Oppdatert October 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 5 verk av László Pataky i vår katalog
Kort svar
Roosters on Horses (1880) er László Patakys mest kjente maleri; originalen tilhører Slovak National Gallery, Bratislava. Cavalry Battle (1890) kommer på andreplass, Kuruci (1903) på tredjeplass. Vår katalog inneholder 5 verk av László Pataky; her er de 3 mest kjente, rangert med årstall og museum for hvert verk, for å hjelpe deg med å velge det du vil bestille.
De 2 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av László Pataky | Malerier fra denne listen |
|---|---|---|---|
 Slovak National Gallery |
Bratislava | 2 | Roosters on Horses, Cavalry Battle |
| Ernest Zmeták Art Gallery | Nové Zámky | 1 | Kuruci |
Velg et tiår for å se dets mest populære maleri.
Roosters on Horses (1880), Slovak National Gallery, Bratislava, rangerer som nummer én, etterfulgt av Cavalry Battle (1890) og Kuruci (1903).
László Pataky var 23 år gammel: Roosters on Horses er datert 1880, og László Pataky ble født i 1857.
5 verk av László Pataky finnes i vår katalog, datert fra 1880 til 1903.
Hovedsakelig i Slovak National Gallery (Bratislava) og Ernest Zmeták Art Gallery (Nové Zámky). Se museumstabellen ovenfor for den fullstendige listen.
Eldste på denne siden: Roosters on Horses (1880). Nyeste: Kuruci (1903).
Slovak National Gallery, Bratislava har 2 av maleriene som er rangert her, inkludert Roosters on Horses og Cavalry Battle.
Ja. Alle malerier på denne siden kan bestilles som en håndmalt oljereproduksjon eller som et trykk. Åpne maleriet, velg størrelse og legg inn din bestilling.
László Pataky began his training within the walls of the arts and crafts school in Budapest. His hands learned the fundamentals before he moved toward the Academy of Fine Arts in Munich after 1880, working under Karl von Piloty. This period of study was followed by years spent moving between Paris, Budapest, and Munich from 1883 to 1889. These travels brought different light and different ways of seeing into his practice.
In 1888, a scholarship for his painting The Messenger opened a door to the studio of Mihály Munkácsy. He worked alongside Munkácsy on the large-scale Hungarian Conquest intended for the Hungarian Parliament Building. After this heavy task was finished, he settled in Alvinc, returning to the landscapes of his home province.
His brush often rested on the quiet rhythms of country life. He focused on rural genre scenes, capturing the movement of horses and the weight of a harvest. Some of his canvases hold specific moments of labor or rest:
Beyond the canvas, he spent much of his time translating words into images. He provided illustrations for several novels, including works by Carmen Sylva, Gabriele D'Annunzio, and Géza Gárdonyi. His gouache drawings appeared regularly in magazines such as Vasárnapi Ujság, Új Idők, and Magyar Salon.
The work of Pataky remains held in places like the Hungarian National Gallery. His career was marked by retrospective exhibitions, such as those organized by the Guild of St. George in 1913 and the Hall of Art in 1918. These gatherings allowed for a final look at his contributions to the depiction of Hungarian life before he passed away in Alvinc in 1912.
