Atnaujinta spalis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 97 Mazačas darbai mūsų kataloge
Greitas atsakymas
Mazačas tapie tapybos kūrinys yra Trinitas (1428). Antra ir trečia vieta: Aplinkas mokestis (1425) ir Išėjimas iš rojusios sodų (1426). Mūsų kataloge yra 97 darbų autoriaus Mazačas. Čia išvardyti 97 garsiausiųjų kūrinių sąrašas surikiuotas pagal rangą, nurodant kiekvieno originalo datą ir muziejų.
The Trinity by Masaccio is a fresco painting that marked the beginning of the Renaissance in Italy. Created in 1425, it is considered one of the most important works of the early Renaissance period. The painting is housed in the Santa Maria Novella church in Florence, Italy. Artistic Innovations The Trinity by Masaccio was a groundbreaking work that introduced several artistic innovations. It is one of the first monumental Renaissance…
The scene unfolds within the Brancacci Chapel of the basilica of Santa Maria del Carmine in Florence. Here, the fresco titled The Tribute Money by Masaccio brings a biblical narrative to life upon the chapel walls. Commissioned by Felice Brancacci, this work forms a significant part of a larger cycle dedicated to the life of Saint Peter. The air in the chapel seems to hold the weight of this sacred…
The heavy silence of the Brancacci Chapel in the church of Santa Maria del Carmine in Florence, Italy, holds the weight of a profound tragedy. Here, the walls breathe with the story of The Expulsion from the Garden of Eden, a fresco painted by Masaccio around 1425. The air seems to thicken around the figures as they face their sudden, irreversible departure from paradise. This scene marks the beginning of…
„Tribute Money“ – tai ne tik freskas, o viso reiškinio pradžia. Masacio kūrinys, sukurtas apie 1426 metus Brancacci kapelio šventėje Florencijoje, iškart pakeitė meno suvokimą. Tai buvo pirmasis darbas, kuriame pasirodė tikroviškumo idėjų, kurios vėliau tapo pagrindu visai Renesanso estetikai. Štai trumpas įvertinimas, kodėl šis fragmentas iš Biblijos istorijos yra toks svarbus.
To stand before this Predella panel from the Pisa Altar is to encounter a moment frozen in time, yet vibrating with raw, undeniable human drama. Dating to 1426, this work captures Masaccio at the zenith of his revolutionary power. It is not merely a depiction of the Crucifixion; it is a profound meditation on sacrifice, community, and the weight of divine narrative rendered with startling immediacy. The composition draws the…
In the quiet, profound stillness of Masaccio’s The Madonna of Humility, we encounter one of the most moving snapshots of the Early Italian Renaissance. Created around 1424, this masterpiece transcends mere religious iconography to offer a window into a moment of raw, maternal intimacy. The scene is set not upon a celestial throne, but on the earth itself, where the Virgin Mary sits upon a blue patterned cushion. This choice…
The image presents a detail from a fresco painting created in 1425 by Masaccio. Within this specific view, a figure is depicted that appears to be Mary Magdalene, identified by the traditional iconography of her long hair and a head covering. She possesses a contemplative expression, directing her gaze slightly downwards toward an object held in her right hand, which may be interpreted as a symbol of faith or devotion.
