Päivitetty marraskuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 3 teosta taiteilijalta Johan Per (Per) Sodermark luettelossamme
Pika-vastaus
Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848) on Johan Per (Per) Sodermarkin tunnetuin maalaus; alkuperäinen teos kuuluu museolle Nationalmuseum, Tukholma. Portrait of Werner Holmberg (1853) on toisena, Christoffer Eichhorn (1837-1889), librarian, art historian (1889) kolmantena. Katalogissamme on 3 teosta taiteilijalta Johan Per (Per) Sodermark; tässä ovat 3 kuuluisinta teosta järjestettynä vuosiluvun ja museon mukaan, jotta voit helpommin valita haluamasi teoksen.
Tämän sivun teoksista eniten sisältävät 2 museota.
| Museo | Kaupunki | Johan Per (Per) Sodermark teokset | Tämän listan maalaukset |
|---|---|---|---|
 Nationalmuseum |
Tukholma | 2 | Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery, Christoffer Eichhorn (1837-1889), librarian, art historian |
 Suomen Kansallisgalleria |
Helsinki | 1 | Portrait of Werner Holmberg |
Valitse vuosikymmen nähdäksesi sen suosituimman maalauksen.
Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848), Nationalmuseum, Tukholma, on ensimmäinen, ja sitä seuraavat Portrait of Werner Holmberg (1853) ja Christoffer Eichhorn (1837-1889), librarian, art historian (1889).
Johan Per (Per) Sodermark oli 26 vuotta: Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery on päivätty vuodelle 1848, ja Johan Per (Per) Sodermark syntyi 1822.
Luettelossamme on 3 teosta taiteilijalta Johan Per (Per) Sodermark, aikaväliltä 1848–1889.
Pääasiassa Nationalmuseum (Tukholma) ja Suomen Kansallisgalleria (Helsinki). Katso yllä oleva museotaulukko nähdäksesi täydellisen listan.
Sivun vanhin teos: Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848). Uusin: Christoffer Eichhorn (1837-1889), librarian, art historian (1889).
Nationalmuseum, Tukholma -museossa on 2 tämän listan maalauksista, mukaan lukien Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery ja Christoffer Eichhorn (1837-1889), librarian, art historian.
Kyllä. Voit tilata jokaisen tämän sivun maalauksen käsinmaalatun öljyreproosion tai painatuksena. Avaa maalaus, valitse koko ja tee tilauksesi.
Johan Per Södermark stands at a crossroads between military duty and the fine arts. Born in Mossebro, Karlsborg Municipality, on 5 June 1822, his early life follows the disciplined path of his father, Olof Johan Södermark. He enters the military as an Underlöjtnant in 1843, a role that demands precision and observation. The rigidity of service defines his youth, yet the brush remains present. His training begins under his father's guidance before moving to the Royal Swedish Academy of Fine Arts, where he achieves the status of agré in 1848.
The year 1848 brings a sudden shift. He resigns from active military service. The death of his father leaves him with more than just a memory; he inherits a studio. At first, Södermark sustains himself through the labor of copying his father's existing works. This period of imitation acts as a bridge, transitioning him from a man of arms to a man of lithography and paint.
Movement defines his artistic development. He moves through the cultural landscapes of Europe, seeking new light and form. His path takes him to France and Italy, followed by stays in Düsseldorf between 1852 and 1854. In Paris, from 1855 to 1856, he studies under Thomas Couture. These travels expand his repertoire beyond the portraits of his early years.
His work begins to diversify into new territories:
By 1874, Södermark reaches a professional peak as a full member of the Swedish Academy. His presence is felt in major exhibitions, from Copenhagen's Charlottenborg Palace in 1851 to various Nordic Art exhibitions held between 1872 and 1888. He leaves behind a tangible contribution to Swedish collections, having donated his original lithographs to the Nationalmuseum in 1868.
His life concludes in Stockholm on 16 November 1889. While he did not pursue the same level of realistic clarity as his father, his ability to navigate between the roles of officer and artist remains a distinct chapter in Swedish art history. His works remain accessible today through institutions such as the Academy's art gallery, Waldemarsudde, and the Nordic Museum.
