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Cleopatra / Eurydice

Nome Classe Data

Peter Lombard, Cleopatra / Eurydice (1532). Di pubblico dominio.

Dettagli dell'opera

Artista
Peter Lombard allpaintingsstore.com/it/artists/peter-lombard_it/
Date dell'artista
1096 – 1160
Pittura
1532
Dimensioni originali
20 x 26 cm

Nel contesto

Cleopatra / Eurydice — Peter Lombard

Quali sono le dimensioni?

Le dimensioni originali sono 20 × 26 cm (altezza × larghezza), qui rappresentate accanto a un adulto di statura media.

Data di realizzazione

  1. 1080
  2. 1120
  3. 1160
  4. 1200
  5. 1240
  6. 1280
  7. 1320
  8. 1360
  9. 1400
  10. 1440
  11. 1480
  12. 1520

Shaded: la vita di Peter Lombard (1096–1160) ▲ quest'opera, 1532

Opere simili

Scegli un'opera tra quelle sopra elencate: indica due elementi in comune con quest'ultima e una differenza.

Altre opere da affiancare a questa: allpaintingsstore.com/it/art/similar/lombard-master-cleopatra-eurydice-D4NBUD-en/

Palette colori

Rilevato dall'immagine

    Colore principale

    Phthalo Green #151713

    Tavolozza salvata

    • #151713
    • #939999
    • #4D4B3F
    • #72726A
    Colore principale
    Phthalo Green
    Intensità
    Monochromatic La saturazione e la varietà dei colori, da una singola tonalità tenue a molteplici sfumature vivaci.
    Contrasto
    Bold Quanto i colori differiscano in luminosità e saturazione nell'intera opera.
    Armonia
    Balanced Harmony L'armonia cromatica, dall'accostamento contrastante all'unione completa.
    Luminosità
    Deep_shadow Il grado di luminosità o di oscurità complessiva dell'immagine, dalle ombre profonde ai punti di massima luce.
    Saturazione
    Muted Quanto siano puri e intensi i colori, dal quasi grigio al pienamente vivido.

    Informazioni sull'opera

    Cleopatra / Eurydice — Peter Lombard

    A slender, near-naked female figure stands before a parapet, her pale body standing out appealingly against the dark background. Her left foot is on a snake, which in the very next moment will bite her. Inclining slightly, the woman is turning aside, her right hand resting on a richly ornamented pilaster, as if she were in need of support. The pilaster bears a red marble panel with the inscription CLEOPATRA. 1.5.3.2.PE. This is somewhat perplexing, since the subject is not the Egyptian queen who, according to legend, died of an asp bite to the breast when she failed to win Octavian, later Emperor Augustus, for herself. The woman is far likelier to be Eurydice, the wife of Orpheus. Fleeing the attentions of the shepherd Aristaeus, she accidentally trod on a snake, and died of its bite. The composition and various details of this Berlin relief recall a work on the same subject by Giammaria Mosca, today in the Metropolitan Museum of Art in New York. That work in all likelihood served Master PE Monogram as a model. It seems probable that he misunderstood his fellow artist’s subject, and hence inscribed the wrong name.

    Artista e museo

    Artista

    Peter Lombard

    Nato a Novara, Italia

    Peter Lombard

    Peter Lombard (c. 1096 – August 21/22, 1160) was a bishop and theologian of the twelfth century who profoundly shaped medieval intellectual life. He is best remembered for his monumental achievement—the Quattro Libri Sententiarum ("Four Books of Sentences"), which became the standard theological text throughout Europe for centuries and established him as one of the most influential thinkers of his era.

    Early Life and Education

    Born in Novara, Lombard’s origins were humble; he descended from a family of modest means. His education began at the cathedral schools of Novara and Lucca, where he immersed himself in scholastic philosophy and theology—disciplines that would dominate his intellectual pursuits. Recognizing his exceptional talent, he moved to Paris around 1125, seeking guidance from luminaries like Peter Abelard and Hugh of St. Victor. These mentors instilled in him a rigorous approach to learning and fostered an interest in reconciling faith and reason – a cornerstone of Lombard’s theological method. He was ordained as a priest before 1156 and served as subdeacon for several years, demonstrating his commitment to ecclesiastical service.

