Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 1 verk av Constant Cap i vår katalog
Kort svar
Det fremste maleriet av Constant Cap er Remembering the National Festivities of 1880 (1880), hvis original befinner seg i Koninklijk Museum voor Schone Kunsten Antwerpen, Antwerpen. Vår katalog inneholder 1 verk av Constant Cap. De 1 som er oppført her er de mest kjente, i rangert rekkefølge, med årstall og museum for hvert originalverk.
Museet som har flest av maleriene på denne siden.
| Museum | By | Verker av Constant Cap | Malerier fra denne listen |
|---|---|---|---|
 Koninklijk Museum voor Schone Kunsten Antwerpen |
Antwerpen | 1 | Remembering the National Festivities of 1880 |
1880: hvert daterte Constant Cap-maleri på denne siden er fra det året. Her er de, sortert etter rangering.
Velg et år for å se maleriene fra det året.
Remembering the National Festivities of 1880 (1880) rangerer som nummer én.
Constant Cap var 38 år gammel: Remembering the National Festivities of 1880 er datert 1880, og Constant Cap ble født i 1842.
1 verk av Constant Cap finnes i vår katalog.
Hovedsakelig i Koninklijk Museum voor Schone Kunsten Antwerpen (Antwerpen). Se museumstabellen ovenfor for den fullstendige listen.
Ja. Alle malerier på denne siden kan bestilles som en håndmalt oljereproduksjon eller som et trykk. Åpne maleriet, velg størrelse og legg inn din bestilling.
Constant Aimé Marie Cap lived his life within the borders of Belgium, moving from Saint-Nicolas to the streets of Antwerp. He spent his days as both a painter and an engraver, working with a focus on academic precision. His hands were trained at the Royal Academy of Fine Arts in Antwerp, where he learned to capture the small, steady movements of daily life.
His work often rests on the stillness of a single moment. In pieces like A Woman gazing through a window, there is a sense of looking without being seen. He had a way of placing figures in quiet settings, such as Femmes en prière dans une église, where the focus remains on the weight of the atmosphere rather than grand gestures.
Cap looked backward as much as he looked at the present. He used his skill to document the textures of the past, particularly through works like De goudweger/Oud Antwerpen/XVI eeuw and Oud Antwerpen-Het laatste Keersken. These paintings carry the weight of history, rendered with the careful detail of an engraver's eye.
The subjects he chose were often ordinary, yet he treated them with a specific gravity:
He died in Antwerp in 1915, leaving behind a body of work that remains tied to the light and the specific corners of his Belgian home.
