11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 5点の Gustaf Söderbergの作品がカタログにあります
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Gustaf Söderbergの作品の中で最も評価の高い作品はThe Grotto of Posillipo, Naples (1820)で、その原画はニューヨークのメトロポリタン美術館に所蔵されています。 第2位と第3位は、View over the Tiber to the Aventine, Rome (1820)とA Temple in Agrigento, Sicilyです。 当カタログにはGustaf Söderbergによる作品が5点収められています。ここに掲載されている5点は、制作年と所蔵美術館とともに、最も有名な作品を順に並べたものです。
The Grotto of Posillipo, Naples is an oil study by the Swedish artist Gustaf Söderberg, executed in 1820. This work captures a specific geological and historical site located in southern Italy. The subject is a nearly half-mile-long tunnel carved through the rocky promontory that separates the city of Naples from the town of Posillipo. This passage dates back to the first century.
このページに掲載されている絵画を最も多く所蔵している 2 の美術館
| 美術館 | 都市 | Gustaf Söderbergの作品 | このリストの絵画 |
|---|---|---|---|
 国立美術館 |
ストックホルム | 4 | View over the Tiber to the Aventine, Rome, A Temple in Agrigento, Sicily, Vesuvius Seen from St January Bridge, Naples |
 メトロポリタン美術館 |
ニューヨーク | 1 | The Grotto of Posillipo, Naples |
1820：このページに掲載されているGustaf Söderbergの作品はすべてこの年のものです。ランキング順に表示しています。
年を選択して作品を見る
The Grotto of Posillipo, Naples is an oil study by the Swedish artist Gustaf Söderberg, executed in 1820. This work captures a specific geological and historical site located in southern Italy. The subject is a nearly half-mile-long tunnel carved through the rocky promontory that separates the city of Naples from the town of Posillipo. This passage dates back to the first century.
1820時代のその他の絵画
The Grotto of Posillipo, Naples (1820)（メトロポリタン美術館, ニューヨーク）が第1位、次いでView over the Tiber to the Aventine, Rome (1820)、A Temple in Agrigento, Sicilyの順となっています。
Gustaf Söderbergの享年は21歳です。The Grotto of Posillipo, Naplesの制作年は1820年で、Gustaf Söderbergは1799年に生まれました。
Gustaf Söderbergによる作品が5点、カタログに掲載されています。
主に国立美術館 (ストックホルム) と メトロポリタン美術館 (ニューヨーク)に所蔵されています。全リストについては、上記の美術館一覧をご参照ください。
1820年：ここにランクインしている5点の絵画のうち、2点がその時代の作品で、The Grotto of Posillipo, Naplesなどが含まれます。
国立美術館, ストックホルムには、View over the Tiber to the Aventine, Rome, A Temple in Agrigento, Sicily と Vesuvius Seen from St January Bridge, Naplesを含む、ここにランクインしている絵画のうち4点が所蔵されています。
はい。このページに掲載されているすべての絵画は、手描きの油彩複製画、またはプリントとしてご注文いただけます。絵画を選択し、サイズを選んで注文を確定してください。
Gustaf Söderberg lived a life defined by the dualities of Swedish military discipline and the quiet observation of the natural world. Born in Norrköping, Östergötland, he was the son of a clothing manufacturer, Johan Söderberg, and Agnes Arosenius. While his career path led him through the ranks of the military, his eyes remained fixed on the landscapes of Europe. He trained as a military draftsman, a skill that provided a precise foundation for his later explorations in light and atmosphere.
His professional trajectory was marked by steady advancement. He served as an Adjutant at the Expeditionary General for the Army in Stockholm and eventually attained the rank of Colonel. In 1827, he held the position of ordination officer to the Crown Prince, and by 1833, he had become Adjutant to the Crown Prince himself. Even amidst these official duties, his artistic inclinations found expression through lithographic work, specifically in creating posters for Swedish and Norwegian military uniforms completed in 1828.
Söderberg holds a specific place in Swedish art history as the first painter from his nation to embrace plein-air painting. This shift toward painting outdoors was not an isolated impulse but a learned technique. He studied under the French landscapist Achille-Etna Michallon, whose influence helped him move beyond the rigid confines of studio work. His travels provided the necessary canvas for this new approach.
In 1819, he traveled to Italy, and by 1820, his sketches began to capture the specific geometries of foreign locales. During a journey through southern Italy and Sicily, he produced studies such as The Grotto of Posillipo, Naples. His time in Rome also yielded works like Houses, Rome, where he utilized an extraordinary disparity of scale to depict architectural fragments against the sky. These early excursions were followed by time spent in Paris in 1821 and a painting tour through Norway in 1824.
The later decades of Söderberg's life saw him moving through the various stages of European travel while maintaining his military obligations. He participated regularly in the Academy of Fine Arts exhibitions from 1822 onwards, bringing his observations to a wider audience. After retiring from military service in 1864, he spent his remaining years traveling across the continent.
He passed away in Stockholm in 1875. His legacy is found not in grand historical narratives, but in the meticulous oil studies on paper that remain in collections such as The Metropolitan Museum of Art. These works preserve a specific moment of transition in Swedish art, capturing the light of Naples and the structures of Rome through the lens of a man who understood both the precision of a soldier and the sensitivity of a draftsman.
