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Catalogue entry

Two Young Girls among Flowers

1905. Oil On Canvas. Muzej lijepih umjetnosti Houston.

Fig. 1. Odilon Redon, Two Young Girls among Flowers, 1905. Shown as the reproduction you are specifying: , .

§ 1Catalogue data

§ 2Abstract

Opis kolekcionarskog predmeta

Discover "Two Young Girls Among Flowers" by Odilon Redon – a captivating Symbolist painting of youthful beauty and mystery, featuring vibrant colors & a haunting clock. Explore its symbolism & artistic legacy.

Biografija umjetnika

Meta Description: Odilon Redon (1840-1916) bio je francuski simbolista poznat po svojim zaboravljajućim crtežima u crno bijelu tehniku i velikom utjecaju na Surrealizam, oslanjajući se na svijet sna i fantazije kako bi prikazao dublje psihološke teme.

§ 3Commentary

A Dreamscape in Bloom: Unveiling Odilon Redon’s “Two Young Girls Among Flowers”

Odilon Redon's "Two Young Girls Among Flowers," painted in 1905, is not merely a depiction of youthful beauty; it’s an immersion into the evocative and often unsettling realm of Symbolism. This oil on canvas, currently residing within the Museum of Fine Arts (Houston), transcends simple portraiture, offering instead a glimpse into the artist's meticulously constructed inner world – a world where reality subtly dissolves into dream and myth. Redon, a pivotal figure in late 19th-century French art, deliberately eschewed academic realism, favoring instead a style characterized by muted palettes, ambiguous forms, and an intense focus on subjective experience. “Two Young Girls Among Flowers” exemplifies this approach perfectly, inviting the viewer to contemplate not just what is seen, but what lies beneath the surface of perception.

The painting immediately draws the eye with its carefully orchestrated composition. Two young girls occupy the central space, their postures suggesting a quiet contemplation, almost as if lost in reverie. Their faces are partially obscured, adding to the sense of mystery and encouraging the viewer’s own imaginative projection. Surrounding them is an abundance of flowers – not rendered with photographic precision, but rather as swirling masses of color and form, imbued with a palpable energy. The blossoms themselves seem to float and drift, contributing to the dreamlike quality of the scene. Notably, Redon strategically incorporates a clock in the upper right corner—a recurring motif in his work—which serves as a poignant reminder of time’s relentless passage, juxtaposed against the timelessness suggested by the girls' serene expressions.

The Language of Symbolism: Decoding Redon’s Visual Vocabulary

Redon’s artistic vision was deeply rooted in the Symbolist movement, which sought to represent abstract ideas and emotions through symbolic imagery. Unlike Impressionists who focused on capturing fleeting moments of light and color, Symbolists aimed to evoke deeper psychological states. In “Two Young Girls Among Flowers,” Redon employs a rich tapestry of symbols to convey complex themes. The flowers themselves can be interpreted as representations of beauty, innocence, and the ephemeral nature of life – all qualities associated with youth. The clock, frequently appearing in Redon’s work, often symbolizes mortality or the passage of time, creating a subtle tension within the scene.

The inclusion of bees is particularly intriguing. While seemingly decorative, they can be seen as symbols of industry, transformation, and even danger – reflecting the duality inherent in many of Redon's works. The girls’ closed eyes suggest a state of blissful detachment from the external world, while their placement amidst the flowers hints at a connection to nature and the subconscious. The overall effect is one of heightened emotional intensity, inviting viewers to engage with the painting on a deeply personal level.

Technique and Artistic Influences: A Masterful Blend

Redon’s technique in “Two Young Girls Among Flowers” is characterized by its deliberate ambiguity and textural richness. He employs loose brushstrokes and layered glazes of color, creating a sense of depth and movement within the composition. The use of muted tones—particularly reds, blues, and greens—contributes to the painting's dreamlike atmosphere. Redon’s background was heavily influenced by Japanese art, particularly woodblock prints, which he admired for their flattened perspectives, simplified forms, and evocative symbolism. This influence is evident in the way Redon renders the flowers – not as realistic botanical specimens, but rather as stylized shapes that contribute to the overall composition.

