Papel

Guia de Obras de Estudantes

Dosover

Nome Turma Data

Stephen Buckley, Dosover (1998), New Walk Museum - Art Gallery. Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
Stephen Buckley allpaintingsstore.com/pt/artists/stephen-buckley/
Datas do artista
1944 –
Pintura a óleo
1998
Dimensões originais
110 x 110 cm
Realizado em
New Walk Museum - Art Gallery allpaintingsstore.com/pt/museums/new-walk-museum-art-gallery-leicester_pt/

No contexto

Dosover — Stephen Buckley

Qual é o tamanho?

As dimensões originais são 110 × 110 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Quando foi pintado?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000

Linha superior: os anos. Linha inferior: a idade do artista no início e no fim de cada período, contando 0 a partir do nascimento.

Pintado quando o artista tinha 54. 3 das 7 obras datadas deste artista em nosso catálogo são anteriores.

▲ esta obra, 1998 cada pintura datada, década por década

Comparar com

  • Topeko allpaintingsstore.com/pt/art/stephen-buckley-topeko-AQUPFJ-en/
  • Harmony, 2008 allpaintingsstore.com/pt/art/stephen-buckley-harmony-AQUPFC-en/
  • Two Step, 1999 allpaintingsstore.com/pt/art/stephen-buckley-two-step-AQUPF6-en/

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: allpaintingsstore.com/pt/art/similar/stephen-buckley-dosover-AQUPF8-en/

Cores

Medido a partir da imagem

    Cor principal

    Quinacridone Magenta #7d473e

    Paleta catalogada

    • #7D473E
    • #FDFCFC
    • #2D2A2D
    • #B78349

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Neutrals A família de cores predominante na imagem.
    Nome da cor principal
    Quinacridone Magenta
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Balanced Harmony A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Bright O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Subtle Color Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Stephen Buckley nos últimos doze meses — 2 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 China 57,1%
    2. 2 Reino Unido 42,9%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 5 obras mais visualizadas de Stephen Buckley

    1. 1 Curemount, 1989 33,3%
    2. 2 Topeko 22,2%
    3. 3 Lud, 1970 22,2%
    4. 4 Dosover, 1998 esta obra 11,1%
    5. 5 Two Step, 1999 11,1%

    Juntas, estas obras representam 99,9% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 10 obras deste artista, das quais 5 foram visualizadas pelo menos uma vez. Esta pintura ocupa a 4 posição entre elas, com 11,1% dessa atenção. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Artista e museu

    Artista

    Stephen Buckley

    Stephen Buckley: A Weaver of Shadows and Dreams

    Stephen Buckley (born Leicester, 1944) is a British painter whose work occupies a fascinating space between the concrete realities of everyday life and the ethereal landscapes of the subconscious. For over six decades, he has relentlessly pursued an artistic language characterized by intricate layering, unsettling juxtapositions, and a profound engagement with themes of identity, memory, and the psychological complexities of the human experience. Buckley’s oeuvre isn't easily categorized; it resists simple labels like ‘abstract,’ ‘surrealist,’ or even ‘contemporary.’ Instead, he operates within a unique realm where recognizable forms dissolve into textured surfaces, inviting viewers to embark on a deeply personal and often disquieting journey through his meticulously constructed worlds.

    Buckley’s early artistic development was profoundly shaped by the intellectual currents of the mid-20th century. Studying at King's College, Durham University under Richard Hamilton – a key figure in the Pop Art movement – exposed him to the radical experimentation and critical engagement with mass culture that defined the era. This initial influence is evident in his early work, which often incorporated elements of advertising imagery and consumer objects, albeit filtered through a distinctly personal and increasingly idiosyncratic lens. However, Buckley quickly transcended these influences, forging his own distinct voice through a process of relentless deconstruction and reconstruction. He wasn’t simply replicating or commenting on existing forms; he was actively dismantling them, reassembling their fragments into entirely new configurations that possessed an unsettling and dreamlike quality.

    The Language of Materials

    A defining characteristic of Buckley's work is his innovative approach to materials. He rarely confines himself to traditional painting techniques, instead embracing a diverse range of media – canvas, wood, cardboard, rope, found objects, and even human hair – to create multi-dimensional surfaces that defy easy categorization. This deliberate use of unconventional materials isn’t merely decorative; it's integral to the conceptual framework of his paintings. As he himself has stated, “I am interested in the materiality of painting itself.” The textures, layers, and tactile qualities of these materials contribute significantly to the overall mood and narrative of each piece, inviting viewers to engage with the work on a visceral level.

    Buckley’s process is often described as ‘carry-on,’ referring to his tendency to create multiple versions of a single image or motif. This iterative approach allows him to explore subtle variations in color, texture, and composition, revealing new layers of meaning with each iteration. The repetition itself becomes a symbolic gesture, suggesting the cyclical nature of memory, trauma, and the ongoing process of self-discovery. His work is not about achieving a singular, definitive image; it’s about capturing a fleeting moment of insight or emotional resonance.

    Key Themes and Influences

    Buckley's paintings frequently grapple with themes of identity, memory, and psychological distress. Recurring motifs – fragmented figures, distorted landscapes, and unsettling symbols – suggest a preoccupation with the fractured nature of consciousness and the difficulty of confronting painful experiences. His work is often described as ‘dark’ or ‘unsettling,’ but it’s important to note that this isn't simply an exercise in shock value. Buckley’s paintings are deeply empathetic explorations of the human condition, offering a glimpse into the hidden anxieties and vulnerabilities that lie beneath the surface of everyday life.

