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Guia de Obras de Estudantes

Self Portrait

Nome Turma Data

barkley leonnard hendricks, Self Portrait (2013), Chrysler Museum of Art. Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos.

Informações principais

Artista
barkley leonnard hendricks allpaintingsstore.com/pt/artists/barkley-leonnard-hendricks/
Datas do artista
1945 – 2017
Pintura
2013
Técnica
Acrylic On Canvas
Dimensões originais
97 x 97 cm
Movimento
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Realizado em
Chrysler Museum of Art allpaintingsstore.com/pt/museums/chrysler-museum-of-art-norfolk_pt/
Artistic style
Realistic portraiture
Influences
European art
Notable elements
Life-size depiction
Subject or theme
Self-representation

No contexto

Self Portrait — barkley leonnard hendricks

Dimensões

As dimensões originais são 97 × 97 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Ano de criação

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000
  8. 2010

Sombreado: a trajetória de barkley leonnard hendricks (1945–2017) ▲ esta obra, 2013

Obras comparáveis

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Paleta de cores

Medido a partir da imagem

    Cor principal

    Espresso #4a4b4c

    Paleta catalogada

    • #4A4B4C
    • #D1D2CF
    • #8F908D
    • #1B1B1A
    Nome da cor principal
    Espresso
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Balanced Harmony A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Balanced O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Sobre esta obra

    Self Portrait — barkley leonnard hendricks

    The Genesis of a Vision: Barkley Leonard Hendricks' "Self Portrait"

    Barkley Leonard Hendricks’ 2013 photograph, “Self Portrait,” isn’t merely a depiction of an artist; it’s a carefully constructed dialogue between the man and his art, a vibrant snapshot of identity forged within the crucible of Philadelphia’s urban landscape. Created during a pivotal period in Hendricks' career – following years dedicated to addressing the conspicuous absence of Black figures in Western art history – this image embodies a profound shift towards celebrating the everyday realities of African American life. The photograph captures Hendricks not as a distant icon, but as a tangible presence, a teacher, and a proud inhabitant of his community, radiating an undeniable sense of self-assuredness.

    Hendricks’ decision to present himself in such a direct and unadorned manner is deliberate. He stands before two of his most celebrated portraits, “Slick” (1977) and “Brilliantly Endowed (Self-Portrait)” (1977), both monumental works that redefined the possibilities of Black portraiture. The inclusion of these paintings – vibrant testaments to his artistic vision – immediately establishes a context of creative accomplishment and intellectual rigor. The photograph’s black and white palette amplifies the impact, stripping away superficial distractions and focusing attention squarely on Hendricks' face and posture; it is a deliberate choice that echoes the stark realism characteristic of his earlier work.

    A Study in Composition: Lines, Light, and the Urban Grid

    The composition of “Self Portrait” is remarkably balanced, despite its slightly cluttered appearance. The photographer masterfully utilizes leading lines – created by the placement of the two finished portraits – to draw the viewer’s eye towards Hendricks' central figure. These lines converge on his face, establishing a direct connection between the artist and the observer. The strong contrast between light and shadow, generated by natural light streaming through a window, sculpts Hendricks’ form with dramatic precision, highlighting the contours of his face and emphasizing the weight of his gaze.

    Geometric Lines: The photograph is defined by geometric lines – the sharp angles of the studio equipment, the rectangular frames of the paintings, and the structured arrangement of Hendricks' clothing.

    Organic Shapes: Despite the dominant geometric elements, organic shapes are subtly present in Hendricks’ body, his posture, and the textures of his shirt.

    Texture: The wood floor, the fabric of his t-shirt, and the surfaces of the paintings all contribute to a rich tapestry of texture, adding depth and tactile quality to the image.

    Symbolism and Context: A Reflection on Representation

    Beyond its formal qualities, “Self Portrait” carries significant symbolic weight. Hendricks’ wearing a t-shirt referencing Simon Gratz High School – where he taught for many years – subtly anchors him within his community and underscores his commitment to education. This detail speaks volumes about his role as both an artist and a mentor, bridging the gap between the art world and the everyday experiences of Philadelphia's youth.

    The photograph’s deliberate lack of embellishment is itself a powerful statement. Hendricks doesn’t pose theatrically or attempt to project an idealized image; instead, he presents himself as he truly is – a thoughtful, engaged individual deeply connected to his roots. This approach directly challenges the traditional conventions of portraiture, which often prioritize beauty and social status over authenticity and lived experience. It's a bold assertion that Black identity can be powerfully represented through realism and directness.

