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Portret van Cliff Rowe

De 77 bekendste schilderijen van Cliff Rowe om uit te kiezen

Bijgewerkt in oktober 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 77 werken van Cliff Rowe in onze catalogus

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Het nummer één schilderij van Cliff Rowe is Chemist. Op de tweede en derde plaats: Casting en The Fried Fish Shop (1936). Onze catalogus bevat 77 werken van Cliff Rowe. De 77 hier vermelde werken zijn de bekendste, in volgorde van rangschikking, inclusief het jaar en het museum van elk origineel.

1904 – 1988 Cubism Meeste werken: New Walk Museum - Art Gallery

De top 10: de beroemdste schilderijen van Cliff Rowe

Rang 11 tot 77: meer schilderijen van Cliff Rowe

Schilderijen van Cliff Rowe per onderwerp

De vier meest voorkomende onderwerpen in deze ranglijst, met het topstuk per onderwerp.

Musea met originele werken van Cliff Rowe

De 2 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Cliff Rowe Schilderijen uit deze lijst
New Walk Museum - Art Gallery, LeicesterNew Walk Museum - Art Gallery Leicester 1 The Fried Fish Shop
Herbert Art Gallery - Museum, CoventryHerbert Art Gallery - Museum Coventry 1 Woman with a Shopping Bag

De top schilderijen van Cliff Rowe van elk jaar

Van 1931 tot 1945, 15 jaren aan gedateerde schilderijen van Cliff Rowe, gesorteerd op jaar.

Werken per jaar

Selecteer een jaar om de bijbehorende schilderijen te bekijken.

Schilderijen van Cliff Rowe: FAQ

Wat is het bekendste werk van Cliff Rowe?Antwoord tonen

Chemist staat op de eerste plaats, gevolgd door Casting en The Fried Fish Shop (1936).

Wat zijn de tien beroemdste schilderijen van Cliff Rowe?Antwoord tonen

Chemist, Casting, The Fried Fish Shop, Woman with a Shopping Bag, Electrical Engineer, Industrial Plant, Three Men Building Frame, Plating Bicycle Frames, Man Shaping a Bottle en Man Drawing Out Molten Glass. Het jaar en het museum per werk staan in de bovenstaande ranglijst.

Hoeveel schilderijen van Cliff Rowe zijn er vermeld?Antwoord tonen

77 werken van Cliff Rowe zijn opgenomen in onze catalogus, gedateerd van 1931 tot 1945.

In welke musea bevinden zich de beroemdste originele werken van Cliff Rowe?Antwoord tonen

Voornamelijk in New Walk Museum - Art Gallery (Leicester) en Herbert Art Gallery - Museum (Coventry). Zie de museumtabel hierboven voor de volledige lijst.

Wanneer zijn de top schilderijen van Cliff Rowe gemaakt?Antwoord tonen

In 1931: 4 van de 77 hier gerangschikte schilderijen stammen uit die tijd, waaronder Street Scene Kentish Town.

Wat zijn de oudste en de meest recente beroemde schilderijen van Cliff Rowe?Antwoord tonen

Eerste op deze pagina: Street Scene Kentish Town (1931). Laatste: St Pancras, Cleaning Yard (1945).

Welke onderwerpen komen het meest voor in de schilderijen van Cliff Rowe?Antwoord tonen

Onder de 77 schilderijen die hier gerangschikt zijn: Social commentary (4), London life (3) en Abstract figures (2).

Bij welke stroming behoren de schilderijen van Cliff Rowe?Antwoord tonen

Cubism, gebaseerd op de schilderijen gerangschikt op deze pagina.

Cliff Rowe: de kunstenaar achter de schilderijen

The Visionary of the Working Class: The Life and Legacy of Cliff Rowe

Born in the heart of Wimbledon, South London, to working-class parents, Clifford Rowe’s life was a profound tapestry woven from threads of social conviction and artistic mastery. His early years were defined by a dual education: the formal training at the Wimbledon School of Art and the Royal College of Art, which sharpened his technical draughtsmanship, and the raw, lived experience of London’s streets, which forged his political soul. This unique intersection of modernist experimentation and Marxist ideology would become the hallmark of his career, allowing him to bridge the gap between avant-garde aesthetics and the urgent realities of the common man.

The 1920s served as a crucible for Rowe’s developing worldview. As he navigated the turbulent economic landscapes marked by hunger marches and the global tremors of the Wall Street Crash, his art began to find its political voice. A pivotal moment occurred in 1930 when he traveled to the Soviet Union. Staying for eighteen months, Rowe immersed himself in a society that viewed art as a vital instrument of the state and the people. While he eventually returned to England, driven by the realization that the class struggle was equally potent on home soil, his time abroad left an indelible mark on his technique, introducing him to a sense of scale and purpose that would define his later compositions.

A Canvas of Social Transformation

Rowe’s artistic output was never merely decorative; it was deeply communicative. As a founding member of the Artists International Association (AIA) in 1933, he championed the idea that art should be accessible to the masses rather than sequestered in elite galleries. His work often blended the sharp, angular influences of Cubism with a gritty, grounded realism—a style some have described as a meeting point between Socialist Realism and New Realism. Whether through his evocative oil paintings or his prolific work as an illustrator, Rowe sought to capture the dignity of labor without falling into the trap of sentimentalism.

His versatility allowed him to move seamlessly between different mediums and commissions:

  • Illustrative Mastery: He produced striking dust jacket designs for books and worked extensively on political publications, using imagery to disseminate progressive ideals.
  • Public Commemorations: His talent was recognized on a national stage through his promotional commissions for the Attlee Labour government and his contributions to the iconic 1951 Festival of Britain.
  • Graphic Activism: Through the AIA, he designed posters, banners, and placards that became the visual language of contemporary social demonstrations and trade union movements.

Symbolism and the Human Condition

In his more introspective works, Rowe explored the psychological weight of modernity. Paintings such as Man and Microscope utilize Cubist-influenced forms to examine the detachment between humanity and advancing technology, using muted tones to evoke a sense of clinical isolation. Similarly, Operating Theatre Nurse presents an unsettling, geometric depiction of clinical detachment, showcasing his ability to use abstraction to convey profound emotional states. Even in his more representational scenes of London life—from the bustling atmosphere of fish shops to the industrial grit of factories—there is an underlying tension, a careful balance between the physical reality of the subject and the symbolic weight of their social position.

The historical significance of Cliff Rowe lies in his refusal to separate the artist from the citizen. His legacy is preserved not only in the prestigious collections of the Tate and The People’s History Museum but also in the very fabric of British social history. He remains a vital figure for those studying the intersection of art and politics, reminding us that the brush can be as powerful a tool for change as any political manifesto. Through his eyes, we see a London that is both a place of struggle and a landscape of immense, quiet beauty.

Alle 77 werken van Cliff Rowe →