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Portret Cornelia Scheffer

Djela umjetnika Cornelia Scheffer: Top 4 najpoznatijih, rangirano

Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 4 djela Cornelia Scheffer u našem katalogu

Brzi odgovor

Najpoznatije djelo umjetnika Cornelia Scheffer je Self-portrait (1795); original se nalazi u muzeju Dordrechts Museum, Dordrecht. Woman with Two Children on a Country Road (1811) i The Women of Souli (1833) su brojevi dva i tri. Od 4 djela umjetnika Cornelia Scheffer u našem katalogu, ovo je 4 najpoznatijih, rangiranih prema godini i muzeju, kako biste mogli odabrati sliku za narudžbu.

1769 – 1839, Dordrecht Najviše djela: Dordrechts Museum

Top 10 najpoznatijih djela umjetnika Cornelia Scheffer, prema rangiranju

Muzeji koji čuvaju originala umjetnika Cornelia Scheffer

1 muzeja u kojima se nalazi najviše djela s ove stranice.

Muzej Grad Djela autora Cornelia Scheffer Slike iz ovog popisa
Dordrechts Museum, DordrechtDordrechts Museum Dordrecht 4 Self-portrait, Woman with Two Children on a Country Road, The Women of Souli

Cornelia Scheffer prema desetljećima: najpoznatija djela iz svakog razdoblja

Djela po desetljećima

Odaberite desetljeće kako biste vidjeli njegovu najpoznatiju sliku.

Slike autora Cornelia Scheffer: česta pitanja

Koje je najpoznatije djelo umjetnika Cornelia Scheffer?Prikaži odgovor

Self-portrait (1795), Dordrechts Museum, Dordrecht, zauzima prvo mjesto, a slijede Woman with Two Children on a Country Road (1811) i The Women of Souli (1833).

Koliko je godina imao/la Cornelia Scheffer kada je naslikano Self-portrait?Prikaži odgovor

Cornelia Scheffer je imao 26 godina: Self-portrait datira iz 1795, a Cornelia Scheffer je rođen/a u 1769.

Koliko djela umjetnika Cornelia Scheffer imate na popisu?Prikaži odgovor

U našem katalogu nalazi se 4 djela umjetnika Cornelia Scheffer, datiranih od 1795 do 1833.

Gdje se čuvaju originalna djela Cornelia Scheffer?Prikaži odgovor

Uglavnom u Dordrechts Museum (Dordrecht). Za cjeloviti popis pogledajte gornju tablicu muzeja.

Koja su najranija i najnovija poznata djela Cornelia Scheffer?Prikaži odgovor

Najstarije na ovoj stranici: Self-portrait (1795). Najnovije: The Women of Souli (1833).

Koji se originali umjetnika Cornelia Scheffer nalaze u muzeju Dordrechts Museum?Prikaži odgovor

Dordrechts Museum, Dordrecht posjeduje 4 od ovdje rangiranih slika, uključujući Self-portrait, Woman with Two Children on a Country Road i The Women of Souli.

Mogu li naručiti reprodukciju Cornelia Scheffer?Prikaži odgovor

Da. Svaku sliku na ovoj stranici možete naručiti kao ručno oslikano uljano reprodukciju ili kao tisku. Otvorite sliku, odaberite veličinu i izvršite narudžbu.

O umjetniku: Cornelia Scheffer

A Life of Miniature Precision

Dordrecht, 1769. Cornelia Lamme enters the world as the daughter of Arie Lamme, a landscape painter whose influence likely shaped her early hands. She grows up within an artistic circle, learning the delicate nuances of portrait miniatures. Her childhood is marked by linguistic agility, mastering French, German, and English. The stability of the Dutch Republic shifts in 1787 when Prussian forces arrive; the family flees to the southern Netherlands for two years before returning home.

In October 1794, a union occurs that merges two artistic lineages. Cornelia marries Johann Baptist Scheffer. This partnership is defined by shared skill and the movement of a family through The Hague, Rotterdam, and Amsterdam. She carries the title of miniature painter, working with watercolor and gouache on ivory to capture the likenesses of her own kin.

The Move to Paris

The year 1809 brings a sudden fracture. Johann dies at age 45. The financial weight of the family shifts. Following the death of her husband, Cornelia moves to Brussels, and by 1811, she settles in Paris. This relocation is a calculated decision; she believes the French capital offers better prospects for an artist than the Netherlands. She brings her sons, Ary and Hendrik, into this new environment.

Life in Paris involves navigating the district of Saint-Germain under difficult financial circumstances. As her son Ary gains prominence, Cornelia finds a new rhythm within his orbit. Starting in 1821, she begins working as a copyist for him and Hendrik. She uses her brush to replicate their paintings, effectively building a personal collection of their work through duplication.

Legacy in Miniature

Cornelia’s presence in the Parisian art scene is felt through her proximity to the great figures of the era. While living with Ary in his villa near Montmartre, she likely encounters the likes of Eugene Delacroix, Theodore Gericault, and Jean Baptiste-Dominating Ingres. Her role as a mother and a copyist places her at the center of a significant artistic household.

Her technical output remains rooted in the intimate scale of her training:

She remains in Paris until her death in 1839 at age 70. She is laid to rest in the Montmartre Cemetery.