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Portret van Basawan

De top 13 schilderijen van Basawan, gerangschikt op bekendheid

Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 13 werken van Basawan in onze catalogus

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Mihrdukht aims her arrow at the ring (1570) is het bekendste schilderij van Basawan; het origineel bevindt zich in het Metropolitan Museum of Art, New York. The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) staat op de tweede plaats, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) op de derde. Onze catalogus bevat 13 werken van Basawan; hier zijn de 13 bekendste, gerangschikt met het jaartal en het museum van elk werk, om u te helpen bij het maken van uw keuze.

1560 – 1600, Uttar Pradesh Meeste werken: Cleveland Museum of Art

Basawan: de 10 best gerangschikte schilderijen

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Mihrdukht aims her arrow at the ring (1570) door Basawan

Mihrdukht aims her arrow at the ring

1570 · Tempera · Metropolitan Museum of Art, New York

The air holds its breath as Mihrdukht leans over the balcony, her focus narrowing to a single, slender point. She aims her arrow at the ring, a gesture that freezes the very pulse of the court. Below her, the world unfolds in layers of architectural precision and organic life. Attendants and observers gather in the shadows of the structure, their eyes drawn upward to the woman and her task. The…

Handgeschilderde olieverfreproductie vanaf $395 28 × 36 cm Zelfde formaat als het origineel $470 52 × 68 cm Bestel in de originele afmetingen →
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Basawan, rangschikt van 11 tot 13

Musea met originele werken van Basawan

De 6 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Basawan Schilderijen uit deze lijst
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 8 The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Mihrdukht aims her arrow at the ring
Victoria and Albert Museum, LondenVictoria and Albert Museum Londen 1 Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama
San Diego Museum of Art, San DiegoSan Diego Museum of Art San Diego 1 The Virgin and Child
Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 1 A Mughal and a Rajput Converse at Dusk

Top Basawan schilderijen per decennium

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Wat u moet weten over schilderijen van Basawan

Welk beroemd schilderij van Basawan staat bovenaan de ranglijst?Antwoord tonen

Mihrdukht aims her arrow at the ring (1570), Metropolitan Museum of Art, New York, staat op de eerste plaats, gevolgd door The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) en The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560).

Hoe oud was Basawan in het jaar van Mihrdukht aims her arrow at the ring?Antwoord tonen

Basawan was 10 jaar oud: Mihrdukht aims her arrow at the ring dateert uit 1570, en Basawan werd geboren in 1560.

Welke schilderijen van Basawan maken de top 10?Antwoord tonen

Mihrdukht aims her arrow at the ring, The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night, A feast for Babur hosted by his half-brother Jahangir Mirza in Ghazni in May 1505, from a Babur-nama (Memoirs of Babur), Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer, The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama, The Virgin and Child, The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) en Page from Tales of a Parrot (Tuti-nama): text page. Het jaar en het museum per werk staan in de bovenstaande ranglijst.

Hoeveel werken van Basawan staan er in uw catalogus?Antwoord tonen

13 werken van Basawan zijn opgenomen in onze catalogus, gedateerd van 1570 tot 1596.

Waar kunnen de originele werken van de beroemde schilderijen van Basawan worden bekeken?Antwoord tonen

Voornamelijk in Cleveland Museum of Art (Cleveland), Metropolitan Museum of Art (New York) en Victoria and Albert Museum (Londen). Zie de museumtabel hierboven voor de volledige lijst.

In welke jaren schilderde Basawan de best gerangschikte werken?Antwoord tonen

In 1590s: 4 van de 13 hier gerangschikte schilderijen stammen uit die tijd, waaronder Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer.

Welke beroemde schilderijen van Basawan zijn de vroegste en de meest recente?Antwoord tonen

Eerste op deze pagina: Mihrdukht aims her arrow at the ring (1570). Laatste: The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) (1596).

