Greitas atsakymas
Pirmiausia iš Deyvidas Džageris paveikslų yra The Bolshevik (1918), kurio originalas saugomas Canadian War Museum, Ottawa. Antra ir trečia vieta: Thomas Newbould (1845–1933) (1921) ir Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935) (1936). Mūsų kataloge yra 23 darbų autoriaus Deyvidas Džageris. Čia išvardyti 23 garsiausiųjų kūrinių sąrašas surikiuotas pagal rangą, nurodant kiekvieno originalo datą ir muziejų.
Top 10: garsiausi Deyvidas Džageris paveikslai
Reitingas nuo 11 iki 23: daugiau darbių autoriaus Deyvidas Džageris
Deyvidas Džageris paveikslai pagal temą
Didžiausiausia šio reitingo populiariausių keturių temų apžvalga su geriausiais kiekvienos jų paveiksliais.
Portraits 2 darbai
Men 2 darbai
Muziejai, kuriuose eksponuojami Deyvidas Džageris originalūs darbai
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Deyvidas Džageris darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
| Eastbourne | 2 | Alderman Miss Alice Hudson, JP, Mayor of Eastbourne (1925–1928 1943–1945), Alderman Lieutenant Colonel Roland Vaughan Gwynne, DSO, DL, JP, Mayor of Eastbourne (1928–1931) | |
| Ottawa | 1 | The Bolshevik | |
| Liverpulis | 1 | Sewing | |
| Sheffield | 1 | Henry Hall Bedford, JP, Chairman of the Board (1913–1924) | |
| London | 1 | Lord Baden Powell (1857–1941), as World Chief Scout | |
| Notinghamas | 1 | Jewish Refugee, Vienna | |
| Egham | 1 | Miss Janet Ruth Bacon | |
| Birminghamas | 1 | Sir Horace Clarke |
Kiekvieno dešimto metų geriausias Deyvidas Džageris tapiojimas
Darbai pagal dešimtmečius
Pasirinkite dešimtmetį, kad pamatytėte jo geriausią tapybą.
Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935)
Deyvidas Džageris paveikslai: dažniausiai užduodami klausimai
Kuri yra garsiausia Deyvidas Džageris kūrinys?Rodyti atsakymą
The Bolshevik (1918), Canadian War Museum, Ottawa, užima pirmą vietą, o paskui sekia Thomas Newbould (1845–1933) (1921) ir Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935) (1936).
Kuriuo amžiaus laiku Deyvidas Džageris nupiešė kūrinį The Bolshevik?Rodyti atsakymą
Deyvidas Džageris buvo 27 metų: The Bolshevik datuota 1918 m., o Deyvidas Džageris gimė 1891.
Kokie yra 10 garsiausių Deyvidas Džageris paveikslų?Rodyti atsakymą
The Bolshevik, Thomas Newbould (1845–1933), Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935), Dr John George Graves (1866–1945), Portrait of a Man, The Late Cyrus Jones, Kathleen, Portrait of a Lady, Charles Jagger (1885–1934) ir Charles Sargeant Jagger. Kiekvieno kūrinio metai ir muziejus nurodyti viršuje esančiame reitinge.
Kiek Deyvidas Džageris paveikių yra pateikta?Rodyti atsakymą
Mūsų kataloge yra 23 Deyvidas Džageris darbų, datuoti nuo 1917 iki 1950.
Kuriuose muziejuose eksponuojami garsiausi Deyvidas Džageris originalūs darbai?Rodyti atsakymą
Daugiausia – Towner (Eastbourne), Canadian War Museum (Ottawa) ir Walker Art Gallery (Liverpulis). Pilną sąrašą rasite virš esančioje muzejos lentelėje.
Kada buvo sukuriami geriausi Deyvidas Džageris paveikslai?Rodyti atsakymą
1920s laikotarpyje: 6 iš čia esamų 23 paveikslų kilę iš to laiko, įskaitant Thomas Newbould (1845–1933).
