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Guia de Obras de Estudantes

Cracking Nuts

Nome Turma Data

William Sidney Mount, Cracking Nuts (1856). Domínio público. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
William Sidney Mount allpaintingsstore.com/pt/artists/william-sidney-mount_pt/
Datas do artista
1807 – 1868
Pintura a óleo
1856

No contexto

Cracking Nuts — William Sidney Mount

Quando foi pintado?

  1. 1800
  2. 1810
  3. 1820
  4. 1830
  5. 1840
  6. 1850
  7. 1860

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 61 ao falecer.

Pintado quando o artista tinha 49. O artista viveu até aos 61. 45 das 57 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de William Sidney Mount (1807–1868) ▲ esta obra, 1856 cada pintura datada, década por década

Primeiras obras: até 1836 Principais anos de atividade: 1836–1855 Obras tardias: a partir de 1855

Essas três faixas dividem as obras datadas neste catálogo em um primeiro quarto, uma metade central e um último quarto. Elas não representam a produção completa do artista: um período de escassez pode ser uma lacuna no registro, em vez de um intervalo de baixa atividade. Os mesmos anos com a trajetória do artista neles traçada

Comparar com

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: allpaintingsstore.com/pt/art/similar/william-sidney-mount-cracking-nuts-8XX884-en/

Cores

Medido a partir da imagem

    Cor principal

    Putty #f0dbc7

    Paleta catalogada

    • #F0DBC7
    • #C19862
    • #41261F
    • #815834

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Neutrals A família de cores predominante na imagem.
    Nome da cor principal
    Putty
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Bright O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Balanced Soft Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de William Sidney Mount nos últimos doze meses — 4 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 China 60,5%
    2. 2 Estados Unidos da América 31,6%
    3. 3 Singapura 5,3%
    4. 4 Coréia do Sul 2,6%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 20 obras mais visualizadas de William Sidney Mount

    1. 1 The Bone Player, 1856 8,0%
    2. 2 Eel Spearing at Setauket (also known as Recolections of Early Days - Fishing Along Shore'')'', 1845 8,0%
    3. 3 Saul and the Witch of Endor, 1828 8,0%
    4. 4 Dance of the Haymakers, 1845 6,0%
    5. 5 Coming to the Point, 1854 6,0%
    6. 6 The Power of Music, 1847 4,0%
    7. 7 The Painter's Triuimph (also known as Artist Showing His Own Work), 1838 4,0%
    8. 8 The Long Story (also known as The Tough Story), 1837 4,0%
    9. 9 Ringing the Pig (also known as Scene in a Long Island Farm-Yard), 1842 4,0%
    10. 10 Long Island Farmer Husking Corn, 1833 4,0%
    11. 11 Great-Grand-Father's Tale of the Revolution—A Portrait of Reverend Zachariah Greene, 1852 2,0%
    12. 12 Rustic Dance After a Sleigh Ride, 1830 2,0%
    13. 13 Coming to the Point, 1854 2,0%
    14. 14 Caught Napping, 1848 2,0%
    15. 15 The Sportsman's Last Visit, 1835 2,0%
    16. 16 Courtship (also known as Winding Up), 1836 2,0%
    17. 17 Loss and Gain, 1848 2,0%
    18. 18 School Boys Quarreling, 1830 2,0%
    19. 19 Catching the Tune, 1866 2,0%
    20. 30 Cracking Nuts, 1856 esta obra 2,0%

    Juntas, estas obras representam 76,0% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 64 obras deste artista, das quais 32 foram visualizadas pelo menos uma vez. Esta pintura ocupa a 30 posição entre elas, com 2,0% dessa atenção. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Artista e museu

    Artista

    William Sidney Mount

    Nascido em Setauket, Estados Unidos da América

    A Pioneer of American Genre Painting

    William Sidney Mount, born November 26, 1807, in the quiet hamlet of Setauket, Long Island, emerged as a pivotal figure in the development of distinctly American art. He wasn’t drawn to the grand historical narratives or formal portraiture favored by many of his contemporaries; instead, Mount turned his keen eye toward the everyday lives unfolding around him – the farmers, musicians, and ordinary folk who populated the rural landscapes of 19th-century Long Island. This dedication to depicting scenes of common life established him as a pioneer of genre painting in America, a style that celebrated the dignity and inherent beauty found within the mundane. His artistic journey was deeply rooted in his upbringing; his father operated a bustling farm, store, and tavern, while his uncle Micah Hawkins was a man of varied talents – a composer, playwright, mimic, and poet – fostering an environment rich with both artistic expression and observation of human character.

