Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 3 Johan Per (Per) Sodermark darbai mūsų kataloge
Greitas atsakymas
Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848) yra žymiausias Johan Per (Per) Sodermark paveikslas; originalas priklauso Nationalmuseum, Stokholmas. Portrait of Werner Holmberg (1853) yra antroje vietoje, Christoffer Eichhorn (1837-1889), librarian, art historian (1889) – trečioje. Mūsų kataloge yra 3 darbų autoriaus Johan Per (Per) Sodermark; pateikiame 3 garsiausių, surikiuotų pagal vertes, su kiekvieno kūrinio metais ir muziejumi, kad padėtume jums išsirinkti norimą.
2 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Johan Per (Per) Sodermark darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Nationalmuseum |
Stokholmas | 2 | Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery, Christoffer Eichhorn (1837-1889), librarian, art historian |
 Finnish National Gallery |
Helsinkis | 1 | Portrait of Werner Holmberg |
Pasirinkite dešimtmetį, kad pamatytėte jo geriausią tapybą.
Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848), Nationalmuseum, Stokholmas, užima pirmą vietą, o paskui sekia Portrait of Werner Holmberg (1853) ir Christoffer Eichhorn (1837-1889), librarian, art historian (1889).
Johan Per (Per) Sodermark buvo 26 metų: Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery datuota 1848 m., o Johan Per (Per) Sodermark gimė 1822.
Mūsų kataloge yra 3 Johan Per (Per) Sodermark darbų, datuoti nuo 1848 iki 1889.
Daugiausia – Nationalmuseum (Stokholmas) ir Finnish National Gallery (Helsinkis). Pilną sąrašą rasite virš esančioje muzejos lentelėje.
Pirmiausia šioje puslapyje: Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848). Paskutinė: Christoffer Eichhorn (1837-1889), librarian, art historian (1889).
Nationalmuseum, Stokholmas kolekcijoje yra 2 šių įrangių paveikslų, įskaitant Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery ir Christoffer Eichhorn (1837-1889), librarian, art historian.
Taip. Kiekvieną šioje pusėje esantį paveikslą galite užsakyti kaip rankinio šešiojo aliejaus reprodukciją arba spausdiną. Pasidarykite paveikslą, pasirinkite dydį ir atlikite užsakymą.
Johan Per Södermark stands at a crossroads between military duty and the fine arts. Born in Mossebro, Karlsborg Municipality, on 5 June 1822, his early life follows the disciplined path of his father, Olof Johan Södermark. He enters the military as an Underlöjtnant in 1843, a role that demands precision and observation. The rigidity of service defines his youth, yet the brush remains present. His training begins under his father's guidance before moving to the Royal Swedish Academy of Fine Arts, where he achieves the status of agré in 1848.
The year 1848 brings a sudden shift. He resigns from active military service. The death of his father leaves him with more than just a memory; he inherits a studio. At first, Södermark sustains himself through the labor of copying his father's existing works. This period of imitation acts as a bridge, transitioning him from a man of arms to a man of lithography and paint.
Movement defines his artistic development. He moves through the cultural landscapes of Europe, seeking new light and form. His path takes him to France and Italy, followed by stays in Düsseldorf between 1852 and 1854. In Paris, from 1855 to 1856, he studies under Thomas Couture. These travels expand his repertoire beyond the portraits of his early years.
His work begins to diversify into new territories:
By 1874, Södermark reaches a professional peak as a full member of the Swedish Academy. His presence is felt in major exhibitions, from Copenhagen's Charlottenborg Palace in 1851 to various Nordic Art exhibitions held between 1872 and 1888. He leaves behind a tangible contribution to Swedish collections, having donated his original lithographs to the Nationalmuseum in 1868.
His life concludes in Stockholm on 16 November 1889. While he did not pursue the same level of realistic clarity as his father, his ability to navigate between the roles of officer and artist remains a distinct chapter in Swedish art history. His works remain accessible today through institutions such as the Academy's art gallery, Waldemarsudde, and the Nordic Museum.
