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Self-Portrait with Hat

Imię i nazwisko Klasa Data

August Macke, Self-Portrait with Hat (1909). Domena publiczna. Zobacz to płótno w zmieniającym się świetle: rysunek, prawdziwy kolor pod werniksem, czysty pigment

Fakty

Artysta
August Macke allpaintingsstore.com/pl/artists/august-macke_pl/
Daty życia artysty
1887 – 1914
Technika malarska
1909
Technika wykonania
Oil On Canvas
Wymiary oryginału
41 x 32 cm
Ruch
German Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Artistic style
German Expressionism
Subject or theme
Man in suit and hat

W kontekście

Self-Portrait with Hat — August Macke

Jakie są wymiary?

Oryginalne wymiary to 41 × 32 cm (wysokość × szerokość), przedstawione tutaj obok osoby dorosłej o przeciętnym wzroście.

Kiedy powstało to dzieło?

  1. 1880
  2. 1890
  3. 1900
  4. 1910

Wiersz powyżej: lata. Wiersz poniżej: wiek artysty na początku i na końcu każdego okresu — 0 w chwili narodzin, 27 w chwili śmierci.

Namalowane, gdy artysta miał 22 lat. Artysta dożył 27 lat. 8 z 138 datowanych dzieł tego artysty w naszym katalogu powstało wcześniej.

Shaded: lata życia August Macke (1887–1914) ▲ to dzieło, 1909 każdy datowany obraz, dekada po dekadzie

Porównaj z

Wybierz jedno z powyższych dzieł: wymień dwie cechy wspólne z tym utworem oraz jedną różnicę.

Więcej dzieł o podobnym charakterze: allpaintingsstore.com/pl/art/similar/august-macke-self-portrait-with-hat-8BWN5J-en/

Paleta kolorów

Wyodrębniona z analizy obrazu

    Kolor główny

    Khaki #f3c357

    Paleta w katalogu

    • #F3C357
    • #605233
    • #23211B
    • #C89043

    Te kolory w całej palecie artysty Znajdź inne obrazy według koloru

    Paleta kolorów
    Dark Dominująca gama kolorystyczna obrazu.
    Nazwa koloru głównego
    Khaki
    Nasycenie
    Vivid Stopień nasycenia i różnorodność kolorów – od pojedynczego stonowanego odcienia po bogactwo jaskrawych barw.
    Kontrast
    Statement W jakim stopniu kolory różnią się jasnością i nasyceniem na całym obrazie.
    Harmonia
    Strong Color Unity Jak dobrze kolory ze sobą współgrają – od kontrastowych po w pełni jednolite.
    Jasność
    Balanced Ogólna jasność lub ciemność obrazu, od głębokich cieni po świetliste refleksy.
    Nasycenie
    Clear Color Presence Jak czyste i intensywne są te kolory, od niemal szarych po w pełni żywe.

    Gdzie na świecie można zobaczyć ten obraz?

    • poniżej 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i więcej
    Samo to dzieło ma zbyt mało odnotowanych odwiedzających, aby móc je nanieść na mapę, dlatego zestawienie obejmuje wszystkie prace autorstwa August Macke z ostatnich dwunastu miesięcy — łącznie 40 krajów. Źródło tych danych

    Dziesięć wiodących krajów

    1. 1 Chiny 44,1%
    2. 2 Stany Zjednoczone Ameryki 5,8%
    3. 3 Meksyk 5,1%
    4. 4 Niemcy 4,7%
    5. 5 Hiszpania 4,1%
    6. 6 Francja 3,4%
    7. 7 Hongkong 3,4%
    8. 8 Korea Południowa 3,4%
    9. 9 Kolumbia 2,4%
    10. 10 Indie 2,0%
    11. · 30 innych krajów 21,6%

    Znajdź na mapie trzy najciemniejsze kraje. Czy muzeum, w którym znajduje się ten obraz, leży w którymś z nich? Zapisz jeden powód, dla którego osoby z daleka mogą chcieć go zobaczyć.

