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Sketch 48

Navn Klasse Dato

Thomas Sully, Sketch 48. Fritatt for opphavsrett. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Thomas Sully allpaintingsstore.com/no/artists/thomas-sully_no/
Kunstnerens levetid
1783 – 1872

I sammenheng med

Sketch 48 — Thomas Sully

Når kan dette ha blitt malt?

  1. 1780
  2. 1790
  3. 1800
  4. 1810
  5. 1820
  6. 1830
  7. 1840
  8. 1850
  9. 1860
  10. 1870

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 89 ved død.

Skyggelagt: livsløpet til Thomas Sully (1783–1872) hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1819 Hovedvirksomhetsår: 1819–1841 Senere verk: fra 1841

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan skyldes hull i dokumentasjonen snarere enn en rolig periode. De samme årene som utgjør kunstnerens liv er vevd inn i dem

Dette opptaket har ikke et nøyaktig årstall registrert — basert på kunstnerens levetid og verkets stil, hvilket tiår vil du gjette på?

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: allpaintingsstore.com/no/art/similar/thomas-sully-sketch-48-8CEHAL-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Gray #8c8c8c

    Katalogisert palett

    • #8C8C8C
    • #B5B5B5
    • #5A5A5A
    • #222222

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Hovedfarge
    Gray
    Intensitet
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Unified Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Bright Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Thomas Sully i løpet av de siste tolv månedene — totalt 6 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 79.0%9800 visits
    2. 2 United States of America 8.1%1000 visits
    3. 3 Hong Kong 5.6%700 visits
    4. 4 Singapore 5.6%700 visits
    5. 5 Storbritannia 0.8%100 visits
    6. 6 Romania 0.8%100 visits

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 20 mest viste verkene av Thomas Sully

    1. 1 Mrs. Edward Hudson, 1814 9.3%1500 visits
    2. 2 The Passage of the Delaware, 1819 4.3%700 visits
    3. 3 Queen Victoria, 1838 2.5%400 visits
    4. 4 Sketch after David's Napoleon Crossing the Alps; a Recumbent Nude Male; a Standing Female 2.5%400 visits
    5. 5 Major John Biddle 1.9%300 visits
    6. 6 John Finley, 1821 1.9%300 visits
    7. 7 Portrait of Tom Sleeping, Woman Holding Two Children, Leaning Baby, Woman's Head 1.9%300 visits
    8. 8 Portrait of the Artist, 1821 1.2%200 visits
    9. 9 Cinderella at the Kitchen Fire, 1843 1.2%200 visits
    10. 10 Sarah Sully and Her Dog, Ponto, 1848 1.2%200 visits
    11. 11 Daniel Wadsworth, 1807 1.2%200 visits
    12. 12 Equestrian Portrait of George Washington, 1842 1.2%200 visits
    13. 13 The Coleman Sisters, 1844 1.2%200 visits
    14. 14 Mary Anne Heide Norris, 1830 1.2%200 visits
    15. 15 Juvenile Ambition, 1825 1.2%200 visits
    16. 16 Portrait of Robert Fielding Stockton, 1849 1.2%200 visits
    17. 17 Elizabeth McEuen Smith 1.2%200 visits
    18. 18 Mrs. Thomas Fitzgerald (Sarah Leveing Riter), 1858 1.2%200 visits
    19. 19 Portrait of Missy Kieps 1.2%200 visits
    20. — Sketch 48 dette maleriet 0.0%0 visits

    Sammen utgjør disse verkene 38.7% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 360 verk av denne kunstneren, hvorav 102 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden – det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    Thomas Sully

    Født i Horncastle, Storbritannia

    A Transatlantic Brushstroke: The Life and Art of Thomas Sully

    Thomas Sully’s journey is a remarkable tale – one that transcends mere geography, becoming a vibrant tapestry woven from artistic influences, cultural shifts, and the burgeoning spirit of America. Born in 1783 under the skies of Horncastle, Lincolnshire, England, his life wasn't simply defined by birth; it was shaped by an itinerant childhood, culminating in his arrival in Charleston, South Carolina, at the tender age of nine. This early exposure to a transient theatrical world—his parents were actors—instilled within him a keen understanding of capturing fleeting expressions and embodying character – skills that would prove invaluable as he transitioned from the stage to the canvas. Initially drawn to the allure of performance himself, briefly pursuing a career as a tumbler, Sully’s innate talent for observation and representation soon found its true expression in painting. An apprenticeship with an insurance broker provided him with a foundational understanding of detail and precision, but it was his subsequent mentorship by Charles Fraser and later Jean Belzons that ignited the flame of his artistic passion, particularly within the realm of miniature painting – a discipline he mastered before expanding his scope to larger, more ambitious works.

