intensity & Flemish Mannerist style.

Tekniikka: Käsinmaalattu öljyväri pellavakankaalle
Valmistaja: Tilaustyönä ammattitaitoisen taiteilijan maalaamana
Popularity: No. 10 of 74 artworks by Otto van Veen
Toimitus: Maailmanlaajuisesti noin 5 viikkoa

from$17037 × 27 cm Commission this artwork

Same size as the original$19952 × 38 cm Commission at original size

The Batavians Surround the Romans at Vetera, Otto van Veen, 1600 - 1613

1613 · original 38 x 52 cm

Otto van Veen’s "Batavians Surround Romans" (1613) depicts a dramatic battle scene in Baroque style. Explore this powerful oil painting of the Batavian rebellion, showcasing intense emotion & historical detail.

Tekniikka: Käsinmaalattu öljyväri pellavakankaalle
Valmistaja: Tilaustyönä ammattitaitoisen taiteilijan maalaamana
Popularity: No. 11 of 74 artworks by Otto van Veen
Toimitus: Maailmanlaajuisesti noin 5 viikkoa

from$32037 × 27 cm Commission this artwork

Same size as the original$34952 × 38 cm Commission at original size

Christ in the House of Mary and Martha

original 64 x 52 cm

Tekniikka: Käsinmaalattu öljyväri pellavakankaalle
Valmistaja: Tilaustyönä ammattitaitoisen taiteilijan maalaamana
Popularity: No. 12 of 74 artworks by Otto van Veen
Toimitus: Maailmanlaajuisesti noin 5 viikkoa

from$17029 × 35 cm Commission this artwork

Same size as the original$23952 × 64 cm Commission at original size

Alonso de Idiaquez, 1st Duke of Ciudad Real

Tekniikka: Käsinmaalattu öljyväri pellavakankaalle
Valmistaja: Tilaustyönä ammattitaitoisen taiteilijan maalaamana
Popularity: No. 13 of 74 artworks by Otto van Veen
Toimitus: Maailmanlaajuisesti noin 5 viikkoa

from$19518 × 57 cm Commission this artwork

The Conference of the Gauls at Reims, Otto van Veen, 1600 - 1613

1613 · original 38 x 52 cm

Tekniikka: Käsinmaalattu öljyväri pellavakankaalle
Valmistaja: Tilaustyönä ammattitaitoisen taiteilijan maalaamana
Popularity: No. 14 of 74 artworks by Otto van Veen
Toimitus: Maailmanlaajuisesti noin 5 viikkoa

from$17037 × 27 cm Commission this artwork

Same size as the original$19952 × 38 cm Commission at original size

Juana de Robles, Duchess of Ciudad Real

Tekniikka: Käsinmaalattu öljyväri pellavakankaalle
Valmistaja: Tilaustyönä ammattitaitoisen taiteilijan maalaamana
Popularity: No. 15 of 74 artworks by Otto van Veen
Toimitus: Maailmanlaajuisesti noin 5 viikkoa

from$19518 × 57 cm Commission this artwork

Christ in the House of Mary and Martha

Tekniikka: Käsinmaalattu öljyväri pellavakankaalle
Valmistaja: Tilaustyönä ammattitaitoisen taiteilijan maalaamana
Popularity: No. 16 of 74 artworks by Otto van Veen
Toimitus: Maailmanlaajuisesti noin 5 viikkoa

from$17029 × 35 cm Commission this artwork

A Nocturnal Banquet, Otto van Veen, 1600 - 1613

1613 · original 38 x 52 cm

Tekniikka: Käsinmaalattu öljyväri pellavakankaalle
Valmistaja: Tilaustyönä ammattitaitoisen taiteilijan maalaamana
Popularity: No. 17 of 74 artworks by Otto van Veen
Toimitus: Maailmanlaajuisesti noin 5 viikkoa

from$17037 × 27 cm Commission this artwork

Same size as the original$19952 × 38 cm Commission at original size

The Batavians Besiege the Roman Army Regiments at Vetera, Otto van Veen, 1600 - 1613

1613 · original 38 x 52 cm

Tekniikka: Käsinmaalattu öljyväri pellavakankaalle
Valmistaja: Tilaustyönä ammattitaitoisen taiteilijan maalaamana
Popularity: No. 18 of 74 artworks by Otto van Veen
Toimitus: Maailmanlaajuisesti noin 5 viikkoa

from$17037 × 27 cm Commission this artwork

Same size as the original$19952 × 38 cm Commission at original size

Valentinus Taken Prisoner, Otto van Veen, 1600 - 1613

1613 · original 38 x 52 cm

Tekniikka: Käsinmaalattu öljyväri pellavakankaalle
Valmistaja: Tilaustyönä ammattitaitoisen taiteilijan maalaamana
Popularity: No. 19 of 74 artworks by Otto van Veen
Toimitus: Maailmanlaajuisesti noin 5 viikkoa

from$17037 × 27 cm Commission this artwork

Same size as the original$19952 × 38 cm Commission at original size

The Romans nearly Overpower the Army of Julius Civilis through the Treachery of a Batavian, Otto van Veen, 1600 - 1613

