Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 5 verk av Carl Ebert i vår katalog
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Det mest kjente maleriet av Carl Ebert er Forest Landscape with Bathing Children (1867); originalen befinner seg i Bavarian State Painting Collections, München. Evening Landscape (1875) og Landscape society in a park er tallene to og tre. Av de 5 verkene av Carl Ebert i vår katalog, er dette de 5 mest kjente, rangert med årstall og museum, slik at du kan velge maleriet du ønsker å bestille.
De 2 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Carl Ebert | Malerier fra denne listen |
|---|---|---|---|
 Bavarian State Painting Collections |
München | 2 | Forest Landscape with Bathing Children, Evening Landscape |
 Lenbachhaus |
München | 1 | Isar Landscape |
De daterte maleriene av Carl Ebert her spenner over 9 år, fra 1867 til 1875. Bla gjennom dem år for år for å finne din favoritt.
Velg et år for å se maleriene fra det året.
Forest Landscape with Bathing Children (1867), Bavarian State Painting Collections, München, rangerer som nummer én, etterfulgt av Evening Landscape (1875) og Landscape society in a park.
Carl Ebert var 46 år gammel: Forest Landscape with Bathing Children er datert 1867, og Carl Ebert ble født i 1821.
5 verk av Carl Ebert finnes i vår katalog, datert fra 1867 til 1875.
Hovedsakelig i Bavarian State Painting Collections (München) og Lenbachhaus (München). Se museumstabellen ovenfor for den fullstendige listen.
Eldste på denne siden: Forest Landscape with Bathing Children (1867). Nyeste: Evening Landscape (1875).
Bavarian State Painting Collections, München har 2 av maleriene som er rangert her, inkludert Forest Landscape with Bathing Children og Evening Landscape.
Ja. Alle malerier på denne siden kan bestilles som en håndmalt oljereproduksjon eller som et trykk. Åpne maleriet, velg størrelse og legg inn din bestilling.
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.