    A Legacy in Monochrome: The Enduring Power of Hendricks’ Vision

    Self Portrait” is more than just a photograph; it’s a testament to Barkley Leonard Hendricks’ artistic vision and his unwavering commitment to representing the complexities of Black life. The image's stark beauty, combined with its subtle layers of symbolism, invites viewers to contemplate themes of identity, representation, and the enduring power of art to shape our understanding of the world. Reproductions of this compelling work offer a window into Hendricks’ creative process and his profound contribution to contemporary American art.

    Artista e museu

    Artista

    barkley leonnard hendricks

    Nascido em Philadelphia, United States of America

    Early Life and Education

    Born: April 16, 1945, in Philadelphia, Pennsylvania

    Family Background: Grew up in a family that valued art and education. His parents migrated from Halifax County, Virginia to Philadelphia.

    Education: Attended Simon Gratz High School, Pennsylvania Academy of the Fine Arts (PAFA), and Yale University where he earned both a Bachelor's and Master’s degree. Studied with notable artists like Bernard Chaet, Lester Johnson, Gabor Peterdi, Robert Reed, and Walker Evans.

    Artistic Development and Influences

    European Influence: Early career was significantly influenced by travels to Europe, particularly the portrait styles of artists such as van Dyck and Velázquez.

    Addressing Representation: Troubled by the absence of Black people in Western art history, he dedicated his work to correcting this imbalance.

    Style Characteristics: Paintings are characterized by life-sized, realistic depictions of Black Americans against monochromatic backdrops. A unique blend of American realism and postmodernism.

    Key Influences: The Black Power movement influenced his desire to portray Black Americans with pride and dignity.

    Notable Works and Exhibitions

    Significant Paintings: Notable works include Lawdy Mama (portrait of his second cousin) and What’s Going On (inspired by Marvin Gaye's single).

    Exhibition Highlights: His work has been exhibited at prestigious venues including the Frick Collection in Manhattan (first African American artist to have a solo exhibit), the Nasher Museum of Art at Duke University, and the Chrysler Museum of Art.

    Self-Portraits: Created notable self-portraits like Brilliantly Endowed (Self portrait) and Slick in response to critical reviews.

    Legacy and Historical Significance

    Contribution to Black Portraiture: Made significant contributions to Black portraiture and conceptualism, challenging traditional Western art representations.

    Black Arts Movement Figure: A key figure in the Black Arts Movement, advocating for greater representation of Black artists and culture.

    Recognition and Awards: His work has been widely recognized for its unique style and powerful message.

    Availability: Paintings are available for viewing and purchase on AllPaintingsStore.com.

    Further Information

    Wikipedia: https://en.wikipedia.org/wiki/Barkley_L._Hendricks

    AllPaintingsStore Profile: /en/artists/barkley-leonnard-hendricks/

    Museu

    Chrysler Museum of Art

    Em exibição em Norfolk, Estados Unidos da América

    Um Santuário de Luz e Visão

    Aninhado no coração de Norfolk, na Virgínia, o Chrysler Museum of Art ergue-se como um profundo testemunho do poder transformador da visão e da generosidade. O que começou em 1933 como o modesto Norfolk Museum of Arts and Sciences floresceu para se tornar um destino cultural de excelência, em grande parte devido à doação crucial de Walter P. Chrysler Jr. em 1971. Hoje, o museu serve como um santuário luminoso onde cinco milênios de criatividade humana convergem, oferecendo uma odisseia cronológica que convida os visitantes a percorrer a vasta paisagem da evolução artística. Dos sussurros antigos das primeiras civilizações à energia audaz e visceral das obras-primas contemporâneas, o museu proporciona uma experiência imersiva que transcende o tempo e a geografia.

    A alma do Chrysler reside no seu acervo de uma diversidade deslumbrante, onde o monumental encontra o delicado. É impossível percorrer os seus corredores sem ser cativado pela mundialmente famosa coleção de vidro, um panorama cintilante que traça a jornada deste meio desde a fragilidade da antiguidade até à inovação moderna. Aqui, o brilho iridescente das luminárias de

    Louis Comfort Tiffany

    cria universos de luz em miniatura, estabelecendo um diálogo com vitrais massivos e arrebatadores. Este domínio da luz reflete-se nas galerias europeias do museu, onde o dramático

    chiaroscuro

    de Caravaggio e os interiores meticulosos e silenciosos de Vermeer oferecem janelas para a própria essência da condição humana. A coleção expande-se ainda na grandiosidade da era Barroca com obras de Bernini e Rubens, e percorre o refinado retrato americano de John Singleton Copley até à abstração crua e emotiva de Jackson Pollock e Mark Rothko.