View the most popular artwork of Otto van Veen ranked #20: The Romans nearly Overpower the Army of Julius Civilis through the Treachery of a Batavian, Otto van Veen, 1600 - 1613

1613 · original 38 x 52 cm

Tekniikka: Käsinmaalattu öljyväri pellavakankaalle
Valmistaja: Tilaustyönä ammattitaitoisen taiteilijan maalaamana
Popularity: No. 20 of 74 artworks by Otto van Veen
Toimitus: Maailmanlaajuisesti noin 5 viikkoa

from$17037 × 27 cm Commission this artwork

Same size as the original$19952 × 38 cm Commission at original size

Allégorie (le Temps )

Tekniikka: Käsinmaalattu öljyväri pellavakankaalle
Valmistaja: Tilaustyönä ammattitaitoisen taiteilijan maalaamana
Popularity: No. 21 of 74 artworks by Otto van Veen
Toimitus: Maailmanlaajuisesti noin 5 viikkoa

from$29536 × 28 cm Commission this artwork

Xantippe Dousing Socrates

1607

Tekniikka: Käsinmaalattu öljyväri pellavakankaalle
Valmistaja: Tilaustyönä ammattitaitoisen taiteilijan maalaamana
Popularity: No. 22 of 74 artworks by Otto van Veen
Toimitus: Maailmanlaajuisesti noin 5 viikkoa

from$19529 × 35 cm Commission this artwork

Putti Enacting a Bacchanalian Scene

Tekniikka: Käsinmaalattu öljyväri pellavakankaalle
Valmistaja: Tilaustyönä ammattitaitoisen taiteilijan maalaamana
Popularity: No. 23 of 74 artworks by Otto van Veen
Toimitus: Maailmanlaajuisesti noin 5 viikkoa

from$17036 × 28 cm Commission this artwork

Lycurgus Demonstrares the Importance of Education

1607

Tekniikka: Käsinmaalattu öljyväri pellavakankaalle
Valmistaja: Tilaustyönä ammattitaitoisen taiteilijan maalaamana
Popularity: No. 24 of 74 artworks by Otto van Veen
Toimitus: Maailmanlaajuisesti noin 5 viikkoa

from$64529 × 34 cm Commission this artwork

Dispute d'Athéna et de Poséïdon

Tekniikka: Käsinmaalattu öljyväri pellavakankaalle
Valmistaja: Tilaustyönä ammattitaitoisen taiteilijan maalaamana
Popularity: No. 25 of 74 artworks by Otto van Veen
Toimitus: Maailmanlaajuisesti noin 5 viikkoa

from$19535 × 28 cm Commission this artwork

The artist

Otto van Veen

1556 – 1629

Pikafaktat

Lifespan73 years
Also known asOttavio Venus, Othonius Vaenius, Otto van Venius, Otho Venius, Otho van Veen
Top-ranked workDistribution of Herring and White Bread during the Siege of Leiden
Room fitolohuone
NationalityAlankomaat
Top 3 worksDistribution of Herring and White Bread during the Siege of Leiden, The Artist Painting, Surrounded by his Family, The Last Supper
Art periodRenessanssi
Topics exploreddutch painting

Biography

A Life Bridging Renaissance and Baroque: The World of Otto van Veen

Otto van Veen, a name that resonates through the corridors of Flemish art history, represents a fascinating convergence of eras – a skilled painter deeply rooted in the late Renaissance yet profoundly influenced by the burgeoning Baroque. Born around 1556 in Leiden, Netherlands, into a family distinguished by its civic leadership (his father served as burgomaster), Van Veen’s life unfolded as a series of carefully considered transitions, shaped by religious upheaval and artistic exploration. The relocation of his family to Antwerp in 1572, driven by their Catholic faith amidst the rising tide of Protestantism, wasn't merely a geographical shift; it was a pivotal moment that fundamentally altered his intellectual and artistic trajectory. This move plunged him into an environment teeming with intellectual ferment and artistic innovation, exposing him to influential figures like Dominicus Lampsonius and Jean Ramée – individuals who would lay the groundwork for his future career as a humanist artist deeply versed in classical learning. His subsequent journey to Rome around 1574 or 1575 proved to be an immersion into the very heart of the Italian Renaissance, a period that indelibly shaped his artistic sensibilities and provided him with the stylistic vocabulary he would later employ. The precise nature of his Roman tutelage remains subject to scholarly debate – some scholars suggest a direct mentorship under Federico Zuccari, while others emphasize independent study – but its impact on his development is undeniable.

