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Portret van Adolf Eberle

De top 21 schilderijen van Adolf Eberle, gerangschikt op bekendheid

Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 21 werken van Adolf Eberle in onze catalogus

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A futile attempt (1880) is het bekendste schilderij van Adolf Eberle. Return from the Hunt (1886) staat op de tweede plaats, Two Hunters with Girl in the Room and Gemsbok (1886) op de derde. Onze catalogus bevat 21 werken van Adolf Eberle; hier zijn de 21 bekendste, gerangschikt met het jaartal en het museum van elk werk, om u te helpen bij het maken van uw keuze.

1843 – 1914, Munich Realism Meeste werken: Petit Palais

Adolf Eberle: de 10 best gerangschikte schilderijen

1
A futile attempt (1880) door Adolf Eberle

A futile attempt

1880 · Lithograph

The room is small, a tight frame of wood and stone that holds the weight of a single moment. In this lithograph, light enters from a single source, perhaps a doorway or a window, casting long, heavy shadows across the floorboards. An elderly man sits at the center, his presence anchored by the gravity of age. Around him, three figures—a young girl and two women—gather in a silent circle. They…

Handgeschilderde olieverfreproductie vanaf $245 28 × 36 cm
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2
Return from the Hunt (1886) door Adolf Eberle

Return from the Hunt

1886 · Oil

A group of figures gathers within a rustic interior, marking the conclusion of a hunt. At the center, an older man in traditional hunting attire presents the day's catch upon a table. He holds a rifle, his presence anchoring the composition. Beside him, a woman and a young boy observe the bounty, while a young man to the right holds both a rifle and a fox. The room is filled…

Handgeschilderde olieverfreproductie vanaf $245 36 × 28 cm Zelfde formaat als het origineel $343 71 × 61 cm Bestel in de originele afmetingen →
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3
Two Hunters with Girl in the Room and Gemsbok (1886) door Adolf Eberle

Two Hunters with Girl in the Room and Gemsbok

1886 · Oil On Canvas

The composition of this 1886 oil painting presents a rustic interior, likely a hunting lodge or cottage, defined by heavy wooden floorboards and structured furniture. On the right side of the frame, three figures occupy the space: two men are seated at a table, while a young woman stands nearby. To the left, the scene shifts toward the results of a hunt, featuring a dead gemsbok lying on the floor…

Handgeschilderde olieverfreproductie vanaf $220 36 × 28 cm Zelfde formaat als het origineel $289 65 × 51 cm Bestel in de originele afmetingen →
Bestel een handgeschilderde kopie Over het schilderij

Adolf Eberle, rangschikt van 11 tot 21

Schilderijen van Adolf Eberle per onderwerp

De vier meest voorkomende onderwerpen in deze ranglijst, met het topstuk per onderwerp.

Musea met originele werken van Adolf Eberle

Het museum met de meeste schilderijen op deze pagina.

Museum Stad Werken van Adolf Eberle Schilderijen uit deze lijst
Petit Palais, ParijsPetit Palais Parijs 1 Whose Dinner is it

Top Adolf Eberle schilderijen per jaar

Van 1869 tot 1886, 18 jaar aan gedateerde schilderijen van Adolf Eberle: blader jaar voor jaar door de collectie om uw favoriete periode te vinden.

Werken per jaar

Selecteer een jaar om de bijbehorende schilderijen te bekijken.

Wat u moet weten over schilderijen van Adolf Eberle

Welk beroemd schilderij van Adolf Eberle staat bovenaan de ranglijst?Antwoord tonen

A futile attempt (1880) staat op de eerste plaats, gevolgd door Return from the Hunt (1886) en Two Hunters with Girl in the Room and Gemsbok (1886).

Hoe oud was Adolf Eberle in het jaar van A futile attempt?Antwoord tonen

Adolf Eberle was 37 jaar oud: A futile attempt dateert uit 1880, en Adolf Eberle werd geboren in 1843.

Welke schilderijen van Adolf Eberle maken de top 10?Antwoord tonen

A futile attempt, Return from the Hunt, Two Hunters with Girl in the Room and Gemsbok, A bedtime story, Thatched barn, Breakfast Time, The natural history lesson, The successful letter, The Day's Bag en Happy family in a barn interior. Het jaar en het museum per werk staan in de bovenstaande ranglijst.

Hoeveel werken van Adolf Eberle staan er in uw catalogus?Antwoord tonen

21 werken van Adolf Eberle zijn opgenomen in onze catalogus, gedateerd van 1869 tot 1886.