    20 najczęściej oglądanych dzieł artysty August Macke

    1. 1 Kobieta w zielonej kurtce, 1913 41,7%
    2. 2 Krajobraz z kozami i wielbłądami, 1914 5,1%
    3. 3 Bathing girls z miastem w tle, 1913 3,4%
    4. 4 "Hat Shop" -> "Sklep z kapeluszami", 1913 2,7%
    5. 5 Market in Tunis II 2,4%
    6. 6 Still life hyacinths carpet, 1910 1,5%
    7. 7 Three girls in yellow straw hats I, 1913 1,2%
    8. 8 Milliner 1,2%
    9. 9 Little Walter, 1912 1,0%
    10. 10 Red house in park, 1914 1,0%
    11. 11 Inner courtyard of house in St. Germain, 1914 1,0%
    12. 12 Man Reading in a Park, 1914 0,7%
    13. 13 Girl in the greenery, 1914 0,7%
    14. 14 Portrait of Franz Marc, 1910 0,7%
    15. 15 At the Garden Table, 1914 0,7%
    16. 16 Church with Flags, 1914 0,7%
    17. 17 Sailing boat on the Tegernsee, 1910 0,7%
    18. 18 Promenade, 1913 0,7%
    19. 19 Bright House, 1914 0,7%
    20. 74 Self-Portrait with Hat, 1909 ten obraz 0,2%

    Razem dzieła te stanowią 68,0% całej uwagi, jaką obrazy tego artysty przyciągnęły w ciągu ostatnich dwunastu miesięcy. Katalog zawiera 228 dzieł tego artysty, z których 118 zostało obejrzanych co najmniej raz. Ten obraz zajmuje 74 miejsce w zestawieniu, przyciągając 0,2% tej uwagi. To samo, miesiąc po miesiącu

    Paski mierzą poziom uwagi, a nie jakość. Wybierz dzieło z górnej części listy oraz to poniżej: wymień jedną rzecz, która może przynieść obrazowi sławę niezależnie od kunsztu jego wykonania.

    O tym dziele sztuki

    Self-Portrait with Hat — August Macke

    A Glimpse into Modern Conversation: Self-Portrait with Hat

    August Macke’s Self-Portrait with Hat, painted in 1909, captures more than just a likeness; it arrests a moment of vibrant, almost theatrical engagement. The central figure dominates the canvas, presented in an air of studied elegance, clad in a sharp suit and tie. Yet, this portrait is far from static. With his mouth slightly open—whether caught mid-sentence or in a soft yawn—the subject seems to breathe life into the painted surface, inviting the viewer not merely to observe, but to participate in the unfolding dialogue.

    The Echoes of Modern Life and Company

    What elevates this piece beyond a simple study is the inclusion of surrounding figures. To the left and right, two other individuals are visible, smaller yet integral to the composition's narrative weight. They serve as silent witnesses to the main subject’s momentary expression. This grouping suggests a social gathering, a moment plucked from the bustling energy of early 20th-century urban life. Macke masterfully uses these secondary figures to frame and amplify the central personality, creating a dynamic tension between individual focus and communal experience.

    Macke's Brushwork: A Symphony of Color and Expression

    Technically, this work is deeply rooted in the currents of German Expressionism, though it retains echoes of Impressionist light that Macke absorbed during his formative years. His palette, characteristic of his time, pulses with bold color choices applied with a confident, visible hand. One can almost feel the texture beneath the paint—the quick, decisive strokes that give the figures and their attire a palpable energy. It is a style that refuses to be purely academic; instead, it vibrates with an inner emotional truth, making the painting feel immediate and intensely alive.

    Historical Resonance and Emotional Depth

    Painted just before the seismic shifts of World War I, this portrait carries an undercurrent of poignant anticipation. Macke’s career, tragically cut short by the war, imbues his work with a bittersweet quality—a celebration of vibrant life against the backdrop of impending historical upheaval. Owning a reproduction of Self-Portrait with Hat is to possess a piece of that pre-war effervescence; it speaks to the confidence and intellectual curiosity of an era at its zenith, while simultaneously whispering of the fragility of human connection.

    Bringing the Salon Home

    For the discerning collector or interior designer, this artwork offers unparalleled versatility. Its sophisticated blend of formal portraiture with expressive color allows it to anchor a room—be it a study demanding intellectual gravitas or a drawing-room celebrating vibrant social life. The energy contained within Macke’s brushstrokes ensures that the piece remains captivating, inviting contemplation on conversation, identity, and the fleeting beauty of shared moments.

    Artysta i muzeum

    Artysta

    August Macke

    Urodzony w Meschede, Niemcy

    A Life Cut Short: The Vibrant World of August Macke

    August Robert Ludwig Macke, a name inextricably linked to the brief but intensely vibrant flowering of German Expressionism, lived a life tragically curtailed by the horrors of the First World War. Born in 1887 in Meschede, a small town nestled within the Westphalian countryside, his artistic journey was one of rapid evolution and profound exploration – a relentless pursuit of capturing not just what he saw, but how he felt about it. Macke’s early years were marked by a restless spirit and an innate curiosity, leading him to abandon formal schooling at the age of seventeen to dedicate himself entirely to his artistic ambitions. He initially supplemented his income through stage design work in Bonn, honing his compositional skills and developing a keen eye for color – experiences that would prove invaluable as he navigated the complex landscape of early 20th-century art.

