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Minerva

Navn Klasse Dato

Laurent Guyard, Minerva (1773), Museo Glauco Lombardi. Fri for opphavsrett. Se dette lerretet under bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Laurent Guyard allpaintingsstore.com/no/artists/laurent-guyard/
Kunstnerens levetid
1723 – 1788
Malt
1773
Arrangert på
Museo Glauco Lombardi allpaintingsstore.com/no/museums/museo-glauco-lombardi-parma/

I sammenheng med

Minerva — Laurent Guyard

Når ble dette malt?

  1. 1720
  2. 1730
  3. 1740
  4. 1750
  5. 1760
  6. 1770
  7. 1780

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 65 ved død.

Malt da kunstneren var 50. Kunstneren ble 65 år gammel. 0 av de 2 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Laurent Guyard (1723–1788) ▲ dette verket, 1773 hvert daterte maleri, tiår for tiår

Lignende verk

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: allpaintingsstore.com/no/art/similar/laurent-guyard-minerva-D9TF6B-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Rosy Brown #d8af9b

    Lagret palett

    • #D8AF9B
    • #191617
    • #A5725A
    • #443C43

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Navn på hovedfarge
    Rosy Brown
    Metning
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Bold Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Balanced Harmony Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Kunstner og museum

    Kunstner

    Laurent Guyard

    Født i Champlignon, France

    A Sculptor's Journey from Humble Beginnings

    The story of Laurent Guyard is one of remarkable transformation, beginning far from the grand academies of Europe in the modest surroundings of Chaumont en Bassigny. Born into a family of limited means, his early life was marked by the grit of manual labor; he was initially apprenticed to a blacksmith, a vocation that likely instilled in him a profound understanding of form and the physical strength required for his eventual mastery. Yet, even amidst the heat of the forge, his innate talent for drawing could not be ignored. This latent brilliance eventually led him to Paris, where he sought formal training under the esteemed Jean-Baptiste Bouchardon. It was here that the raw potential of a blacksmith's apprentice began to coalesce into the refined skill of a sculptor, earning him the prestigious grand prix of sculpture in 1750.

    Exile and the Splendor of Italy

    Despite his rising talent, Guyard’s path was not without profound struggle. The shadows of professional jealousy cast by his own master, who sought to obstruct his progress and bar him from the gates of the Academy, forced the artist into a period of expatriation. This displacement, however, became the catalyst for his greatest triumphs. Seeking refuge and opportunity beyond the borders of France, he found himself drawn to the heart of classical inspiration. His reputation preceded him, eventually leading him to Parme, where he was welcomed by the grace of duke Ferdinand I. In the vibrant artistic atmosphere of Italy, particularly within the marble-rich environs of Carrara, Guyard flourished, finding the patronage and the medium necessary to realize his most ambitious visions.

    A Legacy in Marble and Clay

    The oeuvre of Laurent Guyard reflects a deep reverence for classical antiquity and the dramatic narratives of myth. His work often captured the tension and emotion found in ancient legends, such as his poignant depictions involving Aeneas. Whether working in the permanence of marble or the preparatory delicacy of plaster, his ability to breathe life into stone was evident in works like:

    Enée et Anchise, a powerful grouping that speaks to themes of familial devotion and survival.

    The graceful L'Amour prêt à tirer à l'arc, which once graced the public gardens of Parme.

    Masterful copies of classical icons, including the Apollon du Belvédère and the Gladiator.

    Through his ability to navigate the complexities of political patronage and personal adversity, Guyard left an indelible mark on the sculptural landscape of the eighteenth century. His life remains a testament to the power of artistic perseverance, moving from the anvil of a blacksmith to the heights of European neoclassicism.

    Museum

    Museo Glauco Lombardi

    Utstilt på Parma, Italy

    A Glimpse into a Duchy’s Soul: The Museo Glauco Lombardi

    The Museo Glauco Lombardi, nestled in the elegant Palazzo di Riserva of Parma, Italy, isn't merely a museum; it’s an immersive journey back to the twilight years of the Duchy of Parma and its poignant connection with Napoleon Bonaparte. Founded by Professor Glauco Lombardi—a scholar driven by an unwavering passion for preserving Parma’s heritage—the institution began as a singular ambition: to resurrect fragments of history threatened by dispersal, culminating in the acquisition of an extraordinary collection centered around Marie Louise’s personal belongings – relics inextricably linked to Napoleon's reign. Lombardi envisioned more than just assembling beautiful objects; he sought to reconstruct a narrative, breathing life into a silenced past and offering visitors a perspective rarely found elsewhere.