    Early Training and Artistic Awakening

    Mount’s initial foray into the art world began not in a formal academy but through an apprenticeship with his older brother, Henry Smith Mount, a sign painter in New York City. This practical training honed his skills in draftsmanship and painting technique, providing a solid foundation for future endeavors. However, it was a visit to the American Academy of the Fine Arts exhibition in 1825 that truly ignited his artistic passion. Immersed in the works of established artists—Benjamin West and William Hogarth foremost among them—Mount experienced an awakening, shifting his focus from traditional subjects toward capturing authentic moments from everyday life. He established his own studio in New York City in 1829, a significant step towards independence and solidifying his commitment to pursuing art as a profession. Though initially influenced by historical painting—he created works like Christ Raising the Daughter of Jairus (1828)—Mount soon found his true calling lay in portraying the world he knew best: the rural life of Long Island. He was captivated by the rhythms and interactions of those around him, recognizing a compelling narrative within their simple existence.

    Capturing Rural Life with Realism and Warmth

    Mount’s artistic style is characterized by an unwavering realism coupled with a remarkable ability to infuse his scenes with warmth and humor. He didn't idealize rural life; rather, he presented it as it was – full of both labor and leisure, hardship and joy. His attention to detail is meticulous, from the textures of clothing to the expressions on faces, creating a sense of immediacy and authenticity. Dancing on Barn Floor (1831), one of his early successes, exemplifies this approach; it’s a lively depiction of a rural dance, brimming with energy and capturing the spirit of communal celebration. Later works like The Banjo Player (1856) demonstrate not only his technical skill but also a profound sensitivity to his subjects. This poignant portrait of an African American musician is particularly noteworthy for its dignified portrayal, challenging prevailing stereotypes of the time. Other notable paintings include The Long Story, Right and Left, each offering a glimpse into the lives and experiences of ordinary Americans.

    Innovation Beyond the Canvas

    Mount’s creativity extended beyond painting; he was also an accomplished musician and inventor. He played the fiddle with skill, composed music, and dedicated considerable time to designing his own version of the violin—affectionately named “Cradle of Harmony”—demonstrating a remarkable spirit of innovation. He constructed a portable studio within a horse-drawn wagon in 1860, allowing him to travel freely throughout Long Island, painting directly from life and capturing spontaneous moments as they unfolded. This mobile workspace underscored his dedication to authenticity and his desire to connect with the people he depicted.

    Legacy and Enduring Influence

    William Sidney Mount passed away on November 19, 1868, in Setauket, Long Island—a place deeply intertwined with his artistic identity. His pioneering work in genre painting helped establish it as a significant force within the American art landscape, paving the way for future generations of artists who sought to capture the essence of American identity and culture. He is remembered not only for his technical skill and realistic depictions but also for his compassionate portrayal of everyday people, celebrating their lives with dignity and respect. His home and studio are now designated as a National Historic Landmark, preserving his creative space as a testament to his enduring influence. Mount’s paintings offer a valuable window into 19th-century American life, reminding us of the beauty and significance found within the ordinary moments that shape our shared history. He was truly a chronicler of rural America, an artist who understood the power of art to connect us to our past and to each other.

    Onde ler mais

    Encontre online

    QR code que direciona para a página de download de Cracking Nuts

    allpaintingsstore.com/pt/art/download/william-sidney-mount-cracking-nuts-8XX884-en/

    Como citar esta obra

    MLA
    Mount, William Sidney. Cracking Nuts. 1856, https://allpaintingsstore.com/pt/art/william-sidney-mount-cracking-nuts-8XX884-en/
    APA
    Mount, William Sidney (1856). Cracking Nuts [Painting]. https://allpaintingsstore.com/pt/art/william-sidney-mount-cracking-nuts-8XX884-en/
    Chicago
    William Sidney Mount. Cracking Nuts. 1856. https://allpaintingsstore.com/pt/art/william-sidney-mount-cracking-nuts-8XX884-en/
    Harvard
    Mount, William Sidney (1856) Cracking Nuts. Available at: https://allpaintingsstore.com/pt/art/william-sidney-mount-cracking-nuts-8XX884-en/

    Observe de perto

    Cracking Nuts — William Sidney Mount

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre Great-Grand-Father's Tale of the Revolution—A Portrait of Reverend Zachariah Greene (1852), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. William Sidney Mount tinha cerca de 49 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    5. O que o artista pode ter querido que você sentisse?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Quão harmoniosas são as cores de "Cracking Nuts", de William Sidney Mount?

    As cores de "Cracking Nuts", de William Sidney Mount apresentam uma harmonia Strong Color Unity. A harmonia descreve como as cores se relacionam entre si.

    Quem é o autor e qual é a data de "Cracking Nuts"?

    "Cracking Nuts" foi criado por William Sidney Mount em 1856.

    Qual é a intensidade do contraste em "Cracking Nuts", de William Sidney Mount?

    "Cracking Nuts", de William Sidney Mount apresenta um contraste Statement entre suas áreas claras e escuras.