    The Quattro Libri Sententiarum

    Lombard's magnum opus, the Quattro Libri Sententiarum, represents an unparalleled contribution to medieval theology. Published between 1150 and 1160, these four treatises tackled fundamental questions concerning God’s existence, divine providence, moral law, and salvation—topics debated fiercely by theologians of his time. Lombard skillfully synthesized Aristotelian philosophy with Christian theology, arguing that reason could illuminate faith without undermining it. His systematic approach to argumentation and his meticulous attention to detail revolutionized theological scholarship and established a framework for subsequent debates on religious doctrine. The Sentences became the bedrock of scholastic education and exerted an enduring influence on Western intellectual history.

    Notable Works

    Beyond the Quattro Libri Sententiarum, Lombard produced numerous sermons, commentaries on Scripture, and treatises on liturgical theology—all characterized by clarity, precision, and erudition. He was particularly celebrated for his depiction of Saint Anthony Abbot, a painting housed in the Museo Poldi Pezzoli in Milan. This artwork exemplifies Lombard’s stylistic preferences: elegant figures rendered with meticulous detail against a uniform gold ground – a technique that reflects the transition from late Gothic to Renaissance art. Furthermore, he created the Saint Martyr Deacon Panel, also displayed at the Museo Poldi Pezzoli, showcasing his mastery of artistic expression and demonstrating his ability to convey profound theological ideas through visual imagery.

    Influence and Legacy

    Peter Lombard’s impact extended far beyond his immediate scholarly circle. He served as a teacher at Bologna University, attracting students from across Europe who embraced his innovative method of reconciling faith and reason. His teachings fostered a new generation of theologians committed to intellectual rigor and moral integrity—a legacy that continues to resonate in contemporary theological discourse. Lombard's work solidified the scholastic tradition, shaping the intellectual landscape of the Middle Ages and influencing thinkers for centuries to come. He remains an enduring symbol of medieval scholarship and a testament to the transformative power of philosophical inquiry.

    Dove approfondire

    • L'artista Peter Lombard allpaintingsstore.com/it/artists/peter-lombard_it/
    • Opere simili Altre opere da confrontare allpaintingsstore.com/it/art/similar/lombard-master-cleopatra-eurydice-D4NBUD-en/

    Scoprilo online

    Codice QR che rimanda alla pagina di download per Cleopatra / Eurydice

    allpaintingsstore.com/it/art/download/lombard-master-cleopatra-eurydice-D4NBUD-en/

    Citazione dell'opera

    MLA
    Lombard, Peter. Cleopatra / Eurydice. 1532, https://allpaintingsstore.com/it/art/lombard-master-cleopatra-eurydice-D4NBUD-en/
    APA
    Lombard, Peter (1532). Cleopatra / Eurydice [Painting]. https://allpaintingsstore.com/it/art/lombard-master-cleopatra-eurydice-D4NBUD-en/
    Chicago
    Peter Lombard. Cleopatra / Eurydice. 1532. https://allpaintingsstore.com/it/art/lombard-master-cleopatra-eurydice-D4NBUD-en/
    Harvard
    Lombard, Peter (1532) Cleopatra / Eurydice. Available at: https://allpaintingsstore.com/it/art/lombard-master-cleopatra-eurydice-D4NBUD-en/

    Guarda da vicino

    Cleopatra / Eurydice — Peter Lombard

    Guarda da vicino

    Rispondi con parole tue. Non esistono risposte errate — solo risposte che puoi spiegare.

    1. Cosa ti colpisce per primo, e perché?
    2. Quali colori o forme creano l'atmosfera — e di che atmosfera si tratta?
    3. Quanti volti riesci a trovare? ____ (il nostro catalogo ne conta 1 — sei d'accordo?)
    4. Rivedi Saint Anthony Abbot (1400), precedentemente citato in questa guida. Indica due elementi che condivide con quest'opera e uno che la differenzia.
    5. Cosa potrebbe aver voluto trasmetterti l'artista?

    La tua risposta

    Scrivi un breve paragrafo su quest'opera. Utilizza i fatti riportati nelle parti precedenti di questa guida e le tue risposte fornite sopra.