Papel

Guia de Obras de Estudantes

Mallards Preening and Drying

Nome Turma Data

Peter Markham Scott, Mallards Preening and Drying (1933). Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
Peter Markham Scott allpaintingsstore.com/pt/artists/peter-markham-scott/
Datas do artista
1909 – 1989
Pintura a óleo
1933
Dimensões originais
50 x 60 cm

No contexto

Mallards Preening and Drying — Peter Markham Scott

Qual é o tamanho?

As dimensões originais são 50 × 60 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Quando foi pintado?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 80 ao falecer.

Pintado quando o artista tinha 24. O artista viveu até aos 80. 0 das 5 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de Peter Markham Scott (1909–1989) ▲ esta obra, 1933 cada pintura datada, década por década

Comparar com

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: allpaintingsstore.com/pt/art/similar/peter-markham-scott-mallards-preening-and-drying-AQZRAT-en/

Cores

Medido a partir da imagem

    Cor principal

    Driftwood #8f7c50

    Paleta catalogada

    • #8F7C50
    • #74613C
    • #ACA187
    • #4B412F

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Earthy A família de cores predominante na imagem.
    Nome da cor principal
    Driftwood
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Serene O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Unified Palette A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Balanced O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Balanced Soft Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Peter Markham Scott nos últimos doze meses — 1 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 China 100,0%300 visits

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 4 obras mais visualizadas de Peter Markham Scott

    1. 1 Widgeon Asleep in the Noonday Sun, 1936 40,0%200 visits
    2. 2 Night Action Gunboats off Le Tréport, 4 September 1943, 1943 20,0%100 visits
    3. 3 Mallards Preening and Drying, 1933 esta obra 20,0%100 visits
    4. 4 Flying Geese, 1935 20,0%100 visits

    Juntas, estas obras representam 100,0% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 5 obras deste artista, das quais 4 foram visualizadas pelo menos uma vez. This painting ranks 3 of them, with 20,0% of that attention (100 visits). Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Artista e museu

    Artista

    Peter Markham Scott

    Nascido em London, United Kingdom

    A Legacy Forged in Exploration and Art

    Sir Peter Markham Scott, a name synonymous with wildlife artistry, conservation, and adventurous spirit, was a truly remarkable figure of the 20th century. Born in 1909 into a family steeped in heroic exploration—his father being the legendary Antarctic explorer Robert Falcon Scott—young Peter inherited not only a legacy of courage but also a profound connection to the natural world. However, unlike his father’s path of geographical discovery, Peter forged his own, uniquely blending artistic talent with scientific curiosity and an unwavering dedication to protecting the planet's fragile ecosystems. The shadow of his father’s early death undoubtedly shaped his life, instilling perhaps a sense of urgency and a desire to make a lasting impact on the world. He was encouraged by his father’s last letter to his mother to pursue natural history, a path that would define his existence.

    From Cambridge Canvas to Olympic Waters

    Scott's early life was one of diverse pursuits. Educated at Oundle School and Trinity College, Cambridge, he initially focused on natural sciences before transitioning to the history of art in 1931. This shift reflected a growing artistic inclination nurtured by his mother, Kathleen Scott, a talented sculptor herself. It wasn’t merely academic interest; Scott possessed genuine artistic skill, quickly establishing himself as a painter of wildlife, particularly birds. His first exhibition in London in 1933 marked the beginning of a prolific career that would capture the beauty and dynamism of avian life with remarkable precision. But Scott was far from solely an artist or scholar. He excelled in sports, representing Great Britain at sailing in the 1936 Berlin Olympic Games and securing a bronze medal – a testament to his athleticism and competitive drive. This multifaceted nature—artist, scientist, sportsman—would become a defining characteristic of his life’s work.

    A Painterly Eye for the Natural World

    Scott's artistic style was deeply informed by his ornithological expertise. His paintings weren’t simply representations of birds; they were insightful studies born from keen observation and intimate knowledge of their behavior and anatomy. He predominantly focused on wildfowl, often depicting them in flight against dramatic skies or evocative landscapes. While influenced by earlier naturalist painters, Scott developed a distinctive style characterized by precise detail, vibrant colors, and a palpable sense of movement. His brushwork was often loose and expressive, capturing the energy and grace of birds soaring through the air. Works like “Mallards Preening and Drying,” “Widgeon Asleep in the Noonday Sun,” and “Morning Flight” exemplify his ability to convey both the aesthetic beauty and the intrinsic vitality of nature on canvas. He didn’t just paint what he saw; he painted what he knew, imbuing his work with a depth of understanding that resonated with viewers.