Furthermore, Redon’s exploration of Hindu and Buddhist themes—particularly the concept of the Buddha—resonates within this work. The girls' serene expressions and their apparent detachment from reality evoke a sense of spiritual contemplation, aligning with the core tenets of these Eastern philosophies. The artist’s meticulous attention to detail, combined with his willingness to embrace abstraction and symbolism, resulted in a body of work that continues to captivate and inspire viewers today.

A Timeless Masterpiece: Reproduction and Beyond

“Two Young Girls Among Flowers” stands as a testament to Odilon Redon’s artistic genius—a poignant exploration of beauty, mortality, and the power of the imagination. High-quality reproductions capture the painting's ethereal quality and intricate details, making it an ideal addition to any art collection or interior space. The evocative imagery invites contemplation and offers a glimpse into the artist’s uniquely personal vision. For those seeking to experience the full impact of this masterpiece, consider exploring related works by Redon, such as “Flowers in Green Vase with Handles,” available through AllPaintingsStore.com, which further showcases his masterful use of color and composition. To delve deeper into the Symbolism movement, resources like /art/list/?Filter=A@D3CPSF-The-Symbolism-Art-Movement are readily accessible.

Pitanja i odgovori

Koji umjetnički pravac obuhvaća "Two Young Girls among Flowers"?

"Two Young Girls among Flowers" autora Odilon Redon pripada pokretu Symbolism. Ovaj pokret pruža stilski kontekst djela.

Preporučena veličina ispisa za "Two Young Girls among Flowers" je?

Preporučena veličina tiska za "Two Young Girls among Flowers" je Medium. Dostupne su i druge veličine istih proporcija.

Od čega je izrađeno "Two Young Girls among Flowers" i u kojem je stilu?

U djelu "Two Young Girls among Flowers" tehnika Oil On Canvas susreće pokret Symbolism.

§ 4The artist

Odilon Redon

Odilon Redon

1840 - 1916, Francuska

Quick facts about Odilon Redon

  • Artistic Movement Or Style: Simbolizam
  • Artists Or Movements Influenced By This Artist:
    • Surrealizm
    • Marcel Duchamp
  • Artists Who Influenced This Artist:
    • Jean-Léon Gérôme
    • Rodolphe Bresdin
  • Date Of Birth: 1840
  • Full Name: Odilon Redon
  • Nationality: Francuski
  • Notable Artworks:
    • Centaurs
    • Onnes
    • Portrait of Ari Redon
  • Place Of Death: Paris

Biografija umjetnika

Odilon Redon (1840-1916): Between Shadow and Light

Odilon Redon, born Bertrand Jean Redon in Bordeaux, France, on April 20, 1840, was an artist whose profound engagement with the unseen realms of imagination solidified his place as a pivotal figure in Symbolism. His artistic journey began not with grand ambition but with quiet observation; at just ten years old he won a drawing prize—a foreshadowing of the visual sensitivity that would define his life’s work. Though initially steered towards architecture by familial expectations, Redon's true calling lay elsewhere, illuminated by instruction from Jean-Léon Gérôme and, crucially, Rodolphe Bresdin, who guided him in the intricate arts of etching and lithography. These techniques became foundational to his early explorations, allowing him to delve into a world of shadowy figures and ambiguous forms that would soon captivate those seeking an alternative to academic realism. The interruption of the Franco-Prussian War saw Redon briefly serving in the military, but it was upon his return to Paris that his artistic vision truly began to coalesce.

Early Life & Artistic Training

Redon’s childhood was marked by a peculiar blend of solitude and fascination with nature—a formative experience that would profoundly shape his artistic sensibilities. Living primarily with his uncle in Bordeaux's countryside, he cultivated an intimate connection with the landscape, meticulously studying trees and undergrowth. This early immersion in natural beauty instilled within him a deep appreciation for observation and detail, qualities that would permeate his entire oeuvre. At age 15, he began formal study in drawing but on the insistence of his father he switched to architecture—a decision ultimately thwarted by his failure to pass the École des Beaux-Arts entrance examinations. Despite this setback, Redon continued to pursue artistic development, studying under Jean-Léon Gérôme and honing his skills in watercolor and charcoal. His encounter with Rodolphe Bresdin proved particularly influential; Bresdin instructed him in etching and lithography—techniques that would become indispensable tools for exploring the expressive potential of monochrome prints.