Patronage, Pedagogy, and the Shaping of a Master

Upon returning from Italy, Van Veen swiftly established himself as a highly sought-after artist within the vibrant artistic landscape of Antwerp. His talent quickly secured him a prestigious position as court painter to Alexander Farnese, Duke of Parma, governor of the Southern Netherlands, in Brussels. This patronage wasn’t simply a matter of financial security; it provided access to a sophisticated artistic milieu and offered invaluable opportunities for large-scale commissions – projects that allowed Van Veen to hone his skills and establish himself as a leading figure in the region's art scene. He was formally recognized as a master within Antwerp’s Guild of St. Luke in 1593, solidifying his professional standing and marking a significant milestone in his career. However, Van Veen’s legacy extends far beyond the individual paintings he created; it is inextricably linked to his role as a teacher, particularly his profound influence on the young Peter Paul Rubens. From approximately 1594 or 1595 until 1598, Van Veen served as Rubens' mentor, imparting not only technical skills but also a rigorous classical education and a deep appreciation for humanist principles – values that would become central to Rubens’ own artistic vision. This mentorship was transformative, shaping the young artist’s intellectual framework and laying the foundation for his future triumphs. During this period of intense instruction, Van Veen also undertook numerous religious commissions, adorning churches throughout Antwerp with altarpieces and elaborate chapel decorations, demonstrating his versatility and growing reputation as a skilled and reliable artist capable of executing complex and ambitious projects.

Mannerist Sensibility and the Language of Emblems

Van Veen’s artistic style is firmly rooted in Mannerism, an aesthetic movement that flourished during the late 16th century – a period characterized by a deliberate departure from the idealized forms and balanced compositions of the High Renaissance. His paintings often exude an air of elegance, sophistication, and intellectual contemplation. He was known as a *pictor doctus* – a learned painter – reflecting his commitment to incorporating humanist themes into his work. Mannerist artists frequently employed elongated figures, graceful poses, complex spatial arrangements, and a refined palette, prioritizing psychological depth and emotional intensity over strict naturalism. Van Veen’s compositions are often imbued with a sense of dynamism and movement, achieved through subtle shifts in perspective and the strategic placement of figures within the frame. Beyond his work as a painter, Van Veen made significant contributions to the burgeoning field of emblem books – a popular genre that combined images with text to convey moral and philosophical messages. His *Quinti Horatii Flacci Emblemata* (1607), *Amorum Emblemata* (1608), and *Amoris Divini Emblemata* (1615) are prime examples of this form, showcasing his skill as both an artist and a scholar. The *Amorum Emblemata*, in particular, achieved widespread influence, serving as a model for subsequent emblem books and inspiring artists across various disciplines. Its depictions of putti enacting scenes from classical literature and mythology, accompanied by witty mottos, captured the spirit of Renaissance humanism and its fascination with love – both earthly and divine.

Later Years and Enduring Influence

Even as artistic tastes began to shift towards the dynamism and dramatic intensity of the Baroque style in the early 17th century, Van Veen continued to thrive professionally and creatively. He maintained connections with the Archdukes Albert and Isabella, though without holding a formal court appointment – his skills remained highly valued for their versatility. A significant undertaking during this period was a commission to create a series of twelve paintings depicting battles between Romans and Batavians, commissioned by the Dutch States General based on earlier engravings he had produced. This project demonstrates his ability to adapt to changing political landscapes and cater to diverse artistic demands. Throughout his career, Van Veen remained actively involved in Antwerp’s artistic community, serving as dean of both the Guild of St. Luke (1602) and the Romanists (1606). He came from a family with considerable artistic talent; his brother Gijsbert was an accomplished engraver, his daughter Gertruid also pursued painting, and several nephews worked as pastel artists. Otto van Veen died in Brussels in 1629, leaving behind a legacy that extended far beyond his own oeuvre. Arnold Houbraken, the renowned Dutch art historian, recognized him as the most impressive artist and scholar of his time, even featuring his portrait on the title page of his influential *De Groote Schouburgh der Nederlantsche Konstschilders en Schildersessen*. His enduring significance lies not only in his own artistic achievements but also in his pivotal role as a teacher – most notably to Peter Paul Rubens – and his contribution to the intellectual and artistic currents of his era. He stands as a compelling figure, bridging the gap between the Renaissance and Baroque periods, embodying the ideals of the humanist artist, and leaving an indelible mark on the history of Flemish painting.

Kysymykset ja vastaukset

Voinko tutkia Otto van Veen teoksia aiheen mukaan?

Otto van Veen-taiteilijan Aiheatlas on sivu, joka ryhmittelee taiteilijan teokset niiden aiheiden mukaan.

Mihin historialliseen aikakauteen Otto van Veen kuului?

Otto van Veen työskenteli Renessanssi -aikakaudella. Aikakausi sijoittaa taiteilijan toiminnan historialliseen kontekstiin.

Mistä löydän Otto van Veen teokset ryhmiteltynä tekniikan mukaan?

Otto van Veen:n teoksia voi selata tekniikan mukaan artistin Kaikki tekniikat -sivulla.

AllPaintingsStore.com:n toimitus Päivitetty 14. elokuuta 2026

Keräilijän tietovisa

Otto van Veenin tunnetuin rooli oli?
Missä kaupungissa Otto van Veen syntyi suunnilleen vuonna 1556?
Mikä taidesuunta on Otto van Veenin tyylin keskeisin piirre?
Mitä Otto van Veen teki Peter Paul Rubensille?
Mitä Otto van Veen loi lisäksi maalausten ohessa?

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Every artwork by Otto van Veen in our catalog can be painted to order, in the size that suits the room.

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