Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 3 djela Johan Per (Per) Sodermark u našem katalogu
Brzi odgovor
Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848) je najpoznatije djelo umjetnika Johan Per (Per) Sodermark; original se nalazi u muzeju Nationalmuseum, Stockholm. Portrait of Werner Holmberg (1853) je drugi, Christoffer Eichhorn (1837-1889), librarian, art historian (1889) treći. Naš katalog sadrži 3 djela umjetnika Johan Per (Per) Sodermark; evo 3 najpoznatijih, poredanih prema važnosti, s navedenom godinom i muzejom za svako od njih, kako bi vam pomogli odabrati ono koje želite naručiti.
2 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Johan Per (Per) Sodermark | Slike iz ovog popisa |
|---|---|---|---|
 Nationalmuseum |
Stockholm | 2 | Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery, Christoffer Eichhorn (1837-1889), librarian, art historian |
 Finnish National Gallery |
Helsinki | 1 | Portrait of Werner Holmberg |
Odaberite desetljeće kako biste vidjeli njegovu najpoznatiju sliku.
Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848), Nationalmuseum, Stockholm, zauzima prvo mjesto, a slijede Portrait of Werner Holmberg (1853) i Christoffer Eichhorn (1837-1889), librarian, art historian (1889).
Johan Per (Per) Sodermark je imao 26 godina: Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery datira iz 1848, a Johan Per (Per) Sodermark je rođen/a u 1822.
U našem katalogu nalazi se 3 djela umjetnika Johan Per (Per) Sodermark, datiranih od 1848 do 1889.
Uglavnom u Nationalmuseum (Stockholm) i Finnish National Gallery (Helsinki). Za cjeloviti popis pogledajte gornju tablicu muzeja.
Najstarije na ovoj stranici: Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848). Najnovije: Christoffer Eichhorn (1837-1889), librarian, art historian (1889).
Nationalmuseum, Stockholm posjeduje 2 od ovdje rangiranih slika, uključujući Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery i Christoffer Eichhorn (1837-1889), librarian, art historian.
Da. Svaku sliku na ovoj stranici možete naručiti kao ručno oslikano uljano reprodukciju ili kao tisku. Otvorite sliku, odaberite veličinu i izvršite narudžbu.
Johan Per Södermark stands at a crossroads between military duty and the fine arts. Born in Mossebro, Karlsborg Municipality, on 5 June 1822, his early life follows the disciplined path of his father, Olof Johan Södermark. He enters the military as an Underlöjtnant in 1843, a role that demands precision and observation. The rigidity of service defines his youth, yet the brush remains present. His training begins under his father's guidance before moving to the Royal Swedish Academy of Fine Arts, where he achieves the status of agré in 1848.
The year 1848 brings a sudden shift. He resigns from active military service. The death of his father leaves him with more than just a memory; he inherits a studio. At first, Södermark sustains himself through the labor of copying his father's existing works. This period of imitation acts as a bridge, transitioning him from a man of arms to a man of lithography and paint.
Movement defines his artistic development. He moves through the cultural landscapes of Europe, seeking new light and form. His path takes him to France and Italy, followed by stays in Düsseldorf between 1852 and 1854. In Paris, from 1855 to 1856, he studies under Thomas Couture. These travels expand his repertoire beyond the portraits of his early years.
His work begins to diversify into new territories:
By 1874, Södermark reaches a professional peak as a full member of the Swedish Academy. His presence is felt in major exhibitions, from Copenhagen's Charlottenborg Palace in 1851 to various Nordic Art exhibitions held between 1872 and 1888. He leaves behind a tangible contribution to Swedish collections, having donated his original lithographs to the Nationalmuseum in 1868.
His life concludes in Stockholm on 16 November 1889. While he did not pursue the same level of realistic clarity as his father, his ability to navigate between the roles of officer and artist remains a distinct chapter in Swedish art history. His works remain accessible today through institutions such as the Academy's art gallery, Waldemarsudde, and the Nordic Museum.