In the quiet, hallowed halls of art history, few works capture the dawn of a new era as poignantly as Masaccio’s Two Panels from the Pisa Altarpiece. Completed in 1426, these panels are far more than mere fragments of a lost polyptych; they are windows into a transformative moment when the rigid conventions of the Gothic period began to dissolve, giving way to the profound humanism of the Early Italian…
To step before Masaccio’s Holy Trinity is to witness the exact moment when the flattened, symbolic world of the Middle Ages dissolved into the profound, breathing reality of the Renaissance. Painted between 1425 and 1427 within the hallowed walls of Santa Maria Novella in Florence, this fresco does not merely depict a religious scene; it carves a hole in the very wall of the chapel, inviting the viewer to step…
Masaccio’s “Trinity (detail),” housed within the magnificent Santa Maria Novella in Florence, isn't merely a fresco; it’s a pivotal moment in art history – a visual manifesto declaring the arrival of the High Renaissance. Painted between 1425 and 1427, this intimate section captures the essence of Masaccio’s revolutionary approach to depicting reality, a departure from the stylized elegance of the preceding Gothic era and a profound influence on generations of…
View of the Cappella Brancacci (before restoration)1426 · Santa Maria del Carmine
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Trinity (scheme of the perspective)1425 · Santa Maria Novella
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Raising of the Son of Theophilus and St Peter Enthroned (detail)1426
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St Peter Healing the Sick with his Shadow (detail)1426
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Frescoes in the Cappella Brancacci (right view)1426 · Santa Maria del Carmine
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Madonna Casini1426
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Adam and Eve banished from Paradise1427
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The Distribution of Alms and the Death of Ananias (detail)1426
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Frescoes in the Cappella Brancacci (left view)1426 · Santa Maria del Carmine
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Baptism of the Neophytes1427
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Christ in the Garden of Gethsemane (detail)1424 · Lindenau-Museum
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Crucifixion1426 · Museo di Capodimonte
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Tribute Money (detail)1426
24
The Agony in the Garden1426
25
St Peter Healing the Sick with his Shadow (detail)1426
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St. Juvenal Triptych1422
27
Maria and Child1426
28
Tribute Money (detail)1426
29
The Expulsion from the Garden of Eden (detail)1426
30
Birth tray1428
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The Baptism of the Neophytes1426
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Raising of the Son of Theophilus and St Peter Enthroned1426
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The Distribution of Alms and the Death of Ananias (detail)1426
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Adoration of the Knigs1428
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Tribute Money (detail)1426
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Tribute Money1426
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The Expulsion from the Garden of Eden1426
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Tribute Money (detail)1426
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Raising of the Son of Theophilus and St Peter Enthroned (detail) (9)1426
40
San Giovenale Triptych. Right panel.1422
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Crucifixion1426
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Raising of the Son of Theophilus and St Peter Enthroned (detail)1426
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Raising of the Son of Theophilus and St Peter Enthroned (detail)1426
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The Raising of the Son of Theophilus and St Peter Enthroned (detail)1426
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Raising of the Son of Theophilus and St Peter Enthroned (detail)1426
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Christ in the Garden of Gethsemane (detail)1424 · Lindenau-Museum
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San Giovenale Triptych. Central panel1423
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Distribution of Alms and Death of Ananias1425
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Profile Portrait of a Young Man
50
Profile Portrait of a Young Man1425 · National Gallery of Art
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Rendering of the Tribute Money
52
Distribution of the Goods of the Community and the Death of Ananias (detail)
53
St. Giovenale Triptych
54
The Expulsion from Paradise
55
The Adoration of the Magi
56
St. Peter Baptizing the Neophytes
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Birth Salver
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Medallion
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Madonna and Child
60
Madonna Enthroned
61
St Jerome and St John the Baptist
62
Christ in the Garden of Gethsemane1424 · Lindenau-Museum
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San Giovenale Triptych. Left panel1422
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Portrait of a Young Woman1425
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Distribution of the Goods of the Community and the Death of Ananias
66
The Holy Trinity with the Virgin, St. John and Two Donors
67
The Cricifixion of St. Peter. The Beheading of St. John the Baptist
68
La Consagración
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Crucifixion
70
St Jerome and St John the Baptist 1
71
The Madonna and Child with Saint Anne