The Birth of Symbolism & The “Noirs”

Redon’s artistic trajectory diverged sharply from prevailing trends during his time, rejecting the pursuit of realistic representation in favor of conveying emotional depth and spiritual resonance. This conviction led him to create his celebrated series of “noirs”—monochromatic works executed primarily in charcoal and lithography—a stylistic choice that would become synonymous with Symbolism itself. These weren’t merely studies in darkness; they were explorations of the subconscious, populated by unsettling creatures, disembodied eyes, and haunting figures emerging from swirling mists. The influence of writers like Edgar Allan Poe and Charles Baudelaire is palpable here—a shared fascination with the macabre, the mysterious, and the power of suggestion. Critics initially dismissed Redon’s “noirs” as morbid and unsettling, yet they nonetheless captured the essence of Symbolist aesthetics: a deliberate rejection of naturalism in favor of conveying inner psychological states.

Lithography & Artistic Innovation

Redon's mastery of lithography was instrumental to his artistic success. He recognized its capacity to achieve remarkable tonal effects—particularly the subtle gradations of black and gray—that surpassed those attainable with watercolor or oil paint alone. Bresdin’s guidance ensured that Redon possessed the technical skills necessary to exploit this medium’s expressive potential, allowing him to produce prints that conveyed a sense of atmosphere and psychological complexity. His early lithographs, such as *Le Gué* (The Ford), demonstrated his ability to capture the mood of a scene with remarkable precision—a characteristic that would persist throughout his career. Redon's innovative approach to printmaking established him as a pioneer in modern art, anticipating developments in Expressionism and abstraction decades later.

Later Years & Legacy

Redon’s artistic vision matured during the 1890s, marked by a gradual embrace of color—first pastel, then oil—which infused his paintings with vibrancy and luminosity. This stylistic shift reflected an evolving inner landscape within the artist himself—a move away from the melancholic introspection of his early works toward a more optimistic engagement with mythology, Buddhism, and Japanese art (*Japonism*). The influence of *Japonism* is evident in numerous compositions featuring flattened planes and decorative ensembles—a testament to Redon’s openness to new artistic ideas. His paintings gained considerable acclaim during the Armory Show of 1913, attracting international attention and cementing his reputation as a visionary artist. Odilon Redon died peacefully in Paris on July 6, 1916, leaving behind an enduring legacy—one characterized by courage, imagination, and a profound belief in art’s capacity to illuminate the hidden dimensions of human experience. His work continues to inspire artists today, serving as a reminder that true artistic expression lies beyond the confines of conventional realism.

§ 5Comparanda

§ 6Questions

Osnovne informacije

  • Title: Two Young Girls among Flowers
  • Year: 1905
  • Artistic style: Dreamlike, evocative
  • Artist: Odilon Redon
  • Location: MFA Houston

Kviz o umjetnosti

Svako pitanje ima samo jedan točan odgovor.

Pitanje 1:
What art movement is "Two Young Girls among Flowers" primarily associated with?
Pitanje 2:
In the painting, what symbolic element is prominently featured in the upper right corner?
Pitanje 3:
According to the description, what is a key characteristic of Odilon Redon's style?
Pitanje 4:
What is the approximate date of creation for "Two Young Girls among Flowers"?
Pitanje 5:
The painting includes several red flowers. What effect do these colors primarily create?

§ 7Cite this entry

AllPaintingsStore.com, “Odilon Redon, Two Young Girls among Flowers (1905)”, https://allpaintingsstore.com/hr/art/odilon-redon-two-young-girls-among-flowers-8YE698-en/ (accessed 5 Listopad 2026).

§ 8The reproduction

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Two Young Girls among Flowers

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