Atnaujinta spalis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 2 Xia Gui darbai mūsų kataloge
Greitas atsakymas
Twelve Views of Landscape (Shan-shui shih-erh-ching) yra žymiausias Xia Gui paveikslas; originalas priklauso The Nelson-Atkins Museum of Art, Kanzaso Sičio. Mūsų kataloge yra 2 darbų autoriaus Xia Gui; pateikiame 2 garsiausių, surikiuotų pagal vertes, su kiekvieno kūrinio metais ir muziejumi, kad padėtume jums išsirinkti norimą.
2 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Xia Gui darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 The Nelson-Atkins Museum of Art |
Kanzaso Sičio | 1 | Twelve Views of Landscape (Shan-shui shih-erh-ching) |
 National Palace Museum |
Taipeis | 1 | Pure and Remote View of Streams and Mountains |
Twelve Views of Landscape (Shan-shui shih-erh-ching) yra pirmiausia.
Kataloge yra 2 darbų autoriaus Xia Gui.
Daugiausia – The Nelson-Atkins Museum of Art (Kanzaso Sičio) ir National Palace Museum (Taipeis). Pilną sąrašą rasite virš esančioje muzejos lentelėje.
Taip. Kiekvieną šioje pusėje esantį paveikslą galite užsakyti kaip rankinio šešiojo aliejaus reprodukciją arba spausdiną. Pasidarykite paveikslą, pasirinkite dydį ir atlikite užsakymą.
Xia Gui was a Chinese landscape painter of the Song dynasty, most likely born in Hangzhou, People's Republic of China. Alongside his contemporary Ma Yuan, he founded the influential Ma-Xia school. While much of his life remains unknown, he served in the Imperial Painting Academy during the reign of Emperor Ningzong. His artistic approach was characterized by a move away from highly detailed, complex compositions toward a more immediate and striking effect, often utilizing limited materials to achieve this impact.
His technical mastery is evident in his use of extremely subtle, graded ink washes and overlapping brushstrokes to create atmospheric effects of mist, sky, and infinity. He was noted for his ability to work with great ease and speed, often producing spontaneous creations on paper that absorbed ink quickly. Furthermore, Xia Gui was praised for his skill in drawing architecture freehand without the use of a ruler.
The surviving works of Xia Gui include various genres, such as small album leaves and hand scrolls. His technique often featured perfectly balanced diagonal compositions where void and solid mass played equally important roles. Notable examples of his work include:
His influence extended far beyond his own era, impacting the Japanese master Sesshū Tōyō, who was influenced by Xia's idiom and made studies of his landscape fans.