    From Miniature to Monumental: Forging an American Style

    Sully’s artistic development wasn't confined by national borders; it was a dynamic process of assimilation and adaptation. A pivotal moment arrived in 1808 when he embarked on a period of study in London with Benjamin West, a celebrated figure in the British art world. While West’s influence undoubtedly shaped his early technique, it was the profound impact of Thomas Lawrence that truly resonated with Sully. Lawrence's elegant style – characterized by its masterful use of light and texture, and his remarkable ability to capture both likeness and character – became a cornerstone of Sully’s artistic philosophy. Upon returning to America in 1809, he carried this aesthetic with him, earning the moniker “the Sir Thomas Lawrence of America.” However, Sully didn't simply emulate; he skillfully adapted and refined these influences, forging a distinctly American style that blended European sophistication with a uniquely New World sensibility. His portraits weren’t merely photographic reproductions; they were imbued with a sense of warmth, dynamism, and psychological depth – reflecting the evolving identity of the nation itself. He possessed an extraordinary ability to capture not just outward appearances but also the inner lives of his subjects, imbuing each portrait with a palpable sense of personality.

    The Influence of London: A Refined Technique

    Sully’s return to England in 1809 and again in 1837 proved crucial to his artistic evolution. These visits weren't merely nostalgic trips; they were deliberate opportunities for refinement and learning. His time with Benjamin West provided a solid grounding in traditional techniques, while his interactions with Thomas Lawrence exposed him to the latest innovations in portraiture – particularly the use of loose brushwork and atmospheric effects. He meticulously studied the works of other masters, absorbing their insights and incorporating them into his own practice. The experience broadened his technical skills and deepened his understanding of composition, color theory, and light. He returned to America with a renewed sense of confidence and a more sophisticated artistic vision, ready to tackle larger-scale projects and explore new avenues of expression.

    A Portrait of an Era: Notable Works and Subjects

    Sully’s prolific output spanned over seven decades, during which he created an astonishing number of portraits – estimates range from 2,300 to over 3,000! His subjects reflected the diverse tapestry of American society at the time. He painted prominent figures such as Thomas Jefferson, John Quincy Adams, Andrew Jackson, and numerous members of the wealthy elite in Philadelphia and beyond. His most celebrated work, The Passage of the Delaware (1819), stands as a testament to his ability to capture dramatic historical events with both artistic flair and technical skill. The painting depicts George Washington leading his troops across the icy Delaware River on Christmas night – an iconic moment that embodies the spirit of American independence. Beyond these grand historical scenes, Sully’s portraits captured the essence of countless individuals, preserving their likenesses for posterity and offering a glimpse into the lives and personalities of those who shaped the nation's destiny.

    Legacy and Enduring Influence

    Thomas Sully’s legacy extends far beyond his impressive body of work. He was not only a gifted painter but also a dedicated teacher, mentoring numerous aspiring artists and contributing to the development of American portraiture. His influence can be seen in the works of later generations of painters, who drew inspiration from his masterful technique and his ability to capture the human spirit. Furthermore, Sully’s commitment to cultural enrichment is evident in his involvement with the Musical Fund Society of Philadelphia – a testament to his belief that art should serve as a catalyst for social progress. His paintings continue to be exhibited in museums across the United States, captivating audiences with their beauty, elegance, and enduring power. Thomas Sully remains a pivotal figure in American art history—a painter who skillfully blended European sophistication with uniquely American sensibilities, leaving behind a rich legacy of portraits that capture the essence of an era.

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    Se mer på nett

    QR-kode som lenker til nedlastingssiden for Sketch 48

    allpaintingsstore.com/no/art/download/thomas-sully-sketch-48-8CEHAL-en/

    Kildehenvisning for dette kunstverket

    MLA
    Sully, Thomas. Sketch 48. n.d., https://allpaintingsstore.com/no/art/thomas-sully-sketch-48-8CEHAL-en/
    APA
    Sully, Thomas (n.d.). Sketch 48 [Painting]. https://allpaintingsstore.com/no/art/thomas-sully-sketch-48-8CEHAL-en/
    Chicago
    Thomas Sully. Sketch 48. n.d. https://allpaintingsstore.com/no/art/thomas-sully-sketch-48-8CEHAL-en/
    Harvard
    Sully, Thomas (n.d.) Sketch 48. Available at: https://allpaintingsstore.com/no/art/thomas-sully-sketch-48-8CEHAL-en/

    Se nærmere på

    Sketch 48 — Thomas Sully

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Hvor mange ansikter kan du finne? ____ (vår katalog teller 2 — er du enig?)
    4. Vår katalog klassifiserer dette verket under: men, designs and sketches. Er du enig? Hva ville du lagt til, eller fjernet?
    5. Se tilbake på Child Asleep (The Rosebud) (1841), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvilke andre navn er Thomas Sully kjent under?

    Andre navn registrert for Thomas Sully, skaperen av "Sketch 48", inkluderer Sir Thomas Lawrence av Amerika.

    Hvor stor er kontrasten i "Sketch 48" av Thomas Sully?

    Lys-mørke-kontrasten i "Sketch 48" er registrert som Statement. Kontrast beskriver hvor sterkt lyse og mørke områder skiller seg fra hverandre.

    Hvordan finner jeg kunstverk som ligner på "Sketch 48" av Thomas Sully?

    Siden Lignende verk for "Sketch 48" av Thomas Sully viser relaterte kunstverk.