    Early Influences and Artistic Foundations

    Macke’s formative years were deeply shaped by encounters with key artistic movements and individuals. His relocation to Bonn, alongside his family, provided a crucial foundation for his development. He immersed himself in the works of Hans Thuar, a fellow artist who fostered Macke's appreciation for Impressionism and its emphasis on capturing fleeting moments of light and color. Crucially, he also studied at the Düsseldorf Art Academy from 1904 to 1906 under Adolf Maennchen, though he found the academy’s rigid curriculum restrictive. Seeking a more liberating approach, Macke supplemented his formal training with independent study and travel, particularly a transformative trip to Paris in 1907. This experience exposed him to the revolutionary ideas of Impressionism, Post-Impressionism, and the burgeoning Fauvist movement – artists like Henri Matisse who were boldly experimenting with color and form. He was profoundly influenced by Matisse’s use of vibrant hues and simplified shapes, a departure from the traditional academic approach. Simultaneously, he developed a close friendship with Franz Marc, a fellow artist and a key figure in the influential group Der Blaue Reiter (The Blue Rider). Their shared interest in spirituality and their exploration of symbolism would profoundly impact Macke’s artistic vision.

    Der Blaue Reiter and the Embrace of Modernity

    Macke's arrival in Munich in 1909 marked his full integration into the orbit of Der Blaue Reiter, a group dedicated to pushing the boundaries of art and exploring new modes of expression. This association proved pivotal, introducing him to Wassily Kandinsky and other avant-garde thinkers who championed abstraction and spiritual themes. He began experimenting with broken planes of color and increasingly simplified forms, moving away from strict representational accuracy towards a more emotive and subjective approach. The group’s emphasis on “inner necessity” – the driving force behind artistic creation – resonated deeply with Macke's own creative impulses. His style began to evolve rapidly, incorporating elements of Cubism, Orphism (influenced by Robert Delaunay’s exploration of simultaneous contrast), and even hints of Futurism’s dynamism. He wasn’t simply imitating these movements; he was synthesizing them into a uniquely personal language of color and form. His paintings became increasingly infused with a sense of movement, light, and atmosphere – capturing the essence of modern experience rather than merely depicting it.

    A Luminist Vision: Landscapes and Everyday Life

    Despite his engagement with abstract tendencies, Macke remained fundamentally rooted in the observation of the natural world. He developed a distinctive style that he termed “luminism,” characterized by an intense focus on light, color, and atmosphere. His landscapes – particularly those depicting the Sauerland region of Westphalia – are imbued with a palpable sense of joy and vitality. Figures are often rendered as simplified silhouettes against vibrant backgrounds, creating a dreamlike quality. He also found inspiration in everyday life, capturing scenes of family gatherings, children at play, and intimate moments between lovers. These paintings, such as Woman in a Green Jacket, radiate warmth and optimism through their bold color palettes and confident brushwork. His ability to convey emotion through the subtle interplay of light and color was truly remarkable. The influence of Robert Delaunay’s “Orphism” is particularly evident in works like Shop Windows, where he employed broken planes of color to create a dazzling, kaleidoscopic effect.

    A Tragic Interruption: Death on the Western Front

    The outbreak of World War I tragically cut short Macke's promising career. Driven by patriotic fervor, he enlisted as a soldier in 1914 and was killed in action near Champagne, France, on September 26th at the young age of 27. His final painting, Farewell, is a haunting testament to the horrors of war – a somber depiction of departing soldiers that foreshadows his own untimely demise. Despite his brief life, August Macke left behind a remarkable body of work that continues to captivate and inspire artists and art lovers alike. His paintings are celebrated for their vibrant colors, dynamic compositions, and enduring optimism—a testament to the power of art to transcend even the darkest of times.

    Exploring Macke’s World Today

    Today, August Macke's works are held in prominent collections across Europe, including the Staatsgalerie Moderner Kunst in Munich, the Museum Ludwig in Cologne, and the Kunsthaus Zürich. Numerous museums dedicated to Expressionism showcase his paintings prominently, offering visitors a chance to experience the emotional intensity and visual brilliance of his art firsthand. The Westfälisches Landesmuseum Münster and the Kunstmuseum Bonn are particularly noteworthy for their extensive holdings of Macke’s oeuvre. His influence can be seen in the continued exploration of color and emotion by contemporary artists, solidifying his place as a pivotal figure in the history of modern art. Resources like Artnet and Wikipedia provide valuable biographical information and insights into his artistic development, allowing us to delve deeper into the life and legacy of this tragically short-lived but profoundly influential artist.

