Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 2 verk av Hellmut Eichrodt i vår katalog
Kort svar
Portrait of a Woman (1909) er Hellmut Eichrodts mest kjente maleri; originalen tilhører Staatliche Kunsthalle Karlsruhe, Karlsruhe. Vår katalog inneholder 2 verk av Hellmut Eichrodt; her er de 2 mest kjente, rangert med årstall og museum for hvert verk, for å hjelpe deg med å velge det du vil bestille.
Museet som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Hellmut Eichrodt | Malerier fra denne listen |
|---|---|---|---|
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 2 | Portrait of a Woman, Female Portrait in Profile Facing Left |
Hellmut Eichrodt, 1909 til 1914: 6 år med daterte malerier, sortert år for år.
Velg et år for å se maleriene fra det året.
Portrait of a Woman (1909) rangerer som nummer én.
Hellmut Eichrodt var 37 år gammel: Portrait of a Woman er datert 1909, og Hellmut Eichrodt ble født i 1872.
2 verk av Hellmut Eichrodt finnes i vår katalog, datert fra 1909 til 1914.
Hovedsakelig i Staatliche Kunsthalle Karlsruhe (Karlsruhe). Se museumstabellen ovenfor for den fullstendige listen.
Eldste på denne siden: Portrait of a Woman (1909). Nyeste: Female Portrait in Profile Facing Left (1914).
Staatliche Kunsthalle Karlsruhe, Karlsruhe har 2 av maleriene som er rangert her, inkludert Portrait of a Woman og Female Portrait in Profile Facing Left.
Ja. Alle malerier på denne siden kan bestilles som en håndmalt oljereproduksjon eller som et trykk. Åpne maleriet, velg størrelse og legg inn din bestilling.
Bruchsal, 1872. A life begins that will eventually bridge the gap between fine art and the printed page. Hellmut Eichrodt enters the studios of the Karlsruher Kunstakademie, a student navigating the rigorous training of the late nineteenth century. He moves under the guidance of Hans Thoma and Leopold Graf von Kalckreuth, absorbing the technical foundations of German painting. The years between 1890 and 1903 are defined by this academic discipline.
The focus shifts from the canvas to the periodical. Between 1897 and 1912, Eichrodt finds a rhythm within the pages of Jugend and Simplicissimus. Here, the graphic artist meets the public through mass reproduction. His hand shapes the visual identity of these influential magazines, translating complex imagery into the sharp, reproducible lines required for print. This period marks his emergence as a significant contributor to German graphic culture.
The scale of his work expands beyond the magazine spread. Eichrodt moves into the architectural realm, applying pigment to the very bones of public and sacred spaces. He leaves his mark on the Karlsruher Christuskirche through multiple murals. His reach extends far beyond German borders; he contributes a mural for the mausoleum in Addis Abeba, built for the Ethiopian emperor Menelik II. These large-scale works demand a different command of space than his graphic illustrations.
Commercial necessity drives much of his output during his later years. Through collaboration with the Kunstdruckerei Künstlerbund Karlsruhe, he becomes a designer of advertisements and posters. His name appears on the branding for various entities:
Eichrodt’s graphic legacy includes specific narrative collections created for Friedrich Dreser. In 1908 and 1909, he produces the imagery for Der Froschkönig, Der Soldat, and Die sieben Raben. He marks these collections with a simple, personal signature: "H-E".
The year 1918 brings a starker application of his skill. As the Grand Duchy of Baden calls upon its soldiers to lay down their arms and return home, Eichrodt illustrates this historical moment. The artist passes away in Karlsruhe in 1943, leaving behind a body of work held in collections such as the Staatliche Kunsthalle Karlsruhe, including portraits like his 1909 Frauenbildnis.
