Päivitetty lokakuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 5 teosta taiteilijalta László Pataky luettelossamme
Pika-vastaus
Roosters on Horses (1880) on László Patakyin tunnetuin maalaus; alkuperäinen teos kuuluu museolle Slovak National Gallery, Bratislava. Cavalry Battle (1890) on toisena, Kuruci (1903) kolmantena. Katalogissamme on 5 teosta taiteilijalta László Pataky; tässä ovat 3 kuuluisinta teosta järjestettynä vuosiluvun ja museon mukaan, jotta voit helpommin valita haluamasi teoksen.
Tämän sivun teoksista eniten sisältävät 2 museota.
| Museo | Kaupunki | László Pataky teokset | Tämän listan maalaukset |
|---|---|---|---|
 Slovak National Gallery |
Bratislava | 2 | Roosters on Horses, Cavalry Battle |
| Ernest Zmeták Art Gallery | Nové Zámky | 1 | Kuruci |
Valitse vuosikymmen nähdäksesi sen suosituimman maalauksen.
Roosters on Horses (1880), Slovak National Gallery, Bratislava, on ensimmäinen, ja sitä seuraavat Cavalry Battle (1890) ja Kuruci (1903).
László Pataky oli 23 vuotta: Roosters on Horses on päivätty vuodelle 1880, ja László Pataky syntyi 1857.
Luettelossamme on 5 teosta taiteilijalta László Pataky, aikaväliltä 1880–1903.
Pääasiassa Slovak National Gallery (Bratislava) ja Ernest Zmeták Art Gallery (Nové Zámky). Katso yllä oleva museotaulukko nähdäksesi täydellisen listan.
Sivun vanhin teos: Roosters on Horses (1880). Uusin: Kuruci (1903).
Slovak National Gallery, Bratislava -museossa on 2 tämän listan maalauksista, mukaan lukien Roosters on Horses ja Cavalry Battle.
Kyllä. Voit tilata jokaisen tämän sivun maalauksen käsinmaalatun öljyreproosion tai painatuksena. Avaa maalaus, valitse koko ja tee tilauksesi.
László Pataky began his training within the walls of the arts and crafts school in Budapest. His hands learned the fundamentals before he moved toward the Academy of Fine Arts in Munich after 1880, working under Karl von Piloty. This period of study was followed by years spent moving between Paris, Budapest, and Munich from 1883 to 1889. These travels brought different light and different ways of seeing into his practice.
In 1888, a scholarship for his painting The Messenger opened a door to the studio of Mihály Munkácsy. He worked alongside Munkácsy on the large-scale Hungarian Conquest intended for the Hungarian Parliament Building. After this heavy task was finished, he settled in Alvinc, returning to the landscapes of his home province.
His brush often rested on the quiet rhythms of country life. He focused on rural genre scenes, capturing the movement of horses and the weight of a harvest. Some of his canvases hold specific moments of labor or rest:
Beyond the canvas, he spent much of his time translating words into images. He provided illustrations for several novels, including works by Carmen Sylva, Gabriele D'Annunzio, and Géza Gárdonyi. His gouache drawings appeared regularly in magazines such as Vasárnapi Ujság, Új Idők, and Magyar Salon.
The work of Pataky remains held in places like the Hungarian National Gallery. His career was marked by retrospective exhibitions, such as those organized by the Guild of St. George in 1913 and the Hall of Art in 1918. These gatherings allowed for a final look at his contributions to the depiction of Hungarian life before he passed away in Alvinc in 1912.
