Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 5 obras de Carl Ebert em nosso catálogo
Resposta rápida
A pintura mais famosa de Carl Ebert é Forest Landscape with Bathing Children (1867); a original está no Bavarian State Painting Collections, em Munique. Evening Landscape (1875) e Landscape society in a park são os números dois e três. Dos 5 trabalhos de Carl Ebert em nosso catálogo, estas são as 5 obras mais famosas, classificadas com o seu respectivo ano e museu, para que possa escolher a pintura para encomendar.
Os 2 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de Carl Ebert | Pinturas desta lista |
|---|---|---|---|
 Bavarian State Painting Collections |
Munique | 2 | Forest Landscape with Bathing Children, Evening Landscape |
 Lenbachhaus |
Munique | 1 | Isar Landscape |
As pinturas datadas de Carl Ebert aqui abrangem um período de 9 anos, de 1867 a 1875. Navegue ano a ano para escolher a sua.
Selecione um ano para ver as suas pinturas.
Forest Landscape with Bathing Children (1867), Bavarian State Painting Collections, Munique, ocupa o primeiro lugar, seguido por Evening Landscape (1875) e Landscape society in a park.
Carl Ebert tinha 46 anos: Forest Landscape with Bathing Children é datada de 1867, e Carl Ebert nasceu em 1821.
5 obras de Carl Ebert estão em nosso catálogo, datadas de 1867 a 1875.
Principalmente em Bavarian State Painting Collections (Munique) e Lenbachhaus (Munique). Consulte a tabela de museus acima para a lista completa.
Mais antiga nesta página: Forest Landscape with Bathing Children (1867). Mais recente: Evening Landscape (1875).
O Bavarian State Painting Collections, Munique detém 2 das pinturas classificadas aqui, incluindo Forest Landscape with Bathing Children e Evening Landscape.
Sim. Todas as pinturas desta página podem ser encomendadas como uma reprodução em óleo pintada à mão ou como uma impressão. Abra a pintura, escolha o tamanho e faça o seu pedido.
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.
