4 populiariausių Robert Smithson paveikslio pagal šlovę

Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 6 Robert Smithson darbai mūsų kataloge

Greitas atsakymas

Non Site - Site Uncertain yra žymiausias Robert Smithson paveikslas; originalas priklauso Detroito meno institutas, Detroitas. Three-Sided Vortex (1966) yra antroje vietoje, Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) (1967) – trečioje. Mūsų kataloge yra 6 darbų autoriaus Robert Smithson; pateikiame 4 garsiausių, surikiuotų pagal vertes, su kiekvieno kūrinio metais ir muziejumi, kad padėtume jums išsirinkti norimą.

1938 – 1973, Passaic Daugiausia darbų: Detroito meno institutas

1. Non Site - Site Uncertain

2. Three-Sided Vortex 1966

3. Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) 1967

Robert Smithson: 10 geriausių paveikslų

Non Site - Site Uncertain

Sculpture · Detroito meno institutas, Detroitas

Non Site - Site Uncertain is a sculpture created by the American artist Robert Smithson. The work was produced in 1968. Smithson was born in 1938 and remained active in the art world until his death in 1973 in Tucson, Arizona.

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Three-Sided Vortex

1966 · Chrysler Museum of Art, Norfolkas

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Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55)

1967

Apie tapelį

Torn Photograph from the 2nd Stop (Rubble) (2nd Mountain of Six Stops on a Section) from Artists Photographs

1970

Apie tapelį

Muziejai, kuriuose eksponuojami Robert Smithson originalūs darbai

2 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.

Muzejaus	Miestas	Robert Smithson darbai	Šiojo sąrašo paveikslai
Detroito meno institutas	Detroitas	1	Non Site - Site Uncertain
Chrysler Museum of Art	Norfolkas	1	Three-Sided Vortex

Populiariausi Robert Smithson paveikslai pagal metus

Robert Smithson, nuo 1966 iki 1970: 5 metų datuoti paveiksliai, išvardyti pagal metus.

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Pasirinkite metus, kad pamatytumėte jų paveikslius.

1966

Three-Sided Vortex

#2 iš 4 · Chrysler Museum of Art, Norfolkas

Amžius 28 1 darbių šiais metais

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Ko reikia žinoti apie Robert Smithson paveikslus

Kuris garsus Robert Smithson paveikslas užima viršūnį reitinge?Rodyti atsakymą

Non Site - Site Uncertain, Detroito meno institutas, Detroitas, užima pirmą vietą, o paskui sekia Three-Sided Vortex (1966) ir Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) (1967).

Kiek Robert Smithson darbų yra jūsų kataloge?Rodyti atsakymą

Mūsų kataloge yra 6 Robert Smithson darbų, datuoti nuo 1966 iki 1970.

Kur galima pamatyti garsių Robert Smithson paveikslų originalus?Rodyti atsakymą

Daugiausia – Detroito meno institutas (Detroitas) ir Chrysler Museum of Art (Norfolkas). Pilną sąrašą rasite virš esančioje muzejos lentelėje.

Kuri iš garsžių Robert Smithson paveikslų yra pirmieji ir paskutiniai?Rodyti atsakymą

Pirmiausia šioje puslapyje: Three-Sided Vortex (1966). Paskutinė: Torn Photograph from the 2nd Stop (Rubble) (2nd Mountain of Six Stops on a Section) from Artists Photographs (1970).

Robert Smithson: gyvenimas ir karjera

Early Life and Artistic Beginnings

Born: January 2, 1938, in Passaic, New Jersey
Early years spent in Rutherford and Clifton, New Jersey
Studied painting and drawing at the Art Students League of New York (1955-1956)
Early artwork explored collage influenced by homoerotic themes, science fiction, and pop art. Primarily identified as a painter during this period.
Influenced by William Carlos Williams, who was his pediatrician.

The Shift to Minimalism and Conceptual Art

After a three-year break from the art world, emerged in 1964 as a proponent of the minimalist movement.
Abandoned figurative work, focusing on glass sheet and neon lighting tubes exploring visual refraction and mirroring.
Developed interest in entropy (the second law of thermodynamics) – decay, renewal, chaos, order, non-sites, and earthworks. Saw entropy not as a disadvantage but as a form of transformation.
Associated with minimalist artists like Nancy Holt (his wife), Robert Morris, and Sol LeWitt.
Became a critic for *Arts Magazine* and *Artforum*, gaining recognition as a writer before his art.

Land Art and Earthworks: Spiral Jetty and Beyond

Fascination with industrial areas in New Jersey led to the development of "Non-Sites" – sculptures incorporating earth and rocks from specific locations, often combined with mirrors or glass.
Spiral Jetty (1970): His most famous work, a massive coil of basalt rock extending into the Great Salt Lake in Utah. A key example of land art, exploring themes of entropy, time, and geological processes.
Explored temporary sculptures using mirrors in the Yucatan Peninsula, documented in "Incidents of Mirror-Travel in the Yucatan."
Recovered 18th- and 19th-century conceptions of landscape architecture, influencing his later earthwork explorations.

Theoretical Writings and Landscape Perspectives

Wrote extensively on art theory, including "A Heap of Language," exploring how writing could become an artwork.
Examined Frederick Law Olmsted's design for Central Park in New York City, recovering issues of site specificity, human intervention, and the picturesque landscape.
His writings demonstrate a deep engagement with history, philosophy, geology, and cultural theory.

Legacy and Historical Significance

Died: July 20, 1973, in Tucson, Arizona (due to a heart attack while hiking).
Considered a pivotal figure in Land Art and Earthworks movements.
His work expanded the definition of art, blurring boundaries between sculpture, landscape, and natural processes.
Influenced generations of artists with his conceptual approach, exploration of entropy, and engagement with geological time scales.
The Holt/Smithson Foundation continues to preserve and promote his legacy.

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