    Beyond his engagement with personal themes, Buckley has also been influenced by a wide range of artistic traditions, including Dadaism, Surrealism, and Concrete Expressionism. The influence of Kurt Schwitters’ collages is particularly evident in his use of layered textures and found objects, while the fragmented forms and psychological intensity of Surrealist painters like Max Ernst resonate throughout his oeuvre. The raw emotionality of concrete expressionism also finds a home within Buckley's work.

    Recognition and Legacy

    Throughout his career, Stephen Buckley has enjoyed considerable recognition as both an artist and educator. He taught at various prestigious institutions, including the Royal College of Art, shaping the artistic development of numerous students. His work has been exhibited extensively in Britain and internationally, earning him critical acclaim and securing its place in major public collections. Notable achievements include a prize at the John Moores Painting Prize (1974 & 1979), retrospective exhibitions at the Museum of Modern Art, Oxford, and University Gallery, University of Northumbria.

    Buckley’s legacy extends beyond his individual artworks; he represents a significant voice in British contemporary art, demonstrating a willingness to challenge conventional notions of painting and explore the full potential of materials and process. His work continues to resonate with audiences today, offering a powerful and enduring meditation on the complexities of human experience.

    Museu

    New Walk Museum - Art Gallery

    Em exibição em Leicester, United Kingdom

    A Tapestry of Time: The Soul of Leicester Museum & Art Gallery

    Nestled along the historic promenade of New Walk, the

    Leicester Museum & Art Gallery

    stands as a profound testament to the enduring human impulse to collect, preserve, and celebrate. This venerable institution has evolved from a modest showcase of British art into a sprawling, multidisciplinary sanctuary where the boundaries between science, history, and fine art dissolve. To walk through its halls is to embark on a curated journey through the epochs, moving seamlessly from the primordial whispers of the Mesozoic Era to the avant-garde provocations of the twentieth century. The museum does not merely display objects; it orchestrates an encounter with the very essence of our shared heritage.

    The architectural grandeur of the museum serves as a stately prelude to the treasures within. Designed by the ingenious

    Joseph Hansom

    —the mastermind behind the iconic hansom cab—the building itself is a masterpiece of Victorian ambition, reflecting an era defined by progress and aesthetic rigor. Its structure provides a dignified stage for a collection that is as diverse as it and deep, offering a sense of stability and permanence amidst the ever-changing currents of history.

    A Confluence of Artistic Mastery and Scientific Wonder

    For the art lover, the gallery offers a breathtaking panorama of styles, most notably within its celebrated

    German Expressionist

    section. Here, the canvas erupts with bold, emotive colors and distorted forms that capture the raw psychological intensity of a transformative period in European history. This visceral energy is balanced by the exquisite

    Attenborough Collection of Picasso Ceramics

    , a world-renowned assemblage meticulously curated by Sir David Attenborough. This collection serves as a poignant intersection of scientific curiosity and artistic passion, showcasing how form and medium can transcend their physical boundaries.

    Beyond the realm of the canvas, the museum invites a deeper exploration into the mysteries of life and death. The halls are haunted by the magnificent silhouettes of prehistoric giants, including the formidable

    Tyrannosaurus Rex

    and the intricately detailed skeletons of the

    Cetiosaurus

    and

    Plesiosaur

    . These fossils, such as the beloved "George," offer a humbling perspective on the vast scales of geological time. This sense of wonder extends into the Ancient Egypt exhibit, where the quiet majesty of sarcophagi and intricately decorated mummies transports visitors to the banks of the Nile.

    For the interior designer or the discerning aesthete, the Leicester Museum & Art Gallery offers more than just educational value; it provides a profound source of inspiration. The museum’s unique ability to harmonize the rugged textures of paleontological finds with the delicate elegance of fine ceramics and the dramatic shadows of Expressionist works makes it a cornerstone of cultural enrichment. It remains a beacon for those who seek to find beauty in the intersection of the ancient and the modern, the scientific and the sublime.

    Onde ler mais

    Encontre online

    QR code que direciona para a página de download de Dosover

    allpaintingsstore.com/pt/art/download/stephen-buckley-dosover-AQUPF8-en/

    Como citar esta obra

    MLA
    Buckley, Stephen. Dosover. 1998, New Walk Museum - Art Gallery. https://allpaintingsstore.com/pt/art/stephen-buckley-dosover-AQUPF8-en/
    APA
    Buckley, Stephen (1998). Dosover [Painting]. New Walk Museum - Art Gallery. https://allpaintingsstore.com/pt/art/stephen-buckley-dosover-AQUPF8-en/
    Chicago
    Stephen Buckley. Dosover. 1998. New Walk Museum - Art Gallery. https://allpaintingsstore.com/pt/art/stephen-buckley-dosover-AQUPF8-en/
    Harvard
    Buckley, Stephen (1998) Dosover. New Walk Museum - Art Gallery. Available at: https://allpaintingsstore.com/pt/art/stephen-buckley-dosover-AQUPF8-en/

    Observe de perto

    Dosover — Stephen Buckley

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre Topeko, visto anteriormente neste guia. Nomeie duas características que esta obra compartilha com a anterior e uma que seja diferente.
    4. Stephen Buckley tinha cerca de 54 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    5. O que o artista pode ter querido que você sentisse?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Como posso adquirir uma impressão de "Dosover", de Stephen Buckley?

    Para obter uma impressão de "Dosover", de Stephen Buckley, basta encomendá-la na sua página de Impressão Fine Art: uma impressão fine art em tela de algodão ou papel canvas de arquivo.

    Quão harmoniosas são as cores de "Dosover" entre si?

    As cores de "Dosover", de Stephen Buckley apresentam uma harmonia Balanced Harmony. A harmonia descreve como as cores se relacionam entre si.

    "Dosover", de Stephen Buckley é uma obra de tons claros ou escuros?

    Os valores registrados para "Dosover", de Stephen Buckley são: bright de brilho e Bright Balance de luminância.