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Retrato de Edward King Redmore

Pinturas de Edward King Redmore: As 12 mais famosas, classificadas

Atualizado em Outubro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 12 obras de Edward King Redmore em nosso catálogo

Resposta rápida

A pintura mais famosa de Edward King Redmore é Fishing Smacks in a Cove (1890). Fishing Smack Offshore in a Rough Sea (1890) e Harbour Scene são os números dois e três. Dos 12 trabalhos de Edward King Redmore em nosso catálogo, estas são as 12 obras mais famosas, classificadas com o seu respectivo ano e museu, para que possa escolher a pintura para encomendar.

1860 – 1941 Mais obras: Ferens Art Gallery

As 10 principais pinturas de Edward King Redmore, classificadas

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Fishing Smacks in a Storm (1890) de Edward King Redmore

Fishing Smacks in a Storm

1890

The painting Fishing Smacks in a Storm by Edward King Redmore is a captivating oil on canvas piece that showcases the artist's skill in capturing the essence of sailing and the power of nature. Created in 1890, this work is part of the collection at the Hull Maritime Museum in the United Kingdom. Artistic Technique The painting depicts two sailboats in the ocean, with one boat being closer to the…

Hand-painted oil reproduction from $170 39 × 26 cm Same size as the original $185 47 × 32 cm Order at original size →
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Pinturas de Edward King Redmore classificadas de 11 a 12

Museus que possuem obras originais de Edward King Redmore

Os 4 museus que detêm a maioria das pinturas desta página.

Museus Cidade Obras de Edward King Redmore Pinturas desta lista
Ferens Art Gallery, HullFerens Art Gallery Hull 4 Harbour Scene, Marine, Fishing Boat on Sand
Usher Gallery, LincolnUsher Gallery Lincoln 1 Seascape
Fishing Heritage Centre, GrimsbyFishing Heritage Centre Grimsby 1 Fishing Vessels off the Coast
Haworth Art Gallery, AccringtonHaworth Art Gallery Accrington 1 Rocky Coastal Scene

Edward King Redmore por ano: as principais pinturas

Todas as pinturas datadas de Edward King Redmore nesta página são de 1890, listadas aqui por classificação.

Obras por ano

Selecione um ano para ver as suas pinturas.

Pinturas de Edward King Redmore: perguntas frequentes

Qual é a pintura mais famosa de Edward King Redmore?Ver resposta

Fishing Smacks in a Cove (1890) ocupa o primeiro lugar, seguido por Fishing Smack Offshore in a Rough Sea (1890) e Harbour Scene.

Qual era a idade de Edward King Redmore quando Fishing Smacks in a Cove foi pintada?Ver resposta

Edward King Redmore tinha 30 anos: Fishing Smacks in a Cove é datada de 1890, e Edward King Redmore nasceu em 1860.

Quais são as 10 principais pinturas de Edward King Redmore?Ver resposta

Fishing Smacks in a Cove, Fishing Smack Offshore in a Rough Sea, Harbour Scene, Marine, Fishing Boat on Sand, Fishing Smacks in a Storm, Seascape, Fishing Vessels off the Coast, View of Hull, Hull Garrison Fortifications e Dutch Craft. O ano e o museu de cada uma estão no ranking acima.

Quantas obras de Edward King Redmore você tem listadas?Ver resposta

12 obras de Edward King Redmore estão em nosso catálogo.

Onde estão guardadas as pinturas originais de Edward King Redmore?Ver resposta

Principalmente em Ferens Art Gallery (Hull), Usher Gallery (Lincoln) e Fishing Heritage Centre (Grimsby). Consulte a tabela de museus acima para a lista completa.

Qual período produziu as pinturas mais famosas de Edward King Redmore?Ver resposta

Em 1890: 3 das 12 pinturas classificadas aqui datam dessa época, incluindo Fishing Smacks in a Cove.

Quais obras originais de Edward King Redmore estão no Ferens Art Gallery?Ver resposta

O Ferens Art Gallery, Hull detém 4 das pinturas classificadas aqui, incluindo Harbour Scene, Marine e Fishing Boat on Sand.

