Bijgewerkt in oktober 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 18 werken van Otto Scholderer in onze catalogus
Snel antwoord
Het belangrijkste schilderij van Otto Scholderer is Boy with dish with vegetables and dead game (1888), waarvan het origineel in het Bayerische Staatsgemäldesammlungen in München staat. Op de tweede en derde plaats: The Violinist at the Window (1861) en Peaches in a Silver Basket (1869). Onze catalogus bevat 18 werken van Otto Scholderer. De 17 hier vermelde werken zijn de bekendste, in volgorde van rangschikking, inclusief het jaar en het museum van elk origineel.
The afternoon sun filters through a windowpane, casting a warm, golden glow across a quiet room. A man sits in a simple chair, his body poised in a moment of deep concentration. His fingers dance across the strings of a violin, creating a melody that seems to hang in the still air. His gaze drifts toward the world outside the glass, yet his spirit remains anchored to the music. A…
De vier meest voorkomende onderwerpen in deze ranglijst, met het topstuk per onderwerp.
De 6 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Otto Scholderer | Schilderijen uit deze lijst |
|---|---|---|---|
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 3 | Peaches in a Silver Basket, Still Life with Snipe and a Hare, Schwarzwaldmühle in Kirnbach bei Schiltach |
 Bayerische Staatsgemäldesammlungen |
München | 2 | Boy with dish with vegetables and dead game, Peonies |
 Städel Museum |
Frankfurt | 2 | The Violinist at the Window, Still Life with Blue Vase and Mushrooms |
 National Gallery |
Londen | 2 | Lilac, Portrait of the Artist's Wife |
 Sheffield City Art Galleries |
Sheffield | 1 | Man and Hares |
 Musée d'Orsay |
Parijs | 1 | Marine |
Selecteer een decennium om het topstuk te bekijken.
The afternoon sun filters through a windowpane, casting a warm, golden glow across a quiet room. A man sits in a simple chair, his body poised in a moment of deep concentration. His fingers dance across the strings of a violin, creating a melody that seems to hang in the still air. His gaze drifts toward the world outside the glass, yet his spirit remains anchored to the music. A…
Boy with dish with vegetables and dead game (1888), Bayerische Staatsgemäldesammlungen, München, staat op de eerste plaats, gevolgd door The Violinist at the Window (1861) en Peaches in a Silver Basket (1869).
Otto Scholderer was 54 jaar oud: Boy with dish with vegetables and dead game dateert uit 1888, en Otto Scholderer werd geboren in 1834.
Boy with dish with vegetables and dead game, The Violinist at the Window, Peaches in a Silver Basket, Still Life with Snipe and a Hare, Schwarzwaldmühle in Kirnbach bei Schiltach, Seestück bei St. Ives, Man and Hares, Still Life with Blue Vase and Mushrooms, Still Life with Peaches and Fig en Oysters. Het jaar en het museum per werk staan in de bovenstaande ranglijst.
18 werken van Otto Scholderer zijn opgenomen in onze catalogus, gedateerd van 1861 tot 1902.
Voornamelijk in Staatliche Kunsthalle Karlsruhe (Karlsruhe), Bayerische Staatsgemäldesammlungen (München) en Städel Museum (Frankfurt). Zie de museumtabel hierboven voor de volledige lijst.
In 1860s: 4 van de 17 hier gerangschikte schilderijen stammen uit die tijd, waaronder The Violinist at the Window.
Eerste op deze pagina: The Violinist at the Window (1861). Laatste: Lilac (1902).
Het Staatliche Kunsthalle Karlsruhe, Karlsruhe herbergt 3 van de schilderijen in deze ranglijst, waaronder Peaches in a Silver Basket, Still Life with Snipe and a Hare en Schwarzwaldmühle in Kirnbach bei Schiltach.
Ja. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde olieverfreproductie of als een print. Open het schilderij, kies de gewenste afmeting en plaats uw bestelling.
In the heart of nineteenth-century Germany, a period defined by the shifting tides between Romanticism and the dawn of Impressionism, Otto Franz Scholderer emerged as a master of visual storytelling. Born in Frankfurt am Main on January 25, 1834, Scholderer’s artistic journey was one of profound evolution, marked by a relentless pursuit of capturing the true essence of his subjects. His early years were steeped in the rigorous academic traditions of the Städel Academy of Arts, where he studied under the watchful eyes of art historian Johann David Passavant and the painter Jakob Becker. This foundational training provided him with more than just technical proficiency; it instilled a deep respect for classical composition and a meticulous eye for detail that would remain a hallmark of his work throughout his long and distinguished career.
As Scholderer matured, his artistic horizons expanded far beyond the borders of Germany. His travels to Paris between 1857 and 1858 proved to be a transformative period, exposing him to the radical currents of European art. It was here that he encountered the raw, unvarnished power of Gustave Courbet’s Realism, a movement that encouraged artists to look at the world without the veil of idealized sentimentality. This encounter fundamentally altered his approach to landscape and portraiture, steering him toward a more honest rendering of light, texture, and atmosphere. During this same era, he forged lasting connections with luminaries such as Henri Fantin-Latour and Édouard Manet, whose subtle explorations of light and fleeting moments would leave an indelible imprint on his later, more Impressionistic tendencies.
Scholderer’s body of work is a testament to his ability to find the extraordinary within the ordinary. Whether he was painting a serene pastoral vista or an intimate domestic scene, there was always a sense of quiet contemplation and profound presence. His connection to the Kronberg painter colony, fostered through his friendship and eventual familial bond with Victor Müller, allowed him to exist within a vibrant community of artists dedicated to capturing the beauty of the Taunus region. This environment nurtured his ability to blend the precise rendering of the Düsseldorf tradition with the atmospheric sensitivity of the burgeoning Impressionist movement.
His repertoire was remarkably diverse, showcasing a mastery over various genres:
By the time of his passing in 1902, Otto Scholderer had established himself as a cornerstone of German painting. His significance lies not only in his technical brilliance but in his role as a bridge between eras. He carried the weight of classical tradition into the modern age, proving that even as styles shifted from the structured to the ephemeral, the fundamental human desire to capture truth through light and shadow remained eternal. Today, his works continue to resonate, offering a window into a vanished world of grace, precision, and quiet emotion.