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Two panels from the Pisa Altarpiece
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Portrait of a young manIsabella Stewart Gardner Museum
74
View of the Cappella Brancacci (after restoration)
75
Putto and a Small Dog (back side of the Berlin Tondo)
76
The Madonna and Child with st.Anna.1424
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Plate of Nativity (Berlin Tondo)1427 · Staatliche Museen zu Berlin
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Madonna with Child and Angels1426 · National Gallery
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The Distribution of Alms and the Death of Ananias1426 · Santa Maria del Carmine
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St Peter Healing the Sick with his Shadow1426 · Santa Maria del Carmine
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San Giovenale Triptych1422
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Raising of the Son of Teophilus and St.Peter Enthroned1427 · Santa Maria del Carmine
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St Paul1426 · Museo Nazionale di San Matteo
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Carnesecchi Triptych1423
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Adoration of the Magi1426 · Staatliche Museen zu Berlin
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Martyrdom of San Giovanni Battista1426 · Gemäldegalerie
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Predella panel from the Pisa Altar1426 · Staatliche Museen zu Berlin
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A Bearded Carmelite Saint1426 · Gemäldegalerie
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Madonna Casini1426
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Madonna of Humility1420 · National Gallery of Art
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Repentance of Saint Peter1425 · Santa Maria del Carmine
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San AgustínGemäldegalerie
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St. Andrew1426 · J. Paul Getty muziejus
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CarmelitaGemäldegalerie
95
St. JeromeGemäldegalerie
96
St.Girolamo end Giovanni Battista1428 · National Gallery
97
Crucifixion of St Peter1426 · Staatliche Museen zu Berlin
Didžiausiausia šio reitingo populiariausių keturių temų apžvalga su geriausiais kiekvienos jų paveiksliais.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Mazačas darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Santa Maria del Carmine |
Firena | 7 | View of the Cappella Brancacci (before restoration), Frescoes in the Cappella Brancacci (right view), Frescoes in the Cappella Brancacci (left view) |
 Staatliche Museen zu Berlin |
Berlinas | 6 | Predella panel from the Pisa Altar, Two panels from the Pisa Altarpiece, Plate of Nativity (Berlin Tondo) |
 Gemäldegalerie |
Berlynas | 5 | Martyrdom of San Giovanni Battista, A Bearded Carmelite Saint, San Agustín |
 Santa Maria Novella |
Florencija | 4 | Trinity (detail), Trinity, Trinity (detail) |
 Lindenau-Museum |
Altengau | 3 | Christ in the Garden of Gethsemane (detail), Christ in the Garden of Gethsemane (detail), Christ in the Garden of Gethsemane |
 National Gallery of Art |
Vašingtonas | 2 | Profile Portrait of a Young Man, Madonna of Humility |
 National Gallery |
Londonas | 2 | Madonna with Child and Angels, St.Girolamo end Giovanni Battista |
 Museo di Capodimonte |
Neapolis | 1 | Crucifixion |
Nuo 1420 iki 1428, apie dešimt metų, čia year by year pateikiami Mazačas datuoti paveiksliai, pradedant nuo geriausių darbų.
Pasirinkite metus, kad pamatytumėte jų paveikslius.
In the quiet, profound stillness of Masaccio’s The Madonna of Humility, we encounter one of the most moving snapshots of the Early Italian Renaissance. Created around 1424, this masterpiece transcends mere religious iconography to offer a window into a moment of raw, maternal intimacy. The scene is set not upon a celestial throne, but on the earth itself, where the Virgin Mary sits upon a blue patterned cushion. This choice…
Kiti 1424 paveikslai
The scene unfolds within the Brancacci Chapel of the basilica of Santa Maria del Carmine in Florence. Here, the fresco titled The Tribute Money by Masaccio brings a biblical narrative to life upon the chapel walls. Commissioned by Felice Brancacci, this work forms a significant part of a larger cycle dedicated to the life of Saint Peter. The air in the chapel seems to hold the weight of this sacred…
Kiti 1425 paveikslai
The heavy silence of the Brancacci Chapel in the church of Santa Maria del Carmine in Florence, Italy, holds the weight of a profound tragedy. Here, the walls breathe with the story of The Expulsion from the Garden of Eden, a fresco painted by Masaccio around 1425. The air seems to thicken around the figures as they face their sudden, irreversible departure from paradise. This scene marks the beginning of…
Kiti 1426 paveikslai
Adam and Eve banished from Paradise by Masaccio is a single scene from a larger fresco cycle located in the Brancacci Chapel of Santa Maria del Carmine in Florence, Italy. Created about 1427, the work captures the immediate, agonizing aftermath of the biblical event described in the third chapter of the Book of Genesis. The composition focuses on the moment Adam and Eve are chased from the garden by a…
Kiti 1427 paveikslai
The Trinity by Masaccio is a fresco painting that marked the beginning of the Renaissance in Italy. Created in 1425, it is considered one of the most important works of the early Renaissance period. The painting is housed in the Santa Maria Novella church in Florence, Italy. Artistic Innovations The Trinity by Masaccio was a groundbreaking work that introduced several artistic innovations. It is one of the first monumental Renaissance…
Kiti 1428 paveikslai
Trinitas (1428) užima pirmą vietą, o paskui sekia Aplinkas mokestis (1425) ir Išėjimas iš rojusios sodų (1426).
