Ažurirano Listopad 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 5 djela László Pataky u našem katalogu
Brzi odgovor
Roosters on Horses (1880) je najpoznatije djelo umjetnika László Pataky; original se nalazi u muzeju Slovak National Gallery, Bratislava. Cavalry Battle (1890) je drugi, Kuruci (1903) treći. Naš katalog sadrži 5 djela umjetnika László Pataky; evo 3 najpoznatijih, poredanih prema važnosti, s navedenom godinom i muzejom za svako od njih, kako bi vam pomogli odabrati ono koje želite naručiti.
2 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora László Pataky | Slike iz ovog popisa |
|---|---|---|---|
 Slovak National Gallery |
Bratislava | 2 | Roosters on Horses, Cavalry Battle |
| Ernest Zmeták Art Gallery | Nové Zámky | 1 | Kuruci |
Odaberite desetljeće kako biste vidjeli njegovu najpoznatiju sliku.
Roosters on Horses (1880), Slovak National Gallery, Bratislava, zauzima prvo mjesto, a slijede Cavalry Battle (1890) i Kuruci (1903).
László Pataky je imao 23 godina: Roosters on Horses datira iz 1880, a László Pataky je rođen/a u 1857.
U našem katalogu nalazi se 5 djela umjetnika László Pataky, datiranih od 1880 do 1903.
Uglavnom u Slovak National Gallery (Bratislava) i Ernest Zmeták Art Gallery (Nové Zámky). Za cjeloviti popis pogledajte gornju tablicu muzeja.
Najstarije na ovoj stranici: Roosters on Horses (1880). Najnovije: Kuruci (1903).
Slovak National Gallery, Bratislava posjeduje 2 od ovdje rangiranih slika, uključujući Roosters on Horses i Cavalry Battle.
Da. Svaku sliku na ovoj stranici možete naručiti kao ručno oslikano uljano reprodukciju ili kao tisku. Otvorite sliku, odaberite veličinu i izvršite narudžbu.
László Pataky began his training within the walls of the arts and crafts school in Budapest. His hands learned the fundamentals before he moved toward the Academy of Fine Arts in Munich after 1880, working under Karl von Piloty. This period of study was followed by years spent moving between Paris, Budapest, and Munich from 1883 to 1889. These travels brought different light and different ways of seeing into his practice.
In 1888, a scholarship for his painting The Messenger opened a door to the studio of Mihály Munkácsy. He worked alongside Munkácsy on the large-scale Hungarian Conquest intended for the Hungarian Parliament Building. After this heavy task was finished, he settled in Alvinc, returning to the landscapes of his home province.
His brush often rested on the quiet rhythms of country life. He focused on rural genre scenes, capturing the movement of horses and the weight of a harvest. Some of his canvases hold specific moments of labor or rest:
Beyond the canvas, he spent much of his time translating words into images. He provided illustrations for several novels, including works by Carmen Sylva, Gabriele D'Annunzio, and Géza Gárdonyi. His gouache drawings appeared regularly in magazines such as Vasárnapi Ujság, Új Idők, and Magyar Salon.
The work of Pataky remains held in places like the Hungarian National Gallery. His career was marked by retrospective exhibitions, such as those organized by the Guild of St. George in 1913 and the Hall of Art in 1918. These gatherings allowed for a final look at his contributions to the depiction of Hungarian life before he passed away in Alvinc in 1912.
