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Taddeo di Bartolo Mest populære malerier

De 7 mest etterspurte kunstverkene av Taddeo di Bartolo hos våre besøkende, rangert etter popularitet og presentert ett etter ett, med spesifikasjoner og pris for hver håndmalte reproduksjon.

Utgave 2026 · 7 kunstverk Hvert kunstverk males etter bestilling
Lerretsduk · Ektehetsbevis · Leveres over hele verden Taddeo di Bartolo · 1362 – 1422

Madonna of Humility with Saints John the Baptist and Andrew; below: Seven Standing Saints

Se det mest populære kunstverket til Taddeo di Bartolo rangert som nr. 1: Madonna of Humility with Saints John the Baptist and Andrew; below: Seven Standing Saints

1395 · Szépművészeti Múzeum, Budapest · original 185 x 186 cm

Marvel at Taddeo di Bartolo's "Madonna of Humility" – a stunning Sienese masterpiece featuring the Virgin Mary, saints, and intricate details within a grand gold frame. A true Renaissance treasure!

Teknikk: Håndmalt olje på linlerret
Produsert av: Bestilles av en utdannet maler
Popularitet: Nr. 1 av 34 kunstverk av Taddeo di Bartolo
Levering: Over hele verden, ca. 5 uker

fra$17032 × 32 cm Bestill dette kunstverket

Samme størrelse som originalen$1140186 × 185 cm Bestill i original størrelse

Virgin and Child with St John the Baptist and St Andrew

1395 · Szépművészeti Múzeum, Budapest · original 114 x 72 cm

Admire Taddeo di Bartolo's masterpiece, 'Virgin and Child,' showcasing serene beauty & religious devotion from 1395. A stunning Sienese Renaissance painting.

Teknikk: Håndmalt olje på linlerret
Produsert av: Bestilles av en utdannet maler
Popularitet: Nr. 2 av 34 kunstverk av Taddeo di Bartolo
Levering: Over hele verden, ca. 5 uker

fra$17032 × 31 cm Bestill dette kunstverket

Samme størrelse som originalen$382114 × 72 cm Bestill i original størrelse

The Funeral of the Virgin

1409 · Palazzo Pubblico, Siena · original 320 x 345 cm

A solemn fresco depicting the funeral procession of the Virgin Mary by Taddeo di Bartolo captures the profound emotion of the Sienese Renaissance, inviting you to explore this masterpiece of early Italian art.

Se kunstverket

Allegories and Figures from Roman History

1413 · Palazzo Pubblico, Siena · original 270 x 320 cm

Vibrant fresco depicting Roman history by Taddeo di Bartolo (1413); explore rich Renaissance allegories and figures today.

Se kunstverket

San Gimignano

1391 · Museo Civico, San Gimignano

Teknikk: Håndmalt olje på linlerret
Produsert av: Bestilles av en utdannet maler
Popularitet: Nr. 5 av 34 kunstverk av Taddeo di Bartolo
Levering: Over hele verden, ca. 5 uker

fra$17023 × 44 cm Bestill dette kunstverket

Head of an Angel in Full Face

1397 · original 16 x 12 cm

Early Renaissance angel portrait by Taddeo di Bartolo (1397). Intricate details, sfumato technique & serene expression on gessoed wood panel. A captivating devotional piece.

Teknikk: Håndmalt olje på linlerret
Produsert av: Bestilles av en utdannet maler
Popularitet: Nr. 6 av 34 kunstverk av Taddeo di Bartolo
Levering: Over hele verden, ca. 5 uker

fra$17030 × 34 cm Bestill dette kunstverket

Christ and the Twelve Apostles

1400 · original 24 x 186 cm

Teknikk: Håndmalt olje på linlerret
Produsert av: Bestilles av en utdannet maler
Popularitet: Nr. 7 av 34 kunstverk av Taddeo di Bartolo
Levering: Over hele verden, ca. 5 uker

fra$17086 × 12 cm Bestill dette kunstverket

Samme størrelse som originalen$272186 × 24 cm Bestill i original størrelse

Kunstneren

Taddeo di Bartolo

1362 – 1422

Kort fakta

Top-ranked workMadonna of Humility with Saints John the Baptist and Andrew; below: Seven Standing Saints
Topics exploredrenaissance, virgin mary, medieval
Works on APS34
Color intensitybalanced, vivid
Copyright statusPublic domain
Top 3 worksMadonna of Humility with Saints John the Baptist and Andrew; below: Seven Standing Saints, Virgin and Child with St John the Baptist and St Andrew, The Funeral of the Virgin
Also known asBartolo, Di Bartolo, Taddeo de Bartolo, Tadeo di Bartolo, Тадео ди Бартоло
Died1422

