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Schilderijen van Daniel Bérard: De top 9 bekendste, gerangschikt
Bijgewerkt in oktober 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 9 werken van Daniel Bérard in onze catalogus
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Het beroemdste schilderij van Daniel Bérard is Portrait of Georges Baillet, member of the Comédie-Française in the role of the Marquis de la Moussaye in "Mademoiselle du Vigean" (1884); het origineel bevindt zich in het Musée Carnavalet, Parijs. Portrait of Julia Bartet (1854-1941), member of the Comédie-Française in the role of Mlle du Vigean (1884) en Portrait of Henri Maubant (1821-1902), member of the Comédie-Française in the role of Auguste in Cinna (1883) zijn de getallen twee en drie. Van de 9 werken van Daniel Bérard in onze catalogus zijn dit de 9 bekendste, gerangschikt met elk hun jaartal en museum, zodat u het schilderij kunt kiezen om te bestellen.
1848 – 1910, Rio de Janeiro
Meeste werken: Musée Carnavalet
1. Portrait of Georges Baillet, member of the Comédie-Française in the role of the Marquis de la Moussaye in "Mademoiselle du Vigean" 1884
2. Portrait of Julia Bartet (1854-1941), member of the Comédie-Française in the role of Mlle du Vigean 1884
3. Portrait of Henri Maubant (1821-1902), member of the Comédie-Française in the role of Auguste in Cinna 1883
Top 10 schilderijen van Daniel Bérard, gerangschikt
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9
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Musea met originele werken van Daniel Bérard
Het museum met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Daniel Bérard | Schilderijen uit deze lijst |
|---|---|---|---|
 Musée Carnavalet |
Parijs | 9 | Portrait of Georges Baillet, member of the Comédie-Française in the role of the Marquis de la Moussaye in "Mademoiselle du Vigean", Portrait of Julia Bartet (1854-1941), member of the Comédie-Française in the role of Mlle du Vigean, Portrait of Henri Maubant (1821-1902), member of the Comédie-Française in the role of Auguste in Cinna |
Daniel Bérard per jaar: de beste schilderijen
De gedateerde schilderijen van Daniel Bérard op deze pagina beslaan 2 jaar, van 1883 tot 1884, gerangschikt per jaar.
Werken per jaar
Selecteer een jaar om de bijbehorende schilderijen te bekijken.
1883
#4 Portrait of Adeline Dudlay (1858-1934), member of the Comédie-Française, in the role of Alcmena
#5 Portrait of Eugène Silvain (1851-1930), member of the Comédie-Française
#6 Portrait of Charles Prud'hon (1843-1930), member of the Comédie-Française in stage costume
#7 Portrait of Jules Laroche (1841-1925), member of the Comédie-Française, in the role of Almaviva
#8 Portrait of Georges Monval (1845-1910), archivist-librarian of the Comédie-Française
#9 Portrait of Charles Bodinier (1844-1911), cashier of the Comédie-Française
Portrait of Henri Maubant (1821-1902), member of the Comédie-Française in the role of Auguste in Cinna
Leeftijd 35
7 werken dit jaar
Andere schilderijen uit 1883
#4 Portrait of Adeline Dudlay (1858-1934), member of the Comédie-Française, in the role of Alcmena
#5 Portrait of Eugène Silvain (1851-1930), member of the Comédie-Française
#6 Portrait of Charles Prud'hon (1843-1930), member of the Comédie-Française in stage costume
#7 Portrait of Jules Laroche (1841-1925), member of the Comédie-Française, in the role of Almaviva
#8 Portrait of Georges Monval (1845-1910), archivist-librarian of the Comédie-Française
#9 Portrait of Charles Bodinier (1844-1911), cashier of the Comédie-Française
1884
Portrait of Georges Baillet, member of the Comédie-Française in the role of the Marquis de la Moussaye in "Mademoiselle du Vigean"
Leeftijd 36
2 werken dit jaar
Andere schilderijen uit 1884
Schilderijen van Daniel Bérard: veelgestelde vragen
Wat is het beroemdste schilderij van Daniel Bérard?Antwoord tonen
Portrait of Georges Baillet, member of the Comédie-Française in the role of the Marquis de la Moussaye in "Mademoiselle du Vigean" (1884), Musée Carnavalet, Parijs, staat op de eerste plaats, gevolgd door Portrait of Julia Bartet (1854-1941), member of the Comédie-Française in the role of Mlle du Vigean (1884) en Portrait of Henri Maubant (1821-1902), member of the Comédie-Française in the role of Auguste in Cinna (1883).
