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Copyright Dit werk bevindt zich in het publiek domein. Frederick Goodall overleed in 1904; het auteursrecht blijft 70 jaar na de dood van de kunstenaar van kracht, waardoor dit in 1974 is verlopen.
In context
Maternal Affection — Frederick Goodall
Shaded: het leven van Frederick Goodall (1822–1904)
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Geboren in Londen, Verenigd Koninkrijk
Frederick Goodall, a cornerstone of Victorian genre painting, was born in London on September 17, 1822, the second son of Edward Goodall, a skilled steel line engraver. His formative years were shaped by a rigorous academic upbringing at Wellington Road Academy, fostering an unwavering dedication to artistic pursuits that would define his illustrious career.
Goodall’s artistic journey commenced with a remarkable commission for Isambard Brunel – six watercolor paintings depicting the Rotherhithe Tunnel. Remarkably, he debuted as a mere sixteen-year-old at the Royal Academy, where four of these canvases garnered acclaim. This initial success propelled him forward, securing a silver medal from the Society of Arts and establishing a prolific output between 1838 and 1859, with twenty-seven paintings showcased annually at the Royal Academy.
Driven by an insatiable curiosity for authenticity, Goodall embarked on transformative expeditions to Egypt in 1858 and 1870. He immersed himself in Bedouin culture, meticulously documenting daily life – a practice that directly informed his artistic vision. Bringing back sheep and goats from Egypt ensured the accuracy of his depictions, reflecting his profound respect for meticulous observation.
Frederick married Anne Thomson, daughter of engraver James Thomson, in 1846, forging a familial bond that endured until her passing in 1869. Following Anne’s untimely demise, he found solace in companionship with artist Alice May Tarry in 1872. He fathered five children – Frederick Trevelyan and Howard Goodall – continuing the artistic lineage established by his parents.
Goodall's oeuvre encompasses a diverse range of subjects, notably exemplified by “The Swing,” “Old Maid,” and “Jessie’s Dream,” all celebrated at the Royal Academy. His unwavering commitment to capturing the essence of Victorian life cemented his reputation as one of the era’s foremost artists. Explore more of Goodall’s captivating paintings on AllPaintingsStore.com and immerse yourself in the enduring beauty of Victorian artistic tradition.
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Maternal Affection — Frederick Goodall
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