Posso encomendar uma reprodução de Edward King Redmore?Ver resposta

Sim. Todas as pinturas desta página podem ser encomendadas como uma reprodução em óleo pintada à mão ou como uma impressão. Abra a pintura, escolha o tamanho e faça o seu pedido.

Sobre o artista: Edward King Redmore

The Quiet Observer: The Life and Legacy of Edward King Redmore

Edward King Redmore (1860–1941) occupied a unique space within the vibrant, often turbulent landscape of Victorian and Edwardian art. Born in Stourbridge, Worcestershire, Redmore was far more than a mere chronicler of his era; he was a painter of profound empathy, dedicated to capturing the subtle rhythms of everyday existence. While the grand galleries of his time were often preoccupied with sweeping historical epics and mythological dramas, Redmore turned his gaze inward, toward the hearth, the village, and the sea. His work serves as a window into a vanishing world, preserving the quiet dignity of domesticity and the raw, unyielding power of the natural elements through a lens of meticulous realism. His artistic journey began with formal training at the Birmingham School of Art, an institution that provided him with a rigorous foundation in technique. During his formative years, the air of the British art world was thick with the influence of the Pre-Raphaelites and the burgeoning Aesthetic movement. One can sense the lingering echoes of Burne-Jones in Redmore’s commitment to narrative detail and the evocative use of light. However, rather than retreating into the ethereal or the symbolic, Redmore utilized these refined sensibilities to ground his subjects in a palpable reality. He possessed a rare ability to infuse the mundane with a sense of importance, transforming a simple domestic interior or a coastal vista into a profound meditation on human presence and the passage of time.

Mastery of Light and Atmosphere

Redmore’s technical prowess is perhaps most evident in his command over atmosphere and texture. He was an artist who understood that light does not merely illuminate a scene; it defines its emotional temperature. In his maritime works, such as the captivating "Ships in a Storm" and "Fishing Smacks in a Storm," he employs dramatic lighting to convey the visceral tension of life at sea. The viewer is not merely looking at a painting of boats; they are witnessing the struggle between man and nature. Through his skillful application of paint, particularly in works like "Seascape," Redmore utilized a textured impasto technique to render the misty, salt-sprayed air of the coast, allowing the physical substance of the oil paint to mirror the ruggedness of the landscape itself. This mastery extended seamlessly into his genre paintings, where the atmosphere shifted from the tempestuous to the tranquil. Redmore excelled at creating interiors that felt lived-in and warm, using soft, diffused light to highlight the textures of fabric, wood, and porcelain. These scenes of domesticity were never static; they breathed with the quiet energy of daily routines. Whether depicting a moment of familial affection or the solitary stillness of a room, his compositions possessed a rhythmic balance that guided the eye through layers of subtle social commentary and tender observation.

A Lasting Impression on Victorian Realism

The historical significance of Edward King Redmore lies in his role as a practitioner of a refined, observational realism. He belonged to a generation of artists who sought to find truth in the "unfiltered" world, rejecting the polished idealism of previous eras in favor of an honest portrayal of life. His work embodies the values of his time—industriousness, family unity, and a deep-seated respect for the natural world—yet it transcends mere period piece through its universal emotional resonance. While he may not have achieved the widespread fame of his more flamboyant contemporaries, Redmore’s contribution to the British tradition of genre painting is undeniable. His legacy is found in:
  • The elevation of the everyday: Proving that ordinary domestic scenes possess as much narrative weight as historical triumphs.
  • Technical innovation within realism: Using textured brushwork and dramatic chiaroscuro to bring a tactile reality to maritime and landscape subjects.
  • Preservation of cultural identity: Providing a visual record of the social customs, aesthetics, and landscapes of late 19th-century Britain.
Today, as we look back upon his oeuvre, Redmore’s paintings continue to offer a sense of profound connection, reminding us that there is immense beauty and complexity to be found in the quietest corners of our shared human experience.