    Elegância Arquitetônica e Arte Viva

    Arquitetonicamente, o museu é uma obra-prima do design modernista, especificamente projetado para atuar como um receptáculo para a luz. A expansão de 2014 transformou a instituição num cenário imponente de galerias amplas e tetos altos, concebidos para maximizar a iluminação natural e promover uma contemplação profunda. Esta elegância arquitetônica é pontuada por momentos lúdicos, como a presença da escultura

    Rubber Duck

    , de Florentijn Hofman, que presta uma homenagem divertida à herança marítima de Norfolk. Para aqueles que procuram testemunhar a centelha da criação, o museu abriga o Perry Glass Studio, um espaço interativo onde a dança rítmica do vidro fundido e do artesanato pode ser observada de perto, estreitando a distância entre a obra-prima finalizada e a mão do artista.

    Além do seu papel como repositório de tesouros, o Chrysler Museum define-se pelo seu compromisso inabalável com a inclusividade e o envolvimento comunitário. Ao oferecer entrada gratuita, a instituição garante que a arte permaneça um luxo acessível, derrubando barreiras socioeconômicas para acolher todos os buscadores da beleza. Para designers de interiores e colecionadores, o museu serve como uma fonte inesgotável de inspiração, proporcionando uma rica paleta de texturas, motivos históricos e harmonias de cores. É mais do que um museu; é um centro vibrante de intercâmbio cultural, um lugar onde o passado e o presente respiram juntos, lembrando a cada visitante que a beleza e a inovação são elementos essenciais de uma vida bem vivida.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Self Portrait

    allpaintingsstore.com/pt/art/download/barkley-leonnard-hendricks-self-portrait-D435EX-en/

    Como citar esta obra

    MLA
    hendricks, barkley leonnard. Self Portrait. 2013, Chrysler Museum of Art. https://allpaintingsstore.com/pt/art/barkley-leonnard-hendricks-self-portrait-D435EX-en/
    APA
    hendricks, barkley leonnard (2013). Self Portrait [Painting]. Chrysler Museum of Art. https://allpaintingsstore.com/pt/art/barkley-leonnard-hendricks-self-portrait-D435EX-en/
    Chicago
    barkley leonnard hendricks. Self Portrait. 2013. Chrysler Museum of Art. https://allpaintingsstore.com/pt/art/barkley-leonnard-hendricks-self-portrait-D435EX-en/
    Harvard
    hendricks, barkley leonnard (2013) Self Portrait. Chrysler Museum of Art. Available at: https://allpaintingsstore.com/pt/art/barkley-leonnard-hendricks-self-portrait-D435EX-en/

    Observe de perto

    Self Portrait — barkley leonnard hendricks

    Olhar de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Quantos rostos você consegue encontrar? ____ (o nosso catálogo conta 2 — você concorda?)
    4. O nosso catálogo classifica esta obra sob: self-portrait, artist studio, black and white. Concorda? O que acrescentaria ou removeria?
    5. Relembre Take All the Time You Need (Adrienne Hawkins) (1975), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Quiz de arte

    Self Portrait — barkley leonnard hendricks

    O quanto você conhece esta obra de arte?

    Selecione uma resposta para cada uma das 5 perguntas abaixo. Cada uma possui exatamente uma resposta correta.

    1. 1. What is the primary subject of Barkley Leonard Hendricks’ ‘Self Portrait’?

      • A A depiction of a historical event.
      • B A realistic portrayal of an African American man in his studio.
      • C An abstract representation of the artist's emotions.
    2. 2. According to the description, what is notable about the lighting in the photograph?

      • A It’s uniformly bright and even.
      • B It creates strong shadows and highlights.
      • C It's primarily diffused natural light.
    3. 3. What school did Barkley Leonard Hendricks teach at before retiring?

      • A Pennsylvania Academy of the Fine Arts (PAFA)
      • B Yale University
      • C Simon Gratz High School
    4. 4. The photograph includes a reference to which of Barkley Leonard Hendricks’ secondary schools?

      • A Harvard University
      • B Yale University
      • C Simon Gratz High School
    5. 5. What is a key characteristic of Barkley Leonard Hendricks' paintings, as mentioned in the description?

      • A They are exclusively landscapes.
      • B They feature monochromatic backdrops and life-sized depictions of Black Americans.
      • C They primarily depict portraits of European royalty.

    Minha pontuação: ____ de 5

    Gabarito — para o professor

    Isto inicia uma nova página impressa, de modo que ela pode simplesmente ser omitida das cópias.

    1B · 2B · 3C · 4C · 5B