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Guia de Obras de Estudantes

Study for a Three Panel Screen

Nome Turma Data

Ellen Lanyon, Study for a Three Panel Screen (1976). Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
Ellen Lanyon allpaintingsstore.com/pt/artists/ellen-lanyon/
Pintura a óleo
1976
Dimensões originais
76 x 102 cm

No contexto

Study for a Three Panel Screen — Ellen Lanyon

Qual é o tamanho?

As dimensões originais são 76 × 102 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Quando foi pintado?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000
  6. 2010

▲ esta obra, 1976 cada pintura datada, década por década

Primeiras obras: até 1971 Principais anos de atividade: 1971–1980 Obras tardias: a partir de 1980

Essas três faixas dividem as obras datadas neste catálogo em um primeiro quarto, uma metade central e um último quarto. Elas não representam a produção completa do artista: um período de escassez pode ser uma lacuna no registro, em vez de um intervalo de baixa atividade. Os mesmos anos com a trajetória do artista neles traçada

Comparar com

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

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Cores

Medido a partir da imagem

    Cor principal

    Phthalo Green #171616

    Paleta catalogada

    • #171616
    • #4B4E55
    • #642518
    • #9E9B9B

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Earthy A família de cores predominante na imagem.
    Nome da cor principal
    Phthalo Green
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Serene O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Deep_shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Ellen Lanyon nos últimos doze meses — 1 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 Estados Unidos da América 100,0%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 2 obras mais visualizadas de Ellen Lanyon

    1. 1 Wonder Production, Volume I, 1971 100,0%
    2. — Study for a Three Panel Screen, 1976 esta obra 0,0%

    Juntas, estas obras representam 100,0% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 15 obras deste artista, das quais 1 foram visualizadas pelo menos uma vez. Esta pintura ainda não foi visualizada neste período — ela encerra a lista sem uma classificação. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Artista e museu

    Artista

    Ellen Lanyon

    A World Between Dreams and Reality: The Art of Ellen Lanyon

    Ellen Lanyon’s paintings are portals, inviting viewers into a realm where the familiar tilts on its axis and the subconscious takes visible form. Born in Chicago in 1948, her artistic journey began not within the hallowed halls of academia, though she would later attend both the School of the Art Institute of Chicago, the University of Iowa, and even undertake postgraduate studies at the Courtauld Institute in London on a Fulbright fellowship, but amidst the industrial landscape of her father’s foundry. This early exposure to the precise rendering of machine parts instilled in her a meticulous attention to line – a characteristic that would become a hallmark of her distinctive style. But it was a childhood visit to the “Midget Village” at the 1933 Chicago World's Fair, an undeniably surreal spectacle, that left a deeper, more lasting impression, seeding within her imagination a fascination with the uncanny and the disquieting juxtaposition of realities.

    From Portraits to Dreamscapes: The Evolution of a Vision

    Lanyon’s early work focused on intimate portraits of relatives and the spaces they inhabited – quiet studies imbued with a sense of psychological depth. These paintings, created in the late 1950s and 60s, reveal her burgeoning talent for capturing not just likeness but also the atmosphere and emotional weight of domestic life. However, this focus gradually shifted towards more fantastical compositions, populated by animal, vegetal, and floral motifs arranged in dreamlike scenarios. She herself often described these works as “dreamscapes,” a fitting term for paintings that seem to exist on the threshold between waking consciousness and the realm of sleep. This transition wasn’t abrupt; rather, it was a natural unfolding of her artistic concerns – a move away from external representation towards an exploration of inner landscapes. Her art began to embrace surrealism, though she resisted easy categorization, preferring instead to create a unique visual language that blended elements of magical realism with a distinctly personal iconography.

    Influences and Affiliations: A Chicago Voice

    While Lanyon’s style is undeniably singular, it wasn't formed in isolation. During her formative years in Chicago, she became associated with the city’s vibrant Imagist movement – a group of artists known for their rebellious spirit and rejection of conventional artistic norms. Though not strictly aligned with all of their tenets, she shared their interest in exploring the subconscious and challenging traditional notions of beauty. Beyond this local influence, Lanyon's work resonates with the metaphysical art of the 1910s and ‘20s – artists like Giorgio de Chirico whose paintings often featured unsettling juxtapositions of everyday objects and a palpable sense of alienation. Her meticulous technique also owes a debt to earlier masters of realism, though she always employed it in service of her own highly imaginative vision. In the 1970s, Lanyon’s move to New York brought her into contact with the feminist art collective Heresies, further broadening her intellectual and artistic horizons.