    Architectural Significance:

    The Palazzo di Riserva itself stands as a testament to architectural grandeur, reflecting the opulent tastes of the Duchy’s aristocracy. Constructed in the Baroque style during the reign of Palazzo Ducale Farnese, its façade exudes stately elegance and hints at centuries of history within its walls.

    Collection Highlights:

    The Museo Glauco Lombardi boasts an impressive array of artworks spanning the Romantic era, featuring canvases by Paolo Toschi, Giuseppe Molteni, François Gérard, and Giuseppe Drugman. These paintings vividly portray the artistic sensibilities of 19th-century Parma, capturing scenes from daily life and aristocratic celebrations.

    Beyond Paintings:

    Beyond visual art, the museum’s collection encompasses decorative objects—including exquisitely crafted furniture reflecting aristocratic refinement—delicate porcelain hinting at lavish banquets, and intimate items like inkwells and jewelry, each whispering tales of those who once possessed them. Notably, Marie Louise's musical instruments and correspondence provide tangible connections to her life as Duchess and Empress.

    Echoes of Empire: Art and Artifacts from a Pivotal Era

    The Museo Glauco Lombardi’s curators meticulously contextualize these treasures within the broader framework of Italian Unification, illuminating the challenges faced by Parma as it transitioned towards national integration. This careful consideration underscores the museum's importance in understanding not just artistic beauty but also the socio-political currents shaping Italy during this transformative period. The museum actively engages visitors through guided tours and lectures exploring Marie Louise’s influence on cultural life—particularly her patronage of the fortepiano, a symbol of musical sophistication and aristocratic taste.

    Educational Initiatives:

    Guided tours delve into the stories behind each artwork and artifact, fostering appreciation for Parma's artistic legacy.

    Musical Performances:

    Special concerts featuring music performed on forte pianos recreate the atmosphere of Marie Louise’s court, enriching visitors’ understanding of cultural traditions.

    Notable Exhibitions

    Recent exhibitions have explored themes of Napoleonic influence on Parma's art and culture, examining how Napoleon Bonaparte shaped artistic tastes and patronage during his reign. These events highlight the museum’s commitment to scholarly research and public engagement, ensuring that Lombardi’s vision continues to inspire dialogue and discovery. Furthermore, collaborations with international institutions have broadened the museum’s reach, attracting scholars and enthusiasts from around the globe.

    What Makes Museo Glauco Lombardi Unique

    Ultimately, Museo Glauco Lombardi distinguishes itself through its singular focus on Parma's artistic heritage during Napoleon’s dominion—a perspective rarely presented in mainstream historical narratives. The museum champions a holistic approach to cultural understanding, combining art appreciation with scholarly investigation and fostering connections between past and present. It stands as a beacon of preservation and education, safeguarding Parma’s legacy for generations to come.

    Her kan du lese mer

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Minerva

    allpaintingsstore.com/no/art/download/laurent-guyard-minerva-D9TF6B-en/

    Kildehenvisning for dette kunstverket

    MLA
    Guyard, Laurent. Minerva. 1773, Museo Glauco Lombardi. https://allpaintingsstore.com/no/art/laurent-guyard-minerva-D9TF6B-en/
    APA
    Guyard, Laurent (1773). Minerva [Painting]. Museo Glauco Lombardi. https://allpaintingsstore.com/no/art/laurent-guyard-minerva-D9TF6B-en/
    Chicago
    Laurent Guyard. Minerva. 1773. Museo Glauco Lombardi. https://allpaintingsstore.com/no/art/laurent-guyard-minerva-D9TF6B-en/
    Harvard
    Guyard, Laurent (1773) Minerva. Museo Glauco Lombardi. Available at: https://allpaintingsstore.com/no/art/laurent-guyard-minerva-D9TF6B-en/

    Se nærmere etter

    Minerva — Laurent Guyard

    Se nærmere på detaljene

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Farewell of Aeneas from Dido (1776), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. Laurent Guyard var omtrent 50 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvorfor er opphavsrettslig status for "Minerva" slik den er?

    "Minerva" av Laurent Guyard er i det frie domene – opphavsretten har utløpt. Opphavsretten løper fra kunstnerens dødsår, som var i 1788.

    Hvor kan jeg laste ned "Minerva" av Laurent Guyard?

    "Minerva" av Laurent Guyard kan lastes ned fra verkets Last ned-side, som nedlasting av et digitalt bilde i høy oppløsning.

    Hvilken tone lener "Minerva" seg mot?

    En Warm Sunset Tones nyanse preger "Minerva" av Laurent Guyard.