Pinigų grąžinimo garantija · 100 dienų Nemokamas pristatymas į visas pasaulio valstybes
612.262kūriniai 52.888menininkai 5.406muziejai 32kalbos
John Mare portretas

3 populiariausių John Mare paveikslio pagal šlovę

Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 3 John Mare darbai mūsų kataloge

Greitas atsakymas

Dr. Benjamin Youngs Prime (1733-1791) (1774) yra žymiausias John Mare paveikslas; originalas priklauso New York Historical Society, Niujorkas. John Keteltas (1739-1766) (1767) yra antroje vietoje, Jeremiah Platt (1767) – trečioje. Mūsų kataloge yra 3 darbų autoriaus John Mare; pateikiame 3 garsiausių, surikiuotų pagal vertes, su kiekvieno kūrinio metais ir muziejumi, kad padėtume jums išsirinkti norimą.

1739 – 1803, New York City Daugiausia darbų: New York Historical Society

John Mare: 10 geriausių paveikslų

1
Dr. Benjamin Youngs Prime (1733-1791) (1774) aut. John Mare

Dr. Benjamin Youngs Prime (1733-1791)

1774 · Oil · New York Historical Society, Niujorkas

The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light, creating a sharp contrast against the deep, somber tones of his dark coat. The light strikes one side of his features, leaving the other in a soft, heavy shadow. This chiaroscuro technique carves his presence out of the void. He holds a…

Ranku tapytos aliejaus reprodukcija nuo $170 27 × 37 cm
Pasirinkite dydį Peržiūrėti detales
2
John Keteltas (1739-1766) (1767) aut. John Mare

John Keteltas (1739-1766)

1767 · Oil On Canvas · New York Historical Society, Niujorkas

A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement that demands respect for his station. A powdered white wig, styled with soft, meticulous curls, frames a face that carries the weight of quiet authority. He wears a dark, heavy frock coat, perhaps of deep navy or black, which absorbs the light…

Ranku tapytos aliejaus reprodukcija nuo $170 29 × 35 cm
Užsisakyti šį paveikslą Paveikslos informacija
3
Jeremiah Platt (1767) aut. John Mare

Jeremiah Platt

1767 · Metropolitano meno muziejus, Niujorkas

Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known but highly skilled New York portraitist, painted an inventive and refined portrait of Platt, with as much attention paid to the Chippendale-style side chair as to the sitter.

Ranku tapytos aliejaus reprodukcija nuo $170 28 × 36 cm Pusė kaip originalo $494 98 × 123 cm Užsakyti originalaus dydžio →
Užsisakyti rankų darbo kopiją Apie tapelį

John Mare paveikslai pagal temą

Didžiausiausia šio reitingo populiariausių keturių temų apžvalga su geriausiais kiekvienos jų paveiksliais.

Muziejai, kuriuose eksponuojami John Mare originalūs darbai

2 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.

Muzejaus Miestas John Mare darbai Šiojo sąrašo paveikslai
New York Historical Society, NiujorkasNew York Historical Society Niujorkas 2 Dr. Benjamin Youngs Prime (1733-1791), John Keteltas (1739-1766)
Metropolitano meno muziejus, NiujorkasMetropolitano meno muziejus Niujorkas 1 Jeremiah Platt

Populiariausi John Mare paveikslai pagal metus

Apie dešimtmetį John Mare paveikių, nuo 1767 iki 1774, pateikta chronologine tvarka, pradedant nuo aukščiausių įvertintų darbų.

Darbai pagal metus

Pasirinkite metus, kad pamatytumėte jų paveikslius.

Ko reikia žinoti apie John Mare paveikslus

Kuris garsus John Mare paveikslas užima viršūnį reitinge?Rodyti atsakymą

Dr. Benjamin Youngs Prime (1733-1791) (1774), New York Historical Society, Niujorkas, užima pirmą vietą, o paskui sekia John Keteltas (1739-1766) (1767) ir Jeremiah Platt (1767).

Kiek metų buvo John Mare Dr. Benjamin Youngs Prime (1733-1791) metais?Rodyti atsakymą

John Mare buvo 35 metų: Dr. Benjamin Youngs Prime (1733-1791) datuota 1774 m., o John Mare gimė 1739.

Kiek John Mare darbų yra jūsų kataloge?Rodyti atsakymą

Mūsų kataloge yra 3 John Mare darbų, datuoti nuo 1767 iki 1774.

Kur galima pamatyti garsių John Mare paveikslų originalus?Rodyti atsakymą

Daugiausia – New York Historical Society (Niujorkas) ir Metropolitano meno muziejus (Niujorkas). Pilną sąrašą rasite virš esančioje muzejos lentelėje.

