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Lambert Mathieuの肖像画

知名度順に選ぶ、トップ3作品のLambert Mathieu

11月 2026 更新 · 当サイトの人気スコア(各作品の検索数、閲覧数、注文数)に基づくランキング · 3点の Lambert Mathieuの作品がカタログにあります

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Self portrait by Lambert Mathieu (1804-1861) (1843)はLambert Mathieuの最も有名な作品です。 Portrait of Marie-Anne Mertens (1850)が第2位、Portrait of Edward Van Even (1855)が第3位です。 Lambert Mathieuによる作品は、当カタログに3点ございます。ここでは、ご注文の際の参考にしていただけるよう、最も有名な3作品を、制作年と所蔵美術館とともにランキング形式でご紹介します。

1804 – 1861, Bure

Lambert Mathieu:トップ10の絵画作品

年別 Lambert Mathieu の代表作トップ100

13年間の1843年から1855年まで:Lambert Mathieuの年代別絵画を閲覧し、各時代の代表作を比較しましょう。

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Lambert Mathieuの絵画について知っておくべきこと

ランキング1位に輝くLambert Mathieuの名画とは?回答を表示

Self portrait by Lambert Mathieu (1804-1861) (1843)が第1位、次いでPortrait of Marie-Anne Mertens (1850)、Portrait of Edward Van Even (1855)の順となっています。

Self portrait by Lambert Mathieu (1804-1861)の年、Lambert Mathieuは何歳でしたか?回答を表示

Lambert Mathieuの享年は39歳です。Self portrait by Lambert Mathieu (1804-1861)の制作年は1843年で、Lambert Mathieuは1804年に生まれました。

カタログにはLambert Mathieuの作品が何点掲載されていますか?回答を表示

Lambert Mathieuによる作品が3点、1843年から1855年にかけてのものがカタログに掲載されています。

Lambert Mathieuの有名な絵画のうち、最も古い作品と最新の作品はどれですか?回答を表示

このページで最も古い作品: Self portrait by Lambert Mathieu (1804-1861) (1843)。最新の作品: Portrait of Edward Van Even (1855)。

Lambert Mathieuの絵画の複製画は販売していますか?回答を表示

はい。このページに掲載されているすべての絵画は、手描きの油彩複製画、またはプリントとしてご注文いただけます。絵画を選択し、サイズを選んで注文を確定してください。

Lambert Mathieu:生涯と経歴

The Life of a Belgian Painter

Lambert Joseph Mathieu lived through the transformative decades of the nineteenth century, leaving behind a body of work that reflects the quiet dignity of his era. Born in 1804, he navigated a world where the brush and canvas were tools for capturing both the individual soul and the grander allegories of history. His presence in the Belgian art scene was marked by a dedication to oil on canvas, a medium through which he could manipulate light and texture to bring his subjects to life.

The artist's hand is often seen in his more personal reflections, such as his self-portrait held within the collections of Museum M in Leuven, Belgium. In such works, one finds a man observing himself with the same care he applied to his patrons. His career was not merely about the creation of images but about the recording of faces and stories that might otherwise have faded into the shadows of history.

Themes and Artistic Pursuits

Mathieu's repertoire moved between the intimate and the grand. He possessed a particular skill for portraiture, capturing the likenesses of notable figures such as Charles de Luesemans and Marie-Anne Mertens. These portraits were more than simple likenesses; they were studies in character and social standing. His ability to render the weight of fabric and the subtle nuances of a gaze allowed him to connect with his subjects on a human level.

Beyond the individual, he sought to explore deeper narratives through religious and allegorical compositions. He worked on pieces like De bekering van Sint-Hubertus Saint-Hubert and Raphael and his muse La Fornarina, where he engaged with the weight of tradition and the legends of the past. His work Allegory of Raffaell, Sanzio and the creation of the soft style demonstrates an interest in the very foundations of artistic technique and the lineage of great masters.

A Legacy in Oil and Canvas

The traces of Mathieu's life can still be found in auction records and museum archives, where his paintings occasionally resurface to remind us of his skill. While many of his works remain tucked away in storage or private collections, the pieces that do reach the public eye reveal a painter who understood the balance between form and feeling. His auction history shows that his works have been valued by collectors, with certain pieces reaching prices near 4,593 USD.

Though he passed away in 1861, the physical remnants of his labor—the layers of oil paint and the stretched canvas—continue to endure. His life's work remains a part of the Belgian artistic record, preserved through the careful stewardship of institutions like Museum M. Through these surviving canvases, the quiet ambition of Lambert Mathieu continues to speak to those who look closely at the details of his brushwork.