Biografi

The Dawn of a Sienese Master

In the golden twilight of the Trecento, as the medieval world began to stir toward the light of the Renaissance, Taddeo di Bartolo emerged as a transformative force within the Sienese School. Born in Siena around 1362, Taddeo was not merely a painter but a bridge between eras, a master capable of weaving the delicate, lyrical elegance of the Gothic tradition with a burgeoning sense of structural depth and emotional gravity. His life and work represent the very heartbeat of Siena during a period of profound cultural transition, where the spiritual intensity of religious iconography began to meet a more humanistic observation of the world.

The foundations of his artistry were laid in the fertile workshops of Tuscany, where the air was thick with the legacy of masters like Simone Martini and Ambrogio Lorenzetti. While much of his early training remains shrouded in the mists of history, it is widely believed that he absorbed the sculptural sensibilities of the Pisano lineage, which gifted his paintings a rare sense of tactile presence. This unique lineage allowed him to move beyond the flat, decorative surfaces of his predecessors, introducing a subtle weight and volume to his figures that would captivate both clergy and commoners alike.

A Tapestry of Devotion and Technique

Taddeo’s oeuvre is a magnificent testament to his versatility, ranging from monumental frescoes that breathe life into cathedral walls to intimate altarpieces that invite silent prayer. His mastery of the fresco technique allowed him to command vast architectural spaces, most notably in his breathtaking works within the Cappella Nuova in San Francesco di Assisi. In these large-scale narratives, he utilized an early understanding of atmospheric perspective and light to create illusionistic depths, guiding the viewer's eye through sacred histories with a fluid, cinematic grace.

Beyond the grand scale, his panel paintings reveal a meticulous devotion to detail and a sophisticated use of color. His compositions often feature:

Luminous Pigments: A palette rich in ultramarine, vermilion, and gold leaf that reflects the divine splendor of his subjects.
Emotional Resonance: A departure from static iconography toward faces that convey profound sorrow, joy, or contemplative peace.
Architectural Precision: The use of structured backgrounds to ground holy figures within a tangible, albeit idealized, reality.

In works such as his Virgin and Child with Saints, one can witness the evolution of his hand—moving from the more rigid, ornamental patterns of the late Gothic style toward a more robust and naturalistic approach. This development was not merely a personal triumph but a reflection of the shifting artistic zeitgeist in Italy, where the pursuit of beauty became increasingly intertwined with the pursuit of truth.

Legacy and Historical Significance

The historical significance of Taddeo di Bartolo lies in his role as a custodian of Sienese identity during a period of immense change. As the Renaissance began to shift its center of gravity toward Florence, Taddeo ensured that Siena maintained its distinct, sophisticated voice—one characterized by grace, decorative splendor, and a deep, spiritual lyricism. He did not merely imitate the trends of his time; he synthesized them, creating a stylistic language that felt both ancient and remarkably modern.

His influence echoed through the workshops of his successors, providing a blueprint for how religious narrative could be rendered with both monumental scale and delicate intimacy. Today, as we gaze upon his surviving works in collections spanning from Siena to Budapest, we see more than just relics of the 14th century; we see the enduring spirit of an artist who captured the transition of an age. Taddeo di Bartolo remains a cornerstone of the Sienese Renaissance, a painter whose brushstrokes continue to illuminate the profound intersection of the human and the divine.

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Av AllPaintingsStore.com redaksjonen Oppdatert July 13, 2026

Samlerens quiz

Where was Taddeo di Bartolo born?
Which Sienese artist influenced Taddeo di Bartolo's style?
What is Taddeo di Bartolo known for creating?
In which city did Taddeo di Bartolo work on the Palazzo Pubblico panels?
What is a notable feature of Taddeo di Bartolo's altarpiece, “Assumption of the Virgin”?

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