Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 5 djela Carl Ebert u našem katalogu
Brzi odgovor
Najpoznatije djelo umjetnika Carl Ebert je Forest Landscape with Bathing Children (1867); original se nalazi u muzeju Bavarske državne slikopisne zbirke, München. Evening Landscape (1875) i Landscape society in a park su brojevi dva i tri. Od 5 djela umjetnika Carl Ebert u našem katalogu, ovo je 5 najpoznatijih, rangiranih prema godini i muzeju, kako biste mogli odabrati sliku za narudžbu.
2 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Carl Ebert | Slike iz ovog popisa |
|---|---|---|---|
 Bavarske državne slikopisne zbirke |
München | 2 | Forest Landscape with Bathing Children, Evening Landscape |
 Lenbachhaus |
München | 1 | Isar Landscape |
Radovi umjetnika Carl Ebert koji se ovdje nalaze datiraju u razdoblju od 9 godina, od 1867 do 1875. Pregledajte ih godinu po godinu kako biste odabrali svoj primjerak.
Odaberite godinu kako biste vidjeli njezine slike.
Forest Landscape with Bathing Children (1867), Bavarske državne slikopisne zbirke, München, zauzima prvo mjesto, a slijede Evening Landscape (1875) i Landscape society in a park.
Carl Ebert je imao 46 godina: Forest Landscape with Bathing Children datira iz 1867, a Carl Ebert je rođen/a u 1821.
U našem katalogu nalazi se 5 djela umjetnika Carl Ebert, datiranih od 1867 do 1875.
Uglavnom u Bavarske državne slikopisne zbirke (München) i Lenbachhaus (München). Za cjeloviti popis pogledajte gornju tablicu muzeja.
Najstarije na ovoj stranici: Forest Landscape with Bathing Children (1867). Najnovije: Evening Landscape (1875).
Bavarske državne slikopisne zbirke, München posjeduje 2 od ovdje rangiranih slika, uključujući Forest Landscape with Bathing Children i Evening Landscape.
Da. Svaku sliku na ovoj stranici možete naručiti kao ručno oslikano uljano reprodukciju ili kao tisku. Otvorite sliku, odaberite veličinu i izvršite narudžbu.
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.
