Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 5 verk av Frank Wright i vår katalog
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Det mest kjente maleriet av Frank Wright er The Mill Valley, Karekare Bay (1899); originalen befinner seg i Auckland Art Gallery Toi o Tāmaki, Auckland. The Close of day (1909) og Morning after rain (1912) er tallene to og tre. Av de 5 verkene av Frank Wright i vår katalog, er dette de 5 mest kjente, rangert med årstall og museum, slik at du kan velge maleriet du ønsker å bestille.
De 2 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Frank Wright | Malerier fra denne listen |
|---|---|---|---|
 Auckland Art Gallery Toi o Tāmaki |
Auckland | 4 | The Mill Valley, Karekare Bay, The Close of day, Morning after rain |
 Te Whare O Rehua Sarjeant Gallery |
1 | Waitakeres |
Velg et tiår for å se dets mest populære maleri.
The Mill Valley, Karekare Bay (1899), Auckland Art Gallery Toi o Tāmaki, Auckland, rangerer som nummer én, etterfulgt av The Close of day (1909) og Morning after rain (1912).
Frank Wright var 39 år gammel: The Mill Valley, Karekare Bay er datert 1899, og Frank Wright ble født i 1860.
5 verk av Frank Wright finnes i vår katalog, datert fra 1899 til 1912.
Hovedsakelig i Auckland Art Gallery Toi o Tāmaki (Auckland) og Te Whare O Rehua Sarjeant Gallery. Se museumstabellen ovenfor for den fullstendige listen.
I 1910s: 2 av de 5 maleriene som er rangert her, stammer fra denne tiden, inkludert Morning after rain.
Eldste på denne siden: The Mill Valley, Karekare Bay (1899). Nyeste: Morning after rain (1912).
Auckland Art Gallery Toi o Tāmaki, Auckland har 4 av maleriene som er rangert her, inkludert The Mill Valley, Karekare Bay, The Close of day og Morning after rain.
Ja. Alle malerier på denne siden kan bestilles som en håndmalt oljereproduksjon eller som et trykk. Åpne maleriet, velg størrelse og legg inn din bestilling.
Frank Wright remains a figure of significant interest for collectors tracking the turn-of-the-century landscape of New Zealand. While his reputation was long confined to the Auckland region, his technical proficiency distinguishes him from his contemporaries. He was a professional painter who operated with a level of discipline that set him apart from more popular, less structured artists of his era. His work provides a direct visual record of the New Zealand landscape and its inhabitants during a transformative period.
The market has recently begun to recognize the true value of his output. For years, his works lagged behind others in price, but recent auction results have corrected this oversight. His ability to capture specific locales, from the waters of Whangarei Harbour to the estuaries of Tamaki, demonstrates a focused commitment to the geography of his surroundings.
Wright’s practice was defined by a clear, observational approach to his subjects. He worked across various media, showing a particular aptitude for both oil on canvas and watercolour. His compositions often centered on the intersection of land and water, capturing the specific light and atmosphere of the New Zealand coast.
His repertoire includes several notable subjects and formats:
The significance of Wright’s work is cemented by his inclusion in major regional exhibitions. A joint exhibition arranged by the Auckland City Art Gallery in 1953 confirmed his place in the local canon. He was part of a final generation of painters who defined the aesthetic of the turn of the century in New Zealand. His paintings are no longer merely regional curiosities; they are essential components for understanding the development of New Zealand's early art market.