    Champion of Conservation and Global Impact

    However, Peter Markham Scott's legacy extends far beyond the realm of art. He was a visionary conservationist who recognized the urgent need to protect endangered species and their habitats. In 1946, he founded the Severn Wildfowl Trust – later renamed the Wildfowl & Wetlands Trust (WWT) – at Slimbridge in Gloucestershire. This pioneering organization established captive breeding programs that successfully saved species like the nene or Hawaiian goose from extinction. Perhaps his most globally recognized contribution was as a founding member of the World Wide Fund for Nature (WWF), where he famously designed the iconic panda logo, an image now universally associated with wildlife protection. His influence on international conservation policies was profound, and he received numerous accolades, including the WWF Gold Medal and the J. Paul Getty Wildlife Conservation Prize, recognizing his tireless efforts to raise awareness about the importance of preserving our planet’s biodiversity.

    Beyond Art and Conservation: A Life of Service

    Scott's contributions weren’t limited to art and conservation. During World War II, he served with distinction in the Royal Navy Volunteer Reserve, demonstrating bravery during the evacuation of troops at Saint-Valery-en-Caux and later commanding a squadron of steam gunboats. He even played a crucial role in developing innovative ship camouflage schemes – known as Western Approaches camouflage – that significantly improved British ships’ ability to evade enemy detection. After the war, he became a popular television personality through his BBC natural history series, “Look,” captivating audiences with his knowledge and passion for wildlife. His narration of “The Private Life of the Kingfisher” (1968), the first BBC natural history film in color, was particularly groundbreaking. Even in later life, Scott continued to challenge himself, becoming a British gliding champion in 1963. Sir Peter Markham Scott’s life serves as an inspiring testament to the power of combining passion, talent, and dedication to create lasting positive change – a true polymath whose influence continues to resonate today.

    Onde ler mais

    • O artista Peter Markham Scott allpaintingsstore.com/pt/artists/peter-markham-scott/
    • Obras semelhantes Mais obras para comparar allpaintingsstore.com/pt/art/similar/peter-markham-scott-mallards-preening-and-drying-AQZRAT-en/

    Encontre online

    QR code que direciona para a página de download de Mallards Preening and Drying

    allpaintingsstore.com/pt/art/download/peter-markham-scott-mallards-preening-and-drying-AQZRAT-en/

    Como citar esta obra

    MLA
    Scott, Peter Markham. Mallards Preening and Drying. 1933, https://allpaintingsstore.com/pt/art/peter-markham-scott-mallards-preening-and-drying-AQZRAT-en/
    APA
    Scott, Peter Markham (1933). Mallards Preening and Drying [Painting]. https://allpaintingsstore.com/pt/art/peter-markham-scott-mallards-preening-and-drying-AQZRAT-en/
    Chicago
    Peter Markham Scott. Mallards Preening and Drying. 1933. https://allpaintingsstore.com/pt/art/peter-markham-scott-mallards-preening-and-drying-AQZRAT-en/
    Harvard
    Scott, Peter Markham (1933) Mallards Preening and Drying. Available at: https://allpaintingsstore.com/pt/art/peter-markham-scott-mallards-preening-and-drying-AQZRAT-en/

    Observe de perto

    Mallards Preening and Drying — Peter Markham Scott

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre Night Action Gunboats off Le Tréport, 4 September 1943 (1943), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. Peter Markham Scott tinha cerca de 24 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    5. O que o artista pode ter querido que você sentisse?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Onde posso encontrar obras de arte semelhantes a "Mallards Preening and Drying", de Peter Markham Scott?

    A página Obras semelhantes de "Mallards Preening and Drying", de Peter Markham Scott apresenta obras relacionadas.

    As cores de "Mallards Preening and Drying", de Peter Markham Scott são vibrantes ou suaves?

    A cor de "Mallards Preening and Drying" apresenta Balanced Soft de saturação e Balanced de intensidade.

    Qual paleta de cores é utilizada em "Mallards Preening and Drying", de Peter Markham Scott?

    A paleta de "Mallards Preening and Drying", de Peter Markham Scott é descrita como Earthy. Trata-se de uma descrição concisa das cores da obra.