Welke schilderijen van Basawan zijn in de collectie van het Cleveland Museum of Art?Antwoord tonen

Het Cleveland Museum of Art, Cleveland herbergt 8 van de schilderijen in deze ranglijst, waaronder The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night en The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night.

Verkoopt u reproducties van de schilderijen van Basawan?Antwoord tonen

Ja. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde olieverfreproductie of als een print. Open het schilderij, kies de gewenste afmeting en plaats uw bestelling.

Basawan: leven en carrière

Basawan: The Pioneer of Mughal Portraiture

Basawan (flourished 1580–1600), a name whispered with reverence in Indian art history, stands as one of the foremost figures of the Mughal miniature tradition. Though shrouded in obscurity—details about his life remain scant—his legacy endures through his breathtaking depictions of human subjects within the monumental Akbarnama, cementing his place as an innovator who elevated portraiture to unprecedented heights. Born in New Delhi during a period of significant cultural exchange between Persia and India, Basawan’s artistic journey began amidst the opulent courts of Akbar the Great. His formative years were spent under the tutelage of Abd al-Samad, a renowned artist whose influence profoundly shaped Basawan's stylistic sensibilities. This mentorship instilled within him a meticulous observation of human anatomy and expression—a hallmark that distinguishes his work from contemporaries.
  • Akbarnama Influence: Basawan’s contribution to the Akbarnama is arguably his most celebrated achievement. Unlike previous chronicles, Akbar commissioned a series of portraits capturing not merely royal figures but also individuals representing diverse social strata – scholars, musicians, and artisans. This bold decision signaled a departure from conventional artistic practices and established Basawan as a trailblazer in portraying human character with remarkable realism.
  • Color Palette & Technique: Basawan’s mastery lay primarily in his exceptional color palette and technique. Utilizing opaque watercolor pigments combined with gold leaf—a practice considered revolutionary at the time—he achieved luminous hues and textural depth that captivated viewers. His meticulous layering of colors created an illusionistic effect, mirroring the subtleties of light and shadow and conveying a profound sense of atmosphere.
  • Family Legacy: Basawan’s artistic lineage continued through his son Manohar Das, who carried on the family tradition as a court painter. Today, the Das family maintains a thriving manufacturing business specializing in handcrafted carpets—a tangible connection to their ancestral heritage and a testament to the enduring influence of Basawan's artistic vision.

Exploring His Artistic Output: Beyond Akbarnama Illustrations

While the Akbarnama undoubtedly represents Basawan’s magnum opus, evidence suggests he engaged in diverse artistic endeavors extending beyond royal commissions. Fragments of manuscripts depicting scenes from Hindu mythology—particularly those featuring Tara Kalan—offer glimpses into his versatility and willingness to explore different thematic concerns. These works demonstrate a keen understanding of symbolism and narrative complexity, reflecting the broader intellectual currents of the Mughal era.
  • Notable Works: Among Basawan’s surviving paintings are depictions of angels (Peri) riding composite camels—a striking visual representation of Islamic cosmology—and portraits capturing the dignity and solemnity of royal figures.

Connections to Western Artistic Traditions

Basawan's artistic development coincided with the arrival of Jesuit missionaries in India, bringing with them European paintings that profoundly impacted Mughal artists. This exposure fostered a dialogue between Eastern and Western aesthetics—a pivotal moment in Indian art history—and Basawan’s oeuvre bears subtle traces of this influence. His meticulous attention to detail and his masterful use of perspective foreshadowed developments occurring across the ocean, marking him as an artist attuned to global artistic trends.

Historical Significance: A Reflection of Mughal Patronage

Basawan's success is inextricably linked to Akbar’s enlightened patronage—a royal commitment to fostering artistic excellence and promoting cultural enrichment. Akbar recognized Basawan’s talent and entrusted him with monumental commissions, securing his place as one of the most influential artists of his time. His work serves as a poignant reminder of the transformative power of royal support in shaping artistic innovation and preserving cultural heritage for posterity.