    Gdzie przeczytać więcej

    Znajdź w sieci

    Kod QR prowadzący do strony pobierania Self-Portrait with Hat

    allpaintingsstore.com/pl/art/download/august-macke-self-portrait-with-hat-8BWN5J-en/

    Jak cytować to dzieło

    MLA
    Macke, August. Self-Portrait with Hat. 1909, https://allpaintingsstore.com/pl/art/august-macke-self-portrait-with-hat-8BWN5J-en/
    APA
    Macke, August (1909). Self-Portrait with Hat [Painting]. https://allpaintingsstore.com/pl/art/august-macke-self-portrait-with-hat-8BWN5J-en/
    Chicago
    August Macke. Self-Portrait with Hat. 1909. https://allpaintingsstore.com/pl/art/august-macke-self-portrait-with-hat-8BWN5J-en/
    Harvard
    Macke, August (1909) Self-Portrait with Hat. Available at: https://allpaintingsstore.com/pl/art/august-macke-self-portrait-with-hat-8BWN5J-en/

    Przyjrzyj się uważnie

    Self-Portrait with Hat — August Macke

    Przyjrzyj się uważniej

    Odpowiedz własnymi słowami. Nie ma tutaj błędnych odpowiedzi — liczą się tylko te, które potrafisz uzasadnić.

    1. Co przyciąga Twoją uwagę w pierwszej kolejności i dlaczego?
    2. Które kolory lub kształty budują nastrój — i jaki to nastrój?
    3. W naszym katalogu dzieło to znajduje się w kategorii: self-portrait, hat, suit. Czy zgadzasz się z tym opisem? Co warto by dodać lub usunąć?
    4. Wróć do dzieła Kobieta w zielonej kurtce (1913), wspomnianego wcześniej w tym przewodniku. Wymień dwie cechy wspólne z tym obrazem oraz jedną różnicę.
    5. German Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Gdzie można to dostrzec w tym dziele?

    Twoja odpowiedź

    Napisz krótki akapit na temat tego dzieła. Wykorzystaj fakty zawarte w poprzednich częściach tego przewodnika oraz swoje wcześniejsze odpowiedzi.

    Quiz o sztuce

    Self-Portrait with Hat — August Macke

    Jak dobrze znasz to dzieło?

    Zaznacz jedną odpowiedź dla każdego z 5 poniższych pytań. Każde z nich ma dokładnie jedną poprawną odpowiedź.

    1. 1. What artistic movement is August Macke most associated with?

      • A Realism
      • B German Expressionism
      • C Neoclassicism
    2. 2. Approximately what year was the painting 'Self-Portrait with Hat' created?

      • A 1895
      • B 1909
      • C 1920
    3. 3. Based on the description, what is a notable physical detail about the main subject in the painting?

      • A He is looking directly at the viewer with a stern expression.
      • B His mouth is open as if he's talking or yawning.
      • C He is depicted without any form of headwear.
    4. 4. The description mentions that Macke was influenced by which early art styles?

      • A Baroque and Rococo
      • B Impressionist and Post-Impressionist techniques
      • C Renaissance portraiture
    5. 5. What is the general subject matter depicted in 'Self-Portrait with Hat'?

      • A A landscape scene featuring a river.
      • B A group portrait of musicians performing.
      • C A man wearing a suit and tie, accompanied by other figures.

    Mój wynik: ____ na 5

    Klucz odpowiedzi — dla nauczyciela

    Ta treść rozpoczyna nową stronę druku, więc można ją po prostu pominąć przy tworzeniu kopii.

    1A · 2A · 3A · 4A · 5B

    Sprawdź każdą odpowiedź, porównując ją z rekordem katalogowym tego obrazu

    Pytania i odpowiedzi

    Ilu użytkowników ogląda "Self-Portrait with Hat"?

    Statystyki dotyczące „Self-Portrait with Hat” – August Macke znajdują się na stronie Statystyki wyświetleń dzieła: obejmują one miesięczną liczbę odwiedzin danego dzieła, wizyty przy pracach artysty oraz podział ostatnich odwiedzających według krajów i języków.

    Czy istnieją dzieła podobne do „Self-Portrait with Hat”?

    Strona Podobne dzieła dzieła „Self-Portrait with Hat” – August Macke prezentuje powiązane utwory.

    Kiedy i z jakich materiałów wykonano "Self-Portrait with Hat"?

    "Self-Portrait with Hat" powstało w 1909 roku przy użyciu techniki Oil On Canvas. Materiał i data opisują, w jaki sposób oraz kiedy wykonano oryginał.