Kokie yra seniausi ir naujausi garsieji Deyvidas Džageris paveikslai?Rodyti atsakymą
Pirmiausia šioje puslapyje: Charles Jagger (1885–1934) (1917). Paskutinė: Michael Theodore Waterhouse (1888–1968), CBE, PRIBA (1950).
Kuri temos dažniausiai pasitaiko Deyvidas Džageris paveiksluose?Rodyti atsakymą
Tarp 23 čia išvardytų paveikslų: Portraits (2) ir Men (2).
Kurių garsių Deyvidas Džageris paveikslų turi Towner?Rodyti atsakymą
Towner, Eastbourne kolekcijoje yra 2 šių įrangių paveikslų, įskaitant Alderman Miss Alice Hudson, JP, Mayor of Eastbourne (1925–1928 1943–1945) ir Alderman Lieutenant Colonel Roland Vaughan Gwynne, DSO, DL, JP, Mayor of Eastbourne (1928–1931).
Deyvidas Džageris: paveikslų kūrybos autorius
A Legacy of Elegance: The Life of David Jagger
Born in Kilnhurst, near Rotherham, David Jagger emerged as one of the most accomplished English portrait painters of his era. His journey into the world of fine art was deeply rooted in a family of immense creative talent; he was the son of colliery manager Enoch Jagger and Mary Sargeant, and grew up alongside siblings who would also leave their mark on the British art scene. His sister, Edith, became a noted landscape artist and textile designer, while his brother, Charles Sargeant Jagger, rose to prominence as a celebrated sculptor. This environment of artistic rigor shaped David’s early development, leading him to the Sheffield School of Art, where he honed the technical precision that would later define his professional career.
As an accomplished draughtsman and skilled illustrator, Jagger’s talent was recognized early through accolades in mural design and painting. Following his formal education, he moved to London, a transition that marked the beginning of his ascent within the prestigious circles of British society. Initially balancing commercial art studio work with evening portrait commissions, he eventually established his own professional portrait studio in Chelsea, south of London. This period of his life was not only marked by professional growth but also by profound personal inspiration; his marriage to Catherine Gardiner brought a muse into his life whose features would grace many of his most accomplished works, often appearing under a pseudonym.
Mastery of the Portrait
Jagger’s work is characterized by a remarkable realism that, while highly detailed, maintained a soft, painterly quality that avoided the harshness of hard-edge styles. He possessed a rare ability to capture the essence of his subjects, whether they were members of the British aristocracy or figures of significant historical importance. His technical mastery allowed him to navigate the delicate balance between formal, official-looking commissions and more intimate, thoughtfully posed compositions. This skill earned him a place among the leading exhibitors of his time, with regular appearances at the Royal Academy, the Royal Society of British Artists, and the Royal Institute of Oil Painters.
The breadth of his subject matter reflects the high society and civic authority of early 20th-century Britain. His portfolio includes a breathtaking array of notable figures, such as:
- Robert Baden-Powell, whose 1929 portrait remains one of Jagger's most enduring legacies, with numerous copies displayed in Scouting premises worldwide.
- Queen Mary, captured in significant works during 1930 and 1932.
- Winston Churchill, a monumental subject for any portraitist of the era.
- King George VI, documented in 1937.
- Vivien Leigh, representing the glamour of the cinematic age in 1941.
- Prince Philip, Duke of Edinburgh, one of his final notable subjects.
Historical Significance and Artistic Standing
Beyond the individual brilliance of his brushwork, David Jagger holds a significant place in the history of British portraiture due to his role in documenting the faces of an era. His ability to secure commissions from the highest echelons of power—ranging from royalty to political leaders—cemented his reputation as a premier chronicler of his time. His work serves as a visual record of the dignity, tradition, and shifting social landscape of mid-century England.
His contribution to the art community was further solidified through his active membership in prestigious societies like the Royal Society of Portrait Painters. Through these institutions, Jagger helped maintain the high standards of oil painting and portraiture during a period of significant artistic transition. Today, his portraits remain cherished not only for their technical excellence but as windows into the character and prestige of the individuals who shaped the twentieth century.






