Ažurirano Listopad 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 14 djela Daniel Gran u našem katalogu
Brzi odgovor
Allegory of the Dawn (1723) je najpoznatije djelo umjetnika Daniel Gran. Mary with Child and Saints, Enthroned on Clouds (1730) je drugi, Diana's Admission to Olympus (1732) treći. Naš katalog sadrži 14 djela umjetnika Daniel Gran; evo 14 najpoznatijih, poredanih prema važnosti, s navedenom godinom i muzejom za svako od njih, kako bi vam pomogli odabrati ono koje želite naručiti.
3 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Daniel Gran | Slike iz ovog popisa |
|---|---|---|---|
 Narodni muzej u Varšavi |
Varšava | 2 | Greeting of Venus at Mount Olympus, Bacchus and Ceres |
 Szépművészeti Múzeum |
Budimpešta | 2 | St Elizabeth Distributing Alms, The Day Driving away the Night |
 Narodni muzej u Krakovu |
Kraków | 1 | Apollo with the Muses – Project for a Plafond |
Odaberite desetljeće kako biste vidjeli njegovu najpoznatiju sliku.
Allegory of the Dawn (1723) zauzima prvo mjesto, a slijede Mary with Child and Saints, Enthroned on Clouds (1730) i Diana's Admission to Olympus (1732).
Daniel Gran je imao 29 godina: Allegory of the Dawn datira iz 1723, a Daniel Gran je rođen/a u 1694.
Allegory of the Dawn, Mary with Child and Saints, Enthroned on Clouds, Diana's Admission to Olympus, Apollo with the Muses – Project for a Plafond, Allegory of the Happy Government of Mähren, Allegory of the Morning, Instruction of Mary by Joachim and Anna, The Holy Family, Madonna and Child i unleserlich. Godina i muzej za svako od njih navedeni su u gornjem rangiranju.
U našem katalogu nalazi se 14 djela umjetnika Daniel Gran, datiranih od 1723 do 1747.
Uglavnom u Narodni muzej u Varšavi (Varšava), Szépművészeti Múzeum (Budimpešta) i Narodni muzej u Krakovu (Kraków). Za cjeloviti popis pogledajte gornju tablicu muzeja.
U 1730s: 4 od 14 slika rangiranih ovdje datira iz tog vremena, uključujući Mary with Child and Saints, Enthroned on Clouds.
Najstarije na ovoj stranici: Allegory of the Dawn (1723). Najnovije: Allegory of the Morning (1747).
Narodni muzej u Varšavi, Varšava posjeduje 2 od ovdje rangiranih slika, uključujući Greeting of Venus at Mount Olympus i Bacchus and Ceres.
Da. Svaku sliku na ovoj stranici možete naručiti kao ručno oslikano uljano reprodukciju ili kao tisku. Otvorite sliku, odaberite veličinu i izvršite narudžbu.
Daniel Gran (1694-1757) was a prominent Austrian Baroque painter who played a crucial role in the transition towards Classicism. His career spanned a period of significant artistic change, and he is remembered for his masterful frescoes, religious scenes, and illusionistic style.
Born in Vienna, Italy in 1694, Daniel Gran came from a family that valued its noble lineage. Successfully asserting his claim to this title was important during his time, as improper use of such distinctions could have severe social consequences. Details regarding his early artistic training remain somewhat scarce, but it is known he developed considerable skill and ambition.
Gran’s initial work firmly rooted in the Baroque tradition, characterized by dramatic compositions, rich colors, and a sense of movement. However, towards the end of his career, his paintings began to exhibit a shift away from purely Baroque aesthetics – particularly in terms of figural dimensions and illusionism. This evolution suggests an increasing interest in the emerging principles of Classicism, emphasizing clarity, balance, and restraint.
While specific influences are not extensively documented, it’s reasonable to assume Gran was impacted by contemporary Italian and Austrian Baroque masters. His later stylistic changes suggest a growing awareness of early Classical art and its emphasis on form and proportion.
Daniel Gran’s significance lies in his role as a bridge between the Baroque and Classical periods. He wasn't merely an imitator of earlier styles but actively contributed to the evolving artistic landscape of 18th-century Austria. His work demonstrates a conscious effort to move beyond the exuberance of the High Baroque towards a more restrained and balanced aesthetic.
Gran’s influence can be seen in the subsequent development of Austrian painting, paving the way for later Classicist artists. In 1894, Vienna honored his legacy by naming the Grangasse street in Rudolfsheim-Fünfhaus (the 15th district) after him. His self-portrait remains a treasured piece within the monastery of Herzogenburg.
Gran’s frescoes continue to captivate viewers with their beauty, technical skill, and historical importance, solidifying his place as a notable figure in Austrian art history.