Mazačas buvo 27 metų: Trinitas datuota 1428 m., o Mazačas gimė 1401.
Trinitas, Aplinkas mokestis, Išėjimas iš rojusios sodų, Atminties Detalis: Mokesčių Rėtelis, Predella panel from the Pisa Altar, The Madonna of Humility, Trinity (detail), Two panels from the Pisa Altarpiece, Trinity ir Trinity (detail). Kiekvieno kūrinio metai ir muziejus nurodyti viršuje esančiame reitinge.
Mūsų kataloge yra 97 Mazačas darbų, datuoti nuo 1420 iki 1428.
Daugiausia – Santa Maria del Carmine (Firena), Staatliche Museen zu Berlin (Berlinas) ir Gemäldegalerie (Berlynas). Pilną sąrašą rasite virš esančioje muzejos lentelėje.
1426 laikotarpyje: 41 iš čia esamų 97 paveikslų kilę iš to laiko, įskaitant Išėjimas iš rojusios sodų.
Pirmiausia šioje puslapyje: Madonna of Humility (1420). Paskutinė: Trinitas (1428).
Tarp 97 čia išvardytų paveikslų: Saints (29), Religious (24) ir Renaissance (14).
Acrylic On Canvas, iš 97 čia išvardytų 9 paveikslų.
Ankstyvasis renesansas, remiantis šioje pusėje pateiktais paveiksliais.
Santa Maria del Carmine, Firena kolekcijoje yra 7 šių įrangių paveikslų, įskaitant View of the Cappella Brancacci (before restoration), Frescoes in the Cappella Brancacci (right view) ir Frescoes in the Cappella Brancacci (left view).
Taip. Kiekvieną šioje pusėje esantį paveikslą galite užsakyti kaip rankinio šešiojo aliejaus reprodukciją arba spausdiną. Pasidarykite paveikslą, pasirinkite dydį ir atlikite užsakymą.
Tommaso di Ser Giovanni di Simone, geriau žinomas kaip Masaccio (reiškiantis „neklavus Tomas“), buvo svarbiausia figūra Ankstyvajame Italijos Renesanse. Gimęs 1401 metų gruodžio 21 dieną San Džovanio Valdarno mieste, Italijoje, ir tragiškai jaunai miręs 1428 metais, jo trumpa karjera padarė revoliuciją tapyboje dėl naujoviško realizmo, perspektyvos ir kiaroskuoro (šviesos ir tamsos ryškių kontrastų naudojimo). Nepaisant savo trumpo gyvenimo, Masaccio poveikis vėlesnės kartos menininkams buvo didžiulis, nustatydamas naują natūralizmo standartą ir paveikdamas Vakarų meno eigą.
Masaccio poveikis Vakarų meno eigai yra nepamatuojamas, nepaisant jo tragiškai trumpo gyvenimo. Jo naujovės perspektyvoje, kiaroskuore ir natūralizme fundamentaliai pakeitė tai, kaip menininkai vaizdavo pasaulį. Jis sėkmingai užpildė spragą tarp viduramžių meno konvencijų ir besiformuojančių Renesanso idealų.
Masaccio palikimas išlieka vienas svarbiausių ir įtakingiausių menininkų istorijoje. Jis stovi kaip esminė figūra pereinant nuo viduramžių meno prie Renesanso meno, amžinai keičiant būdą, kuriuo suvokiame ir atstovaujame pasauliui per tapybą. Jo trumpa, bet puiki karjera yra įrodymas inovacijų galiai ir nuolatinis meninio genijaus poveikis.