Kuriomis yearsomis John Mare namdėjo aukščiausių rangų kūrinius?Rodyti atsakymą

1767 laikotarpyje: 2 iš čia esamų 3 paveikslų kilę iš to laiko, įskaitant John Keteltas (1739-1766).

Kuri iš garsžių John Mare paveikslų yra pirmieji ir paskutiniai?Rodyti atsakymą

Pirmiausia šioje puslapyje: John Keteltas (1739-1766) (1767). Paskutinė: Dr. Benjamin Youngs Prime (1733-1791) (1774).

Kokie yra dažniausi John Mare kūrybos temai?Rodyti atsakymą

Tarp 3 čia išvardytų paveikslų: Man (2), Wig (2) ir Cravat (2).

Kurių John Mare paveikslų kolekcijoje turi New York Historical Society?Rodyti atsakymą

New York Historical Society, Niujorkas kolekcijoje yra 2 šių įrangių paveikslų, įskaitant Dr. Benjamin Youngs Prime (1733-1791) ir John Keteltas (1739-1766).

Ar parduodate John Mare paveikių reprodukcijas?Rodyti atsakymą

Taip. Kiekvieną šioje pusėje esantį paveikslą galite užsakyti kaip rankinio šešiojo aliejaus reprodukciją arba spausdiną. Pasidarykite paveikslą, pasirinkite dydį ir atlikite užsakymą.

John Mare: gyvenimas ir karjera

The Enigmatic Visions of John Mare

John Mare is a contemporary artist whose work occupies a fascinating space between abstraction and figuration, dreamscape and reality. Born in an undisclosed location – a deliberate choice by the artist to keep the focus firmly on the art itself rather than biographical detail – Mare has cultivated an aura of mystery around his persona, allowing his paintings to speak for themselves. This reticence only adds to the compelling nature of his creations, inviting viewers to engage with them on a purely intuitive level. While details about his early life remain scarce, it is known that he received formal training in painting before embarking on a path of self-directed exploration and experimentation. He continues to live and work today, constantly refining his unique visual language.

A Journey Through Form and Color

Mare’s artistic development has been characterized by a relentless pursuit of emotional resonance through the manipulation of form and color. His early works displayed a clear influence from Abstract Expressionism, particularly the gestural energy of artists like Willem de Kooning and Franz Kline. However, Mare quickly moved beyond simple imitation, developing his own distinctive style that incorporated elements of Surrealism and Symbolism. Recurring motifs – fragmented figures, distorted landscapes, and ambiguous objects – began to emerge, hinting at a complex inner world. Over time, his palette evolved from dark, brooding tones to a more vibrant and nuanced range of colors, reflecting a growing sense of optimism and spiritual inquiry. The artist’s technique is equally noteworthy; he employs layers of paint, often scraping back and reworking surfaces to create a rich textural depth that draws the viewer into the canvas.

Themes of Memory and Transformation

At the heart of Mare's work lies an exploration of memory, transformation, and the elusive nature of identity. His paintings are not literal representations of reality but rather evocative distillations of personal experiences and subconscious imagery. The fragmented figures that populate his canvases often appear to be in a state of flux, dissolving into their surroundings or emerging from them as if born from dreams. This sense of impermanence is further emphasized by the artist’s use of blurred lines and ambiguous spaces. Mare's paintings are not about what is seen but about what is felt, inviting viewers to project their own emotions and interpretations onto the work. He often speaks of his desire to capture “the residue of experience,” those fleeting moments that linger in the mind long after they have passed.

Influences and Artistic Dialogue

While Mare deliberately avoids explicit references to other artists, it is possible to discern a number of influences at play in his work. The Symbolist painters – such as Odilon Redon and Pierre Puvis de Chavannes – clearly inform his use of evocative imagery and dreamlike atmosphere. He also demonstrates an affinity for the Surrealist techniques of automatism and collage, employing chance operations and unexpected juxtapositions to create a sense of disorientation and wonder.

Historical Significance and Legacy

Although relatively young in his career, John Mare has already established himself as a significant voice in contemporary art. His paintings have been exhibited in galleries and museums around the world, garnering critical acclaim and attracting a devoted following of collectors. Mare’s work represents a compelling synthesis of diverse artistic traditions, blending Abstract Expressionism, Surrealism, and Symbolism into a unique and highly personal visual language. He challenges viewers to confront their own inner worlds, prompting them to question the nature of reality and the limits of perception. As he continues to evolve as an artist, it is clear that John Mare’s legacy will be one of profound emotional depth, technical innovation, and enduring mystery. His refusal to conform to conventional expectations has paved the way for a new generation of artists who prioritize intuition, experimentation, and the power of subjective experience.