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Gids voor studentenkunst

Untitled

Naam Klas Datum

dr lakra (jerónimo lópez ramírez), Untitled (2003). Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende.

De feiten

Kunstenaar
dr lakra (jerónimo lópez ramírez) allpaintingsstore.com/nl/artists/dr-lakra-jeronimo-lopez-ramirez/
Geboortedatum en -overlijden kunstenaar
1972 – ?
Geschilderd
2003
Afmetingen origineel werk
16 x 11 cm
Beweging
Surrealism Dream logic painted with waking precision: impossible things shown as if they were ordinary.

In context

Untitled — dr lakra (jerónimo lópez ramírez)

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 16 × 11 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1970
  2. 1980
  3. 1990
  4. 2000

Shaded: het leven van dr lakra (jerónimo lópez ramírez) (1972–?) ▲ dit werk, 2003

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: allpaintingsstore.com/nl/art/similar/dr-lakra-jeronimo-lopez-ramirez-untitled-AS7V35-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Espresso #49473d

    Gecatalogiseerd palet

    • #49473D
    • #201E19
    • #838073
    • #D6D2C4
    Naam hoofdkleur
    Espresso
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Unified Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    dr lakra (jerónimo lópez ramírez)

    Dr. Lakra: A Surrealist Weaver of Found Worlds

    Jerónimo López Ramírez, known universally as Dr. Lakra, is a Mexican artist whose work exists at the fascinating intersection of tattoo art, surrealism, and the haunting beauty of discarded objects. Born in Oaxaca City in 1972, his artistic journey began not with formal training but with an instinctive fascination for the overlooked – dolls, medical illustrations, vintage magazines, and fragments of forgotten lives. This early engagement with the detritus of history has become the very foundation of his distinctive visual language, transforming the mundane into potent symbols of memory, loss, and a deeply personal mythology. Lakra’s work isn't simply about adding imagery; it’s about breathing new life into the past, imbuing these found elements with an unsettling yet captivating narrative force.

    Early Influences and Artistic Development

    Lakra’s artistic roots are deeply intertwined with Oaxaca’s rich cultural tapestry. The region's vibrant indigenous traditions, coupled with a significant history of European influence – particularly Spanish colonial art – provided a fertile ground for his creative exploration. He initially honed his skills as a tattoo artist, a profession that instilled in him an acute understanding of line, form, and the tactile nature of image-making. This experience proved invaluable when he began to expand his practice beyond skin, incorporating tattooing techniques onto paper, fabric, and even found objects. Crucially, Lakra’s work is informed by a deep respect for Mexican folklore and its often dark and symbolic imagery – particularly the traditions surrounding la muerte (death) and the Virgin of Guadalupe. These themes resonate throughout his oeuvre, manifesting in elaborate embellishments that blend religious iconography with macabre details.

    The Language of Found Images

    At the heart of Lakra’s artistic process lies a meticulous selection and transformation of “found images.” He doesn't create these objects himself; instead, he actively seeks them out – often from flea markets, antique shops, or discarded materials. These fragments—a weathered doll’s face, a faded medical illustration depicting anatomical anomalies, a page torn from an old magazine featuring a glamorous 1950s beauty—become the starting points for his elaborate interventions. Lakra then employs a complex layering technique, combining hand-drawn elements with meticulously applied tattoos and often incorporating text – frequently in Spanish – that adds layers of meaning and invites interpretation. The resulting images are simultaneously familiar and unsettling, evoking a sense of nostalgia alongside an undercurrent of unease. He’s not simply decorating; he's reconstructing narratives, layering histories, and creating visual puzzles that challenge the viewer to engage with the past.

    Exhibitions and Recognition

    Dr. Lakra’s work has garnered significant international recognition, demonstrating a growing appreciation for his unique artistic vision. He has exhibited at prestigious institutions worldwide, including the Tate Modern in London, the Barbican Centre, the Drawing Center in New York City, the Museo de Arte Contemporáneo de Oaxaca, and the Yokohama Museum of Art in Japan. These exhibitions have showcased the breadth of his practice, ranging from large-scale murals to intimate drawings and prints. Notably, his work has been included in collections at the Museum of Modern Art (MoMA), the Hammer Museum, and the Walker Art Center, solidifying his position as a leading contemporary artist. His 2019 exhibition, “Diario de Viaje,” offered a poignant reflection on memory and displacement, utilizing found images to chronicle personal journeys and collective histories.

    Legacy and Artistic Significance

    Dr. Lakra’s contribution to contemporary art lies in his ability to transform the ordinary into the extraordinary. He demonstrates that beauty can be found even within decay and that history is not simply a linear progression but a complex tapestry of interwoven narratives. His work challenges conventional notions of authorship, appropriation, and representation, prompting viewers to consider the stories embedded within discarded objects and the power of image-making to evoke profound emotional responses. Through his meticulous layering of techniques and his evocative use of found imagery, Dr. Lakra has created a distinctive artistic voice that continues to resonate with audiences worldwide, cementing his place as a significant figure in the landscape of contemporary surrealism and Mexican art.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Untitled

    allpaintingsstore.com/nl/art/download/dr-lakra-jeronimo-lopez-ramirez-untitled-AS7V35-en/

    Bronvermelding voor dit kunstwerk

    MLA
    ramírez), dr lakra (jerónimo lópez. Untitled. 2003, https://allpaintingsstore.com/nl/art/dr-lakra-jeronimo-lopez-ramirez-untitled-AS7V35-en/
    APA
    ramírez), dr lakra (jerónimo lópez (2003). Untitled [Painting]. https://allpaintingsstore.com/nl/art/dr-lakra-jeronimo-lopez-ramirez-untitled-AS7V35-en/
    Chicago
    dr lakra (jerónimo lópez ramírez). Untitled. 2003. https://allpaintingsstore.com/nl/art/dr-lakra-jeronimo-lopez-ramirez-untitled-AS7V35-en/
    Harvard
    ramírez), dr lakra (jerónimo lópez (2003) Untitled. Available at: https://allpaintingsstore.com/nl/art/dr-lakra-jeronimo-lopez-ramirez-untitled-AS7V35-en/

    Bekijk het van dichtbij

    Untitled — dr lakra (jerónimo lópez ramírez)

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Hoeveel gezichten kun je vinden? ____ (onze catalogus telt 1 — ben je het ermee eens?)
    4. In onze catalogus is dit werk geclassificeerd onder: dark portrait, tattoos & rebellion, gothic imagery. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    5. Kijk nog eens naar Dios nunca muere: Virgen de la Soledad, Virgen de Juquila (2011), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.