    Environmental Awakening: A Shift in Focus

    A pivotal moment in Lanyon's career came in 1976 when she received a commission from the Department of the Interior to work in the Everglades National Park. This experience proved transformative, awakening within her a profound awareness of the environmental crisis and inspiring a new direction in her art. Her paintings began to reflect a deeper engagement with flora and fauna – not merely as decorative motifs but as symbols of vulnerability and resilience. Everyday objects also took on increased significance, imbued with both domestic familiarity and a sense of impending menace. This later work is characterized by a haunting beauty, a delicate balance between the alluring and the unsettling. She began depicting objects from her collection, transforming them into potent emblems of our relationship to the natural world and the fragility of existence.

    Legacy and Significance: A Lasting Impression

    Ellen Lanyon’s art occupies a unique space within the landscape of contemporary painting. Her dreamscapes – meticulously rendered yet profoundly evocative – continue to captivate viewers with their enigmatic beauty and psychological depth. Her works are held in the permanent collections of major American museums, testament to her enduring influence and artistic merit. More than just a surrealist painter or a magical realist, Lanyon was a visionary artist who dared to explore the hidden realms of the subconscious, challenging our perceptions of reality and reminding us of the power of imagination. Her legacy lies not only in the exquisite beauty of her paintings but also in her ability to create worlds that are both deeply personal and universally resonant – worlds that invite us to question, to dream, and to see beyond the surface of things. Her art remains a powerful testament to the enduring human need for meaning and connection in an increasingly fragmented world. Lanyon’s ability to blend meticulous technique with fantastical imagery has cemented her place as a significant figure in American art history.

    Onde ler mais

    • O artista Ellen Lanyon allpaintingsstore.com/pt/artists/ellen-lanyon/
    • Obras semelhantes Mais obras para comparar allpaintingsstore.com/pt/art/similar/ellen-lanyon-study-for-a-three-panel-screen-AR236Q-en/

    Encontre online

    QR code que direciona para a página de download de Study for a Three Panel Screen

    allpaintingsstore.com/pt/art/download/ellen-lanyon-study-for-a-three-panel-screen-AR236Q-en/

    Como citar esta obra

    MLA
    Lanyon, Ellen. Study for a Three Panel Screen. 1976, https://allpaintingsstore.com/pt/art/ellen-lanyon-study-for-a-three-panel-screen-AR236Q-en/
    APA
    Lanyon, Ellen (1976). Study for a Three Panel Screen [Painting]. https://allpaintingsstore.com/pt/art/ellen-lanyon-study-for-a-three-panel-screen-AR236Q-en/
    Chicago
    Ellen Lanyon. Study for a Three Panel Screen. 1976. https://allpaintingsstore.com/pt/art/ellen-lanyon-study-for-a-three-panel-screen-AR236Q-en/
    Harvard
    Lanyon, Ellen (1976) Study for a Three Panel Screen. Available at: https://allpaintingsstore.com/pt/art/ellen-lanyon-study-for-a-three-panel-screen-AR236Q-en/

    Observe de perto

    Study for a Three Panel Screen — Ellen Lanyon

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre Urbino (2010), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. O que o artista pode ter querido que você sentisse?
    5. Se você pudesse fazer uma pergunta ao artista sobre esta obra, qual seria?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Qual é a cor predominante de "Study for a Three Panel Screen", de Ellen Lanyon?

    A cor dominante de "Study for a Three Panel Screen", de Ellen Lanyon é Phthalo Green (#171616).

    Quais são as dimensões de "Study for a Three Panel Screen", de Ellen Lanyon na vida real?

    A obra original "Study for a Three Panel Screen", de Ellen Lanyon mede 76 x 102 cm.

    "Study for a Three Panel Screen", de Ellen Lanyon está em domínio público?

    Quanto aos direitos autorais, "Study for a Three Panel Screen" está em ainda protegido por direitos autorais.