Waar kunnen de originele werken van de beroemde schilderijen van Adolf Eberle worden bekeken?Antwoord tonen

Voornamelijk in Petit Palais (Parijs). Zie de museumtabel hierboven voor de volledige lijst.

In welke jaren schilderde Adolf Eberle de best gerangschikte werken?Antwoord tonen

In 1869: 2 van de 21 hier gerangschikte schilderijen stammen uit die tijd, waaronder A bedtime story.

Welke beroemde schilderijen van Adolf Eberle zijn de vroegste en de meest recente?Antwoord tonen

Eerste op deze pagina: A bedtime story (1869). Laatste: Return from the Hunt (1886).

Wat zijn de meest voorkomende onderwerpen van Adolf Eberle?Antwoord tonen

Onder de 21 schilderijen die hier gerangschikt zijn: Woman (3), Table (3) en Man (2).

Bij welke kunststroming hoort Adolf Eberle?Antwoord tonen

Realism, gebaseerd op de schilderijen gerangschikt op deze pagina.

Verkoopt u reproducties van de schilderijen van Adolf Eberle?Antwoord tonen

Ja. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde olieverfreproductie of als een print. Open het schilderij, kies de gewenste afmeting en plaats uw bestelling.

Adolf Eberle: leven en carrière

Early Life and Artistic Training

Adolf Eberle was born in Munich, Germany, on January 11, 1843, into a family deeply rooted in the artistic tradition of Bavaria. His father, Robert Eberle, himself a painter, instilled in young Adolf a passion for visual art from an early age—a formative influence that would shape his entire career trajectory. Recognizing his son’s talent, Robert ensured he received a comprehensive education encompassing both academic pursuits and practical artistic training. Notably, Eberle enrolled at the Academy of Fine Arts in Munich in 1860, where he studied under Karl von Piloty, a respected instructor known for fostering realism and meticulous observation within the landscape genre. This mentorship proved invaluable, equipping Eberle with the foundational skills necessary to excel as a painter.

Emergence as Genre Painter

Eberle’s artistic focus quickly crystallized around genre painting—a tradition particularly prominent in Bavaria during the latter half of the 19th century. Unlike historical or mythological subjects, genre painters sought to depict everyday life, capturing scenes from rural communities and portraying the customs, traditions, and occupations of ordinary people. Eberle skillfully captured the essence of Bavarian and Tyrolean society, depicting farmers tending their fields, huntsmen pursuing game in mountainous terrain, and families engaging in domestic activities—subjects that resonated deeply with audiences of his time. His early works demonstrated a remarkable ability to convey atmosphere and emotion through precise detail and nuanced color palettes. The engraving of *Pfändung der letzten Kuh* (Mortgaging the Last Cow), created by William Unger in 1861, established him as a rising talent within the artistic landscape and garnered critical acclaim for its realism and evocative portrayal of rural life.

Notable Paintings and Artistic Style

Eberle’s oeuvre comprises numerous paintings that exemplify his distinctive artistic style—characterized by meticulous observation, tonal harmony, and an unwavering commitment to portraying authentic human experience. Among his most celebrated pieces are *Erster Rehbock* (First Stag), completed in 1879, which vividly captures the thrill of the hunt amidst the Bavarian Alps; *Feldschule in Wallensteins Lager*(Field School in Wallenstein’s Camp), depicting a classroom setting within a military encampment—a testament to his versatility as an artist; and *Die verunglückte Musikprobe*(Music Test Gone Wrong)—a poignant depiction of youthful ambition thwarted by circumstance. His paintings are imbued with warmth and luminosity, achieved through masterful use of color and light—techniques honed during his studies under Piloty. Furthermore, Eberle’s meticulous attention to detail—evident in the rendering of textures, costumes, and facial expressions—elevated his work beyond mere representation, transforming it into emotionally resonant narratives that convey a profound understanding of human psychology.

Recognition and Legacy

Adolf Eberle achieved considerable recognition during his lifetime for his contributions to Bavarian art history. His paintings were exhibited extensively in Munich and internationally, attracting critical acclaim from prominent art critics and collectors alike. The sale of *Childhood Fun* at Bonhams in 2007—fetching $16,800—demonstrated the enduring appeal of his work and underscored its significance within the broader context of Impressionist aesthetics. Similarly, the auction of *The Day's Bag* at Christie’s in London in 2012 garnered £7,500, affirming Eberle’s reputation as a master of genre painting. Beyond his artistic achievements, Eberle’s legacy extends to the naming of Solln’s Eberlestraße after him—a symbolic tribute to his enduring influence on Bavarian culture and artistic heritage. His paintings continue to inspire admiration for their ability to capture the spirit of a bygone era and convey timeless themes of rural life, family values, and human emotion.