Hoe oud was Daniel Bérard toen Portrait of Georges Baillet, member of the Comédie-Française in the role of the Marquis de la Moussaye in "Mademoiselle du Vigean" werd geschilderd?Antwoord tonen
Daniel Bérard was 36 jaar oud: Portrait of Georges Baillet, member of the Comédie-Française in the role of the Marquis de la Moussaye in "Mademoiselle du Vigean" dateert uit 1884, en Daniel Bérard werd geboren in 1848.
Hoeveel werken van Daniel Bérard staan er in uw lijst?Antwoord tonen
9 werken van Daniel Bérard zijn opgenomen in onze catalogus, gedateerd van 1883 tot 1884.
Waar worden de originele schilderijen van Daniel Bérard bewaard?Antwoord tonen
Voornamelijk in Musée Carnavalet (Parijs). Zie de museumtabel hierboven voor de volledige lijst.
Welke periode bracht de beroemdste schilderijen van Daniel Bérard voort?Antwoord tonen
In 1883: 7 van de 9 hier gerangschikte schilderijen stammen uit die tijd, waaronder Portrait of Henri Maubant (1821-1902), member of the Comédie-Française in the role of Auguste in Cinna.
Wat zijn de vroegste en de meest recente beroemde schilderijen van Daniel Bérard?Antwoord tonen
Eerste op deze pagina: Portrait of Henri Maubant (1821-1902), member of the Comédie-Française in the role of Auguste in Cinna (1883). Laatste: Portrait of Georges Baillet, member of the Comédie-Française in the role of the Marquis de la Moussaye in "Mademoiselle du Vigean" (1884).
Welke originele werken van Daniel Bérard zijn in het Musée Carnavalet?Antwoord tonen
Het Musée Carnavalet, Parijs herbergt 9 van de schilderijen in deze ranglijst, waaronder Portrait of Georges Baillet, member of the Comédie-Française in the role of the Marquis de la Moussaye in "Mademoiselle du Vigean", Portrait of Julia Bartet (1854-1941), member of the Comédie-Française in the role of Mlle du Vigean en Portrait of Henri Maubant (1821-1902), member of the Comédie-Française in the role of Auguste in Cinna.
Kan ik een reproductie van Daniel Bérard bestellen?Antwoord tonen
Ja. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde olieverfreproductie of als een print. Open het schilderij, kies de gewenste afmeting en plaats uw bestelling.
Over de kunstenaar: Daniel Bérard
The Hand of the Portraitist
In the quiet studios of the late nineteenth century, Daniel Bérard sought to capture the very essence of the human spirit through the medium of oil. He was a painter who understood that a face was more than a collection of features; it was a map of a life lived. His brush moved with a purpose that sought to freeze a moment of character, turning a mere likeness into a profound study of presence. He did not merely paint subjects; he sought to hold their gaze across the decades.
His work often turned toward the theatrical and the distinguished, finding beauty in the dignity of those who commanded the stage. One such instance was his 1883 portrait of Eugène Silvain, a member of the Comédie-Française. In this work, Bérard did not rely on grand gestures but focused on the subtle nuances of the sitter's identity. He captured the weight of a man's reputation and the quiet intensity of a performer's soul, proving that a small canvas could hold a vast amount of human history.
A Legacy of Observation
The life of Bérard was defined by this commitment to observation. He worked during a period when the art of portraiture required a delicate balance between technical precision and the emotional truth of the subject. His ability to translate the likeness of a person into a permanent form allowed his subjects to live on through his pigment. He remained dedicated to this craft, focusing his energy on the intricacies of light and the subtle shadows that define a human countenance.
Though his name may not echo through the halls of every museum, his contribution to the art of the portrait remains a part of the historical record. He belonged to a tradition of painters who valued the individual, seeking to find the unique spark that resides within every person he encountered. Through his eyes, we see the faces of the past as they truly were, preserved in